Category Archives: Mysteries

Petrified titans, giants and huge ancient trees

Recently I have stumbled more and more websites and videos telling about giants and more recently so called titans. The story is that there were bigger beigns on this planet than we have ever dreamed of. If this theory is real, it means that these things were HUGE and I mean really huge! Was there a time once when these titans roamed on the Earth and the somekind of cataclysm, war or the great flood wiped them off? If even part of this hidden knowledge is true, then this is the biggest lie we have ever faced. Mankind must get up from it’s knees and start to investigate these monstrous lies we have taught about our history, geology and our past. This is just a glimpse so please, my fellow friends, don’t believe me do the research yourself. Go outside and look the mountains, rocks, cliffs… I have looked and starngly they are showing me something I have never seen before. And it is awesome!

So here is a little article and then I link some videos at the end of the article:

Am still suprised how Petrifaction took place on Giants and Huge animals with flesh and blood without decomposing them and instead turning them into Solid-Rocks, was some Technology  used or was this a natural event?? Its sound similar to a Rajasthan Cursed Kiradu Temple located in india as rumor goes they say that it turns humans into stones! The Dragon on the 2nd Vdo shocked me!!… seriously we are fucked up on this prision planet with LIES

~ Galactic Human ~

Now when we look at the mud fossils of animals in your videos, we can observe that they were much, much bigger than today. This bring me to the conclusion that even normal human before the flood must have been much bigger than today… maybe 20-40 feet tall(still far from the titan 200 feet tall), 4.13 .. is a woman lying head east .. with her hair flowing down .. and a child lying on her stomach .with clothes on

Heres the Dragon from Egypt , You can even see the bone structure of the wing and where the soft tissue of the wings would be. Mouth slit, nose, peak at back of head. Simply amazing.

This will totally change your thinking about our earth and how you see it. … buttes and mountains being giant petrified tree stumps is astounding. … taller than us when God made them



And here are some awesome videos about the topic where you can start your investigation:

And then we have kind of the same idea, but about giant ancient trees. When you realize this huge lie about table mountains your perspective towards the Earth we are living turns upside down… this is just mad and I mean the lies we have been fed all of our lives…

Do your reseach and have a nice day my friends.

Unexplained Archaeological Discoveries

Unexplained Archaeological Discoveries

One of the best things about archaeology is uncovering places, artifacts, and human remains that answer long-held mysteries about our past and our origins. But frequently discoveries are made that do not solve ancient puzzles, but simply raise more questions to be answered. Here we feature ten such discoveries – from indecipherable manuscripts to Frankenstein mummies, and incredible artifacts from unknown civilizations. Some of these mysteries will one day be solved as science and research techniques progress, others will keep their secrets hidden forever.

The Unknown Origins of the Longyou Caves

Located near the village of Shiyan Beicun in Zhejiang province, China, lies the Longyou caves – an extensive, magnificent and rare ancient underground world considered in China as ‘the ninth wonder of the ancient world’. The Longyou grottoes, which are thought to date back at least 2,000 years, represent one of the largest underground excavations of ancient times and are an enduring mystery that have perplexed experts from every discipline that has examined them.

Scientists from around the world in the fields of archaeology, architecture, engineering, and geology have absolutely no idea how they were built, by whom, and why. First discovered in 1992 by a local villager, 36 grottoes have now been discovered covering a massive 30,000 square metres. Carved into solid siltstone, each grotto descends around 30 metres underground and contains stone rooms, bridges, gutters and pools. There are pillars evenly distributed throughout the caves which are supporting the ceiling, and the walls, ceiling and stone columns are uniformly decorated with chisel marks in a series of parallel lines. To date, scientists have not been able to establish who built them, how they were constructed, and why.

The Sound Effects of Malta’s Hypogeum Hal Saflieni

The Hypogeum of Hal Saflieni in Malta is a UNESCO World Heritage Site which is believed to be the oldest prehistoric underground temple in the world. The subterranean structure is shrouded in mystery, from the discovery of elongated skulls to stories of paranormal phenomena. But the characteristic that has been attracting experts from around the globe is the unique acoustic properties found within the underground chambers of the Hypogeum. Although not known for certain, it is believed that the hypogeum was originally used as a sanctuary, possibly for an oracle. It is for this reason that a unique chamber carved out of solid limestone and demonstrating incredible acoustic properties has been called ‘the Oracle Chamber’.

According to William Arthur Griffiths, who wrote ‘Malta and its Recently Discovered Prehistoric Temples’, a word spoken in the Oracle room is “magnified a hundredfold and is audible throughout the entire structure.” It is said that standing in the Hypogeum is like being inside a giant bell. At certain pitches, one feels the sound vibrating in bone and tissue as much as hearing it in the ear. The questions remain – was it intentional? Was the Hypogeum actually designed to enhance amplification? If so, why? Is it possible that the designers of these spaces knew something that modern scientists are just rediscovering?

The Indecipherable Voynich Manuscript

In 1912, a Polish-American book dealer named Wilfrid M. Voynich went to Rome on an acquisitions trip. There he happened upon a trunk that contained a rare 15th century manuscript now known as the Voynich manuscript. Since its appearance, this document—which is now under lock and key at the Beinecke Rare Book and Manuscript library at Yale—has been studied extensively and has stumped even the most successful cryptographers and code breakers. You must be asking yourself why the intrigue? The answer is simple: the book is almost entirely illegible. The author is also unidentified, as is the obscure language used throughout the text. Even many of the illustrations remain enigmatic, as many of the plants portrayed in the book—which are often crudely drawn—are unidentifiable, and the numerous pictures of nude women are involved in inexplicable acts.

The Plain of Megalithic Jars

The Plain of Jars in the Xieng Khouang plain of Laos is one of the most enigmatic sights on Earth. The unusual site of thousands of megalithic stone jars scattered across nearly one hundred sites deep in the mountains of northern Laos has fascinated archaeologists and scientists ever since their discovery in the 1930s. The unusual site known as the Plain of Jars is dated to the Iron Age (500 BC to 500 AD) and is made up of at least 3,000 giant stone jars up to 3 metres tall and weighing several tonnes. Most are made of sandstone but there are others made of much harder granite and limestone. The jars appear to have been manufactured with a degree of knowledge of what materials and techniques were suitable. It is assumed that Plain of Jars’ people used iron chisels to manufacture them although no conclusive evidence for this exists. Little is known of the people who carved the huge containers and the jars themselves give little clue as to their origins or purpose.

The Paracas Elongated Skulls

Paracas is a desert peninsula located within the Pisco Province in the Inca Region, on the south coast of Peru. It is here were Peruvian archaeologist, Julio Tello, made an amazing discovery in 1928 – a massive and elaborate graveyard containing tombs filled with the remains of individuals with the largest elongated skulls found anywhere in the world. These have come to be known as the ‘Paracas skulls’. In total, Tello found more than 300 of these elongated skulls, which are believed to date back around 3,000 years.

It is well-known that most cases of skull elongation are the result of cranial deformation, head flattening, or head binding, in which the skull is intentionally deformed by applying force over a long period of time. It is usually achieved by binding the head between two pieces of wood, or binding in cloth. However, while cranial deformation changes the shape of the skull, it does not alter its volume, weight, or other features that are characteristic of a regular human skull.

Some of the Paracas skulls, however, have a cranial volume that is up to 25 percent larger and 60 percent heavier than conventional human skulls, meaning they could not have been intentionally deformed through head binding/flattening. They also contain only one parietal plate, rather than two. The fact that the skulls’ features are not the result of cranial deformation means that the cause of the elongation is a mystery, and has been for decades.

The Ica Stones and their Strange Engravings

It is a rare object that stimulates the curiosity of archaeologists, ancient astronaut theorists, and creationists all at the same time, but the Ica stones have done just that. The Ica stones refer to the momentous collection of more than 15,000 engraved stones which curiously depict clear and detailed dinosaurs, complex medical surgery, and forms of advanced technology such as telescopes.

Most believe the stones are nothing more than an elaborate hoax, while others maintain that they are evidence that an ancient race of humans who possessed advanced technology coexisted with dinosaurs. Today, most maintain that the stones are nothing more than a fraud, however, others suggest that attempts to discredit the stones are merely a way to hide evidence that conflicts with mainstream perspectives. The Ica museum in which the stones are housed remains open to those who would like to interpret the mysteries for themselves.

The Ancient Artifacts of Sanxingdui

Amid the once-tranquil village of Sanxingdui, in a quiet part of Sichuan province in China, a remarkable discovery took place which immediately attracted international attention and has since rewritten the history of Chinese civilisation. Two giant sacrificial pits were unearthed containing thousands of gold, bronze, jade, ivory and pottery artifacts that were so unusual and unlike anything ever found in China before, that archaeologists realised they had just opened the door to an ancient culture dating back between 3,000 and 5,000 years.

The discovery of the artifacts opened up a world of intrigue. The objects included animal-faced sculptures and masks with dragon ears, open mouths and grinning teeth; human-like heads with gold foil masks; decorative animals including dragons, snakes, and birds; a giant wand, a sacrificial altar, a 4-metre tall bronze tree; axes, tablets, rings, knives, and hundreds of other unique items. However, by far the most striking findings were dozens of large bronze masks and heads represented with angular human features, exaggerated almond-shaped eyes, straight noses, square faces, and huge ears, features which don’t reflect those of Asian people. The discovery of Sanxingdui shocked the world, but the history of the artifacts remains a mystery. Only the contents of two solitary pits reflect their immemorial and brilliant civilisation – no other artifacts like them have ever been found since. There are no historical records, and no ancient texts that speak of them, leaving experts asking what the purpose of the objects was, where the culture came from, and where they went after burying their most precious treasures.

The Giant Spheres of Costa Rica

Many will be familiar with the opening scene of “Raiders of the Lost Ark” where a giant stone sphere nearly crushes Indiana Jones to death. While everyone recognises the movie as a work of fiction, the giant ancient stone spheres are not. While clearing the jungle for banana plantations in 1940 in Costa Rica’s Diquis Delta region, employees of the United Fruit Company uncovered numerous large stone spheres partly buried in the forest floor.

Around 300 spheres are known to exist, with the largest weighing 16 tonnes and measuring eight feet in diameter, and the smallest being no bigger than a basketball. Almost all of them are made of granodiorite, a hard, igneous stone. Since their discovery the true purpose of the spheres, which still eludes experts, has been the subject of speculation ranging from theories about the balls being navigational aids, to relics related to Stonehenge, the product of an unknown ancient civilization or visits from extraterrestrials.

Part of the mystery surrounds the way in which they were created as the near-perfect spheres appear to have come from a quarry that was more than 50 miles away and they were created in a time in which metal tools had apparently not been invented yet. However, the biggest mystery remains what they were used for. The people who made them didn’t leave any written record and there no myths or legends or other stories that are told by the indigenous people of Costa Rica about why the spheres were made.

The Stone Head of Guatemala

Over half a century ago, deep in the jungles of Guatemala, a gigantic stone head was uncovered. The face had fine features, thin lips and large nose and its face was directed up at the sky. Unusually, the face demonstrated Caucasian features which were not consistent with any of the pre-Hispanic races of America.

The discovery rapidly attracted attention, but just as quickly it slipped away into the pages of forgotten history. News of the discovery first emerged when Dr Oscar Rafael Padilla Lara, a doctor of philosophy, lawyer and notary, received a photograph of the head in 1987 along with a description that the photograph was taken in the 1950s by the owner of the land where the head was found and that it was located “somewhere in the jungles of Guatemala”. Upon tracking down the site some ten years later, Dr Padilla was devastated to find the site had been obliterated by revolutionaries. To date, no one knows where it came from, who made it, and why.

The ‘Frankenstein’ Mummies of Scotland

In 2001, a team of archaeologists found four skeletons at an archaeological site on the island of South Uist in the Outer Hebrides in Scotland. At first, it appeared to be a typical Bronze Age discovery, but the researchers soon discovered that the finding was far from normal. The skeletons, one male and one female, were buried in the foetal position. Initial tests revealed that the male had died in around 1600 BC and the female had died in approximately 1300 BC. However, some ten years later, further DNA examination of the remains led to a startling discovery – the two skeletons were actually made up of body parts from six different individuals. In the ‘male skeleton’, the torso, skull and neck, and lower jaw belonged to three separate men, and the ‘female skeleton’ is a composite formed from a male skull, a female torso, and the arm of a third person whose gender had not been determined.

Carbon dating revealed that the skull of the ‘female’ mummy is 50 to 200 years older than the torso. It appears that the mummies were made up of parts from people in the same families and then put together like a jigsaw to make it look like they were just one person. Archaeologists have no idea why the remains were mummified and then mixed together. However, Parker Pearson believes that the mixing of remains was done to combine different ancestries of families to create a ‘symbolic ancestor’ that literally embodied traits from multiple lineages.

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The Mandela Effect

I have been rather busy lately, but there has been one thing that has caught my attention and it’s an effect called “Mandela” Effect. It’s a phenomenom when you remember some things and when you check them out, they are totally different. I noticed when a cartoon series I remembered to be “Looney Toons” is now actually called “Looney Tunes”.  Then I checked something else and came accross that cerials which I thought were “Fruit Loops” is now called “Froot Loops”… that really sounds weird…Froot? Really?

Then I studied it more and I noticed changes in all my bibles. Lord’s prayer has changed. And I know this, because it’s the only thing I REALLY remember properly from the bible. So it has changed like this:

It used to say:

“And forgive us our trespasses,
as we forgive those
who trespass against us.”

And now in all my bibles it says:

“And forgive us our debts, as we forgive our debtors.”

I NEVER remember it was like this…

Then I noticed geographical changes and maybe the biggest one is the South America has moved to the right towards Africa. There is no icecap in North Pole in Google Maps. And I thought North and South Koreas were beside Vietnam on the right, but this one I’m not so sure…

And there are few more like Wolkswagen, Ford and Volvo logos, but I don’t remember how those were, but I have a strange feeling that they were different.

So is this “Mandela Effect” a real thin like Deja-Vu effect in a movie called Matrix or have I just lost my mind…

Here’s some info about the Effect:

Welcome to The Mandela Effect


The phenomenon where a group of people discover that a global fact – one they feel they know to be true and have specific personal memories for – has apparently changed in the world around them.


Given nature of the effect, ‘evidence’ inevitably takes the form of shared personal memories; physical evidence of the previously remembered state is unavailable. If such evidence is discovered, that’s proof of an alternative explanation.

Check out META MANDELA for satire and chat.


A Mandela Effect is where you realise that something you knew to be a general fact of the world, no longer seems to be true.

The “effect” is named after a particularly common example: many people remember Nelson Mandela dying in prison in the 1980s, when in fact he survived long after his release.


● Celebrity deaths that now didn’t happen.

● Geographical locations which seem to have shifted.

● Movies, books whose details seem to have changed.

Not Examples

● Personal reality-breaking experiences (go here).

● Things that you can’t quite remember (go here).

● When you don’t have a specific personal memory.


If your post relates to one of these centralized threads, you must submit it as a comment in that thread:

The Berenstæin Bears

Geographical Changes

And some videos about the bloody thing:

And there are tons or more in the Youtube, so I’m not the only one… what a relief. Maybe I’m not grazy after all.

Antarctica on Google Earth

In 2001 one of the world’s great secrets was revealed: an ancient structure that lay encased miles under the hard Antarctic ice was detected by a roving spy satellite…

The US military immediately moved to quash the reports and despite the news blackout, reports still surfaced that a secretive excavation project had commenced on the heels of the discovery.

Following the frenzied events, of early 2001, the news broke of a mysterious medical emergency that forced an evacuation of unnamed personnel during the depths of the Antarctic winter–the first event of its kind during the dangerous South Pole winter season.

In November 2002, according to archaeologist and adventurer Jonathan Gray of World Education Research Ltd, a California TV crew went missing.

Supposedly, a video discovered among the crews’ personal effects by a special U.S. Navy SEAL rescue team tasked to find the filmmakers is the key element in a story that claims extensive ancient ruins have been found under the ice of Antarctica.

The TV production crew that shot the video is still missing, reported Gray.

Is it possible that the following structures have something to do with and are they connected to the supposed ancient structure under the ice?

Furthermore, a strange unidentified object has been found not far away from the ancient ruins. The object in question seems to have weirdly shaped lines and it doesn’t look like a rock or fit anywhere in the surrounding landscape.

Google Earth Coordinates: (Distance from Entrance 1 to Unidentified Object is 56 km.)

Ancient Ruins: 66°17’10.5″S 100°29’07.8″E

Entrance 1: 66°36’14.70″S, 99°43’11.11″E
Entrance 2: 66°33’6.60″S, 99°50’24.84″E

Unidentified Object: 66°14’43.81″S 100°32’48.73″E

If true, it’s no wonder the military is so intensely interested and so closed-mouthed about it

Navy Engineer: I Saw UFOs, Aliens and Top-Secret Bases In Antarctica

On January 2nd, 2015 the editor of website received a very unexpected letter from an alleged retired U.S. Navy Petty Officer First Class Flight Engineer.

The letter received recounts experiences where the anonymous Navy officer (refers to himself as “Brian”) recounts his bizarre and extraordinary experiences flying cargo and rescue in Antarctica between the years 1983 to 1997. He claims that a collaboration between humans and aliens exist, and that the Antarctica is a major research ground for these incredible collaborations.

Brian’s high strangeness experiences flying cargo and rescue in Antarctica were in the 1983 to 1997 time period and included several observations of aerial silver discs darting around over the Transantarctic Mountains. He and his crew also saw a big hole in the ice only about five to ten miles from the geographic South Pole (pink circle on map) that was supposed to be a No Fly Zone. But during an emergency medevac situation, they entered the No Fly Zone and saw what they were not supposed to see: an alleged entrance to a human and E. T. science research base created under the ice. Then at a camp near Marie Byrd Land, some dozen scientists disappeared for two weeks and when they re-appeared, Brian’s flight crew got the assignment to pick them up. Brian says they would not talk and “their faces looked scared.”

In the strange letter sent to Earth Files the officer states that he experienced things such as:

Silver discs darting around over the Transantarctic Mountains

During an emergency they entered a No Fly Zone and saw an entrance to a human and E. T. science research base under the ice

His crew picked up a dozen scientists who had disappeared for two weeks previous. They would not talk and their faces looked scared.

He has decided to share what he experienced between those years in the following letter, reproduced in full below:

Hi Linda

I am a retired United States Navy LC130 Flight Engineer that retired after 20 years of service in 1997. I have been wanting to write you for a long time about my experience on the Antarctic continent with flying vehicles that I was told not to talk about. I served part of my 20 years in the Navy with a Squadron called Antarctic Development Squadron Six or VXE-6 as it was also known. I served with this squadron from around 1983 till I retired March of 1997. Being a flight engineer and flying more then 4000 hours in that capacity I have seen things that most people have not even imagined on the Continent of Antarctica. The land there seems more alien then earthly. Our deployments to this land started in late September and ended the end of February every year until the Squadron was decommissioned in 1999. This time of year was the summer season when most of the science was done do to warmer temps and 24 hours of daylight.

During my time in the squadron I flew to almost every part of the Antarctic Continent including the South Pole more the 300 times. McMurdo Station which is 3.5 hours of flying time from the South Pole station was the point of squadron operation during our yearly deployments. Between these two stations is a mountain range called the Trans Antarctic’s. With what we called Severe Clear weather from McMurdo to South Pole the Trans Antarctic’s are visible from the altitudes which the aircraft flew approximately 25,000 to 35,000 feet. On several flights to and from South Pole our crew viewed air vehicles darting around the tops of Trans Antarctic’s almost exactly in the same spot every time we would fly by and view them. This is very unusual for air traffic down there due to the fact that the only aircraft flying on the continent were our squadron aircraft. Every aircraft knew where the other aircraft were do to flight schedules being followed.

Another unique issue with South Pole station is that our aircraft was not allowed to fly over a certain area designated 5 miles from the station. The reason stated because of a air sampling camp in that area. This did not make any sense to any of us on the crew because on 2 different occasions we had to fly over this area. One time due to a medical evacuation of the Australian camp called Davis Camp. It was on the opposite side of the continent and we had to refuel at South Pole and a direct course to this Davis Camp was right over the air sampling station. The only thing we saw going over this camp was a very large hole going into the ice. You could fly one of our LC130 into this thing.

It was after this medevac mission we were briefed by some spooks (Intelligence Agents I presumed) from Washington DC and told not to speak of the area we overflew. The other time we got close to “The air sampling Camp” we had navigation and electrical failures on the aircraft and was told to immediately depart the area and report to our squadron commanding officer when we returned to McMurdo. Needless to say our pilot (Aircraft Commander) got his butt chewed and our crew was not on the South Pole supply run for over a month. There were many other times we saw things that was out of the ordinary.

One outlying camp (near Marie Byrd Land) we dropped scientists and their equipment at was out of communication with McMurdo for 2 weeks. Our crew flew back to the camp to find out if the scientists were ok. We found no one there and no sign of any foul play. The Radio was working fine as we called McMurdo to verify it working properly. We left the camp and flew back to McMurdo as ordered by our CO. A week later the Scientist showed back up to their camp and called McMurdo for someone to come pick them up. Our crew got the flight back there to pick them since we put them into that camp and we knew the terrain and location. None of the scientists would talk to any of the crew on the plane and to me they looked scared.

As soon as we landed back at McMurdo they (Scientists) where put on another of our squadron aircraft and flown to Christchurch New Zealand. We never heard about them again. Their equipment that we brought back from the camp was put in quarantine and shipped back to the United States escorted by the same spooks that debriefed us about our fly over of the air sample camp/ large hole in the ice. I could go on and on about things and situations that I observed during my tour with VXE-6. Talk among the flight crews was that there is a UFO base at South Pole and some of the crew heard talk from some of the scientist working at the Pole of EBEs working with and interacting with the scientists at that air sampling camp/large ice hole.

Brian, now 59 years old, graduated from an Iowa college with an associate’s degree in aviation maintenance technology and an aviation certificate. In 1977, he then enlisted in the U. S. Navy and served for twenty years until his retirement in 1997. He provided Earthfiles his DD-214 documents and other certificates of service including this Antarctic Service Medal given to him on November 20, 1984 as proof of his time in service.


There appear to be many secrets hidden in the Antarctica and we are pretty much hearing different stories every month about military personnel disclosing information about Aliens in that part of the world!

But what a great secluded part of the world for the Aliens to keep out of sight from prying eyes….or so they thought!

U.I.P are going to investigate more about the Antarctica/Aliens, as there appears to be A LOT of attention in that part of the world.…


Sirius & The Human History Connection

Ancient egypt has a strong connection towards Sirius and old relics they have found in South-America has relation to Sirius. So could it be, that humankind has a connection to that star? Maybe some ancient civilization came from there and built the pyramids and other old monuments, you decide…

Since ancient times and across multiple civilizations, Sirius, the dog star, has been surrounded with a mysterious lore. Esoteric teachings of all ages have invariably attributed to Sirius a special status and the star’s importance in occult symbolism is an attestation of that fact.

Sirius is located in the constellation Canis Major – also known as the Big Dog – and is therefore known as the “dog star”. It is over twenty times brighter than our sun and is twice as massive. At night time, Sirius is the brightest star in the sky and its blue-white glare never failed to amaze star gazers since the dawn of time. No wonder Sirius has been revered by practically all civilizations. But is there more to Sirius than meets the eye?

Artifacts of ancient civilizations have revealed that Sirius was of a great importance in astronomy, mythology and occultism. Mystery schools consider it to be “sun behind the sun” and, therefore, the true source of our sun’s potency. If our sun’s warmth keeps the physical world alive, Sirius is considered to keep the spiritual world alive. It is the “real light” shining in the East, the spiritual light, where as the sun illuminates the physical world, which is considered to be a grand illusion.

Associating Sirius with the divine and even considering it as the home of humanity’s “great teachers” is not only embedded in the mythology of a few primitive civilizations: It is a widespread belief that has survived (and even intensified) to this day. We will look at the importance of Sirius in ancient times, analyze its prominence in secret societies and we will examine these esoteric concepts as they are translated in popular culture.

In Ancient Egypt, Sirius was regarded as the most important star in the sky. In fact, it was astronomically the foundation of the Egyptians’ entire religious system. It was revered as Sothis and was associated with Isis, the mother goddess of Egyptian mythology. Isis is the female aspect of the trinity formed by herself, Osiris and their son Horus.

Ancient Egyptians held Sirius in such a high regard that most of their deities were associated, in some way or another, with the star. Anubis, the dog-headed god of death, had an obvious connection with the dog star and Thoth-Hermes, the great teacher of humanity, was also esoterically connected with the star.

The Egyptian calendar system was based on the heliacal rising of Sirius that occurred just before the annual flooding of the Nile during summer. The star’s celestial movement was also observed and revered by ancient Greeks, Sumerians, Babylonians and countless other civilizations. The star was therefore considered sacred and its apparition in the sky was accompanied with feasts and celebrations. The dog star heralded the coming of the hot and dry days of July and August, hence the popular term “the dog days of summer”.

Several occult researchers have claimed that the Great Pyramid of Giza was built in perfect alignment with the stars, especially Sirius. The light from these stars were said to be used in ceremonies of Egyptian Mysteries.

“This ancient people (Egyptians) knew that once every year the Parent Sun is in line with the Dog Star. Therefore, the Great Pyramid was so constructed that, at this sacred moment, the light of the Dog Star fell upon the square “Stone of God” at the upper end of the Great Gallery, descending upon the head of the high priest, who received the Super Solar Force and sought through his own perfected Solar Body to transmit to other Initiates this added stimulation for the evolution of their Godhood. This then was the purpose of the “`Stone of God,’ whereon in the Ritual, Osiris sits to bestow upon him (the illuminate) the Atf crown or celestial light.” “North and South of that crown is love,” proclaims an Egyptian hymn. “And thus throughout the teaching of Egypt the visible light was but the shadow of the invisible Light; and in the wisdom of the ancient country the measures of Truth were the years of the Most High.

Recent scientific discoveries relating to the Great Pyramid and its mysterious “air shafts” have lead researchers to further confirm the importance of Sirius within the pyramid.

Star alignment with the Great Pyramid of Giza. Orion (associated with the god Osiris) is aligned with the King’s Chamber while Sirius (associated with the goddess Isis) is aligned with the Queen’s Chamber.

A fascinating aspect of Sirius is the consistency of the symbolism and meanings attached to it. Several great civilizations have indeed associated Sirius with a dog-like figure and viewed the star as either the source or the destination of a mysterious force.

In Chinese and Japanese astronomy, Sirius is known as the “star of the celestial wolf”. Several aboriginal tribes of North America referred to the star in canine terms: the Seri and Tohono O’odham tribes of the southwest describe the Sirius as a “dog that follows mountain sheep”, while the Blackfoot call it “Dog-face”. The Cherokee paired Sirius with Antares as a dog-star guardian of the “Path of Souls”. The Wolf (Skidi) tribe of Nebraska knew it as the “Wolf Star”, while other branches of knew it as the “Coyote Star”. Further north, the Alaskan Inuit of the Bering Strait called it “Moon Dog”. 2

In 1971, the American author Robert Temple published a controversial book entitled The Sirius Mystery where he claimed that the Dogons (an ancient African tribe from Mali) knew details about Sirius that would be impossible to be know without the use of telescopes. According to him, the Dogon understood the binary nature of Sirius, which is, in fact, composed of two stars named Sirius A and Sirius B. This lead Robert Temple to believe that the Dogons had “direct” connections with beings from Sirius. While some might say “you can’t be Sirius” (sorry), a great number of secret societies (who have historically held within their ranks some of the world’s most influential people) and belief systems teach about a mystic connection between Sirius and humanity.

In Dogon mythology, humanity is said to be born from the Nommo, a race of amphibians who were inhabitants of a planet circling Sirius. They are said to have “descended from the sky in a vessel accompanied by fire and thunder” and imparted to humans profound knowledge. This lead Robert Temple to theorize that the Nommos were extraterrestrial inhabitants of Sirius who travelled to earth at some point in the distant past to teach ancient civilizations (such as the Egyptians and Dogons) about the Sirius star system as well as our own solar system. These civilizations would then record the Nommos’ teachings in their religions and make them a central focus of their Mysteries.

The Dogon’s mythology system is strikingly similar to the ones of other civilizations such as the Sumerians, Egyptians, Israelites and Babylonians as it includes the archetypal myth of a “great teacher from above”. Depending on the civilization, this great teacher is known as eith Enoch, Thoth or Hermes Trismegistus and is said to have taught humanity theurgic sciences. In occult traditions, it is believed that Thoth-Hermes had taught the people of Atlantis, which, according to legend, became the world’s most advanced civilization before the entire continent was submerged by the Great Deluge (accounts of a flood can be found in the mythologies of countless civilizations).

Survivors from Atlantis travelled by boat to several countries, including Egypt, where they imparted their advanced knowledge. Occultists believe that the inexplicable resemblances between distant civilizations (such as the Mayas and the Egyptians) can be explained by their common contact with Atlanteans.

“Was the religious, philosophic, and scientific knowledge possessed by the priestcraft of antiquity secured from Atlantis, whose submergence obliterated every vestige of its part in the drama of world progress? Atlantean sun worship has been perpetuated in the ritualism and ceremonialism of both Christianity and pagandom. Both the cross and the serpent were Atlantean emblems of divine wisdom. The divine (Atlantean) progenitors of the Mayas and Quichés of Central America coexisted within the green and azure radiance of Gucumatz, the “plumed” serpent. The six sky-born sages came into manifestation as centers of light bound together or synthesized by the seventh – and chief – of their order, the “feathered” snake.

The title of “winged” or “plumed” snake was applied to Quetzalcoatl, or Kukulcan, the Central American initiate. The center of the Atlantean Wisdom-Religion was presumably a great pyramidal temple standing on the brow of a plateau rising in the midst of the City of the Golden Gates. From here the Initiate-Priests of the Sacred Feather went forth, carrying the keys of Universal Wisdom to the uttermost parts of the earth.

From the Atlanteans the world has received not only the heritage of arts and crafts, philosophies and sciences, ethics and religions, but also the heritage of hate, strife, and perversion. The Atlanteans instigated the first war; and it has been said that all subsequent wars were fought in a fruitless effort to justify the first one and right the wrong which it caused. Before Atlantis sank, its spiritually illumined Initiates, who realized that their land was doomed because it had departed from the Path of Light, withdrew from the ill-fated continent. Carrying with them the sacred and secret doctrine, these Atlanteans established themselves in Egypt, where they became its first “divine” rulers. Nearly all the great cosmologic myths forming the foundation of the various sacred books of the world are based upon the Atlantean Mystery rituals.”

Is Thoth-Hermes-Trismegistus the equivalent of the Dogon’s Nommos, who are believed to originate from Sirius? Ancient texts concerning Hermes describe him as a teacher of mysteries who “came from the stars”. Furthermore, Thoth-Hermes was directly connected with Sirius in Egyptian mythology.

“The dog-star: the star worshipped in Egypt and reverenced by the Occultists; by the former because its heliacal rising with the Sun was a sign of the beneficient inundation of the Nile, and by the latter because it is mysteriously associated with Toth-Hermes, god of wisdom, and Mercury, in another form. Thus Sothis-Sirius had, and still has, a mystic and direct influence over the whole living heaven, and is connected with almost every god and goddess. It was “Isis in the heaven” and called Isis-Sothis, for Isis was “in the constellation of the dog”, as is declared on her monuments. Being connected with the Pyramid, Sirius was, therefore, connected with the initiations which took place in it.”

“The Trismegistic treatise ‘The Virgin of the World’ from Egypt refers to ‘the Black Rite’, connected with the ‘black’ Osiris, as the highest degree of secret initiation possible in the ancient Egyptian religion – it is the ultimate secret of the mysteries of Isis. This treatise says Hermes came to earth to teach men civilization and then again ‘mounted to the stars’, going back to his home and leaving behind the mystery religion of Egypt with its celestial secrets which were some day to be decoded.”

Interpreting the mythology of ancient cultures is not an exact science and connections are inherently difficult to prove. However, the symbolic link between Sirius and occult knowledge has constantly appeared throughout History and has seamlessly traveled through the ages. In fact, it is as revered today as it was millenniums ago. Modern secret societies such as the Freemasons, the Rosicrucians and the Golden Dawn (which are considered to be Hermetic Orders due to the fact their teachings are based on those of Hermes Trismegistus) all attribute to Sirius the utmost importance. An educated look at their symbolism provides a glimpse at the profound connection between Sirius and occult philosophy.

To claim that Sirius is “important” to Hermetic Orders would be a gross understatement. The dog star is nothing less than the central focus of the teachings and symbolism of secret societies. The ultimate proof of this fact: many secret societies are actually named after the star.

The seventeenth numbered major trump is called Les Étoiles, (French for The Star), and portrays a young girl kneeling with one foot in water and the other on and, her body somewhat suggesting the swastika [more like Aquarius – N.I. Ed]. She has two urns, the contents of which she pours upon the land and sea. Above the girl’s head are eight stars, one of which is exceptionally large and bright. Count de Gébelin considers the great star to be Sothis or Sirius; the other seven are the sacred planets of the ancients. He believes the female figure to be Isis in the act of causing the inundations of the Nile which accompanied the rising of the Dog Star. The unclothed figure of Isis may well signify that Nature does not receive her garment of verdure until the rising of the Nile waters releases the germinal life of plants and flowers.

In Masonic lodges, Sirius is known as the “Blazing Star” and a simple look at its prominence in Masonic symbolism reveals its utmost importance. The Masonic author William Hutchinson wrote about Sirius: “It is the first and most exalted object that demands our attention in the Lodge.” The same way the light of Sirius made its way into the Great Pyramid during initiations, it is symbolically present in Masonic lodges.

“The Ancient Astronomers saw all the great Symbols of Masonry in the Stars. Sirius glitters in our lodges as the Blazing Star.”

“(The Blazing Star) originally represented SIRIUS, or the Dog-star, the forerunner of the inundation of the Nile; the God ANUBIS, companion of ISIS in her search for the body of OSIRIS, her brother and husband. Then it became the image of HORUS, the son of OSIRIS, himself symbolized also by the Sun, the author of the Seasons, and the God of Time; Son of ISIS, who was the universal nature, himself the primitive matter, inexhaustible source of Life, spark of uncreated fire, universal seed of all beings. It was HERMES, also, the Master of Learning, whose name in Greek is that of the God Mercury.”

In Freemasonry, it is taught that the Blazing Star is a symbol of deity, of omnipresence (the Creator is present everywhere) and of omniscience (the Creator sees and knows all). Sirius is therefore the “sacred place” all Masons must ascend to: It is the source of divine power and the destination of divine individuals. This concept is often represented in Masonic art.

To achieve perfection, the initiate must successfully understand and internalize the dual nature of the world (good and evil; masculine and feminine; black and white, etc.) through alchemical metamorphosis. This concept is symbolically represented by the union of Osiris and Isis (the male and female principles) to give birth to Horus, the star-child, the Christ-like figure, the perfected man of Freemasonry – who is equated with the Blazing Star.

“The sun and moon … represent the two grand principles … the male and the female … both shed their light upon their offspring, the blazing star, or Horus.”

The Egyptian hieroglyph representing Sirius has been esoterically interpreted to be a representation of this cosmic trinity.

The hieroglyph representing Sirius contains three elements: a “phallic” obelisk (representing Osiris), a “womb-like” dome (representing Isis) and a star (representing Horus).

This concept is so crucial for Freemasons, that it was embedded in some of the most important structures in the world.

The Washington Monument, an Egyptian obelisk representing the male principle, is directly connected with the dome of the Capitol, representing the female principle. Together they produce Horus an unseen energy represented by Sirius.

As stated by Albert Pike above, the Egyptian god Horus and the star Sirius are often associated. In Masonic symbolism, the eye of Horus (or the All-Seeing Eye) is often depicted surrounded by the glittering of light of Sirius.

A Masonic tracing board depicting the sun above the left pillar (representing the masculine), the moon above the right pillar (representing feminine) and Sirius above the middle pillar, representing the “perfected man” or Horus, the son of Isis and Osiris.

The Eye of Horus inside a triangle (symbolizing deity) surrounded by the glow of Sirius, the Blazing Star

The light behind the All-Seeing Eye on the American dollar bill is not from the sun, but from Sirius. The Great Pyramid of Giza was built in alignment with Sirius and is therefore shown shining right above the Pyramid. A radiant tribute to Sirius is therefore in the pockets of millions of citizens.

Considered to be the “female version” of Freemasonry (although men can join), the Order of the Eastern Star (OES) is directly named after Sirius, the “Star rising from the East”. A “general public” explanation of the origins of the Order’s name claims it originated from the “Star of the East” that lead the Three Magi to Jesus. A look into the occult meaning of the Order’s symbolism however makes it clear that the OES is a reference to Sirius, the most important star of Freemasonry, its parent organization.

Helena Blavatsky and Alice Bailey, the two main figures associated with Theosophy, have both considered Sirius to be a source esoteric power. Blavatsky stated that the star Sirius exerts a mystic and direct influence over the entire living heaven and is linked with every great religion of antiquity.

Alice Bailey sees the Dog Star as the true “Great White Lodge” and believes it to be the home of the “Spiritual Hierarchy”. For this reason she considers Sirius as the “star of initiation”.

“This is the great star of initiation because our Hierarchy (an expression of the second aspect of divinity) is under the supervision or spiritual magnetic control of the Hierarchy of Sirius. These are the major controlling influences whereby the cosmic Christ works upon the Christ principle in the solar system, in the planet, in man and in the lower forms of life expression. It is esoterically called the “brilliant star of sensitivity.”

Not unlike most many esoteric writers, Bailey considers Sirius to have a great impact on human life.

“All that can be done here in dealing with this profound subject is to enumerate briefly some of the cosmic influences which definitely affect our earth, and produce results in the consciousness of men everywhere, and which, during the process of initiation, bring about certain specific phenomena.

First and foremost is the energy or force emanating from the sun Sirius. If it might be so expressed, the energy of thought, or mind force, in its totality, reaches the solar system from a distant cosmic centre via Sirius. Sirius acts as the transmitter, or the focalising centre, whence emanate those influences which produce self-consciousness in man.”

In 1907, Aleister Crowley started his own occult order called the A.A. – short for Argentium Astrum, which can be translated to ‘The Order of the Silver Star’. The ‘Silver Star’ was, of course, a reference to Sirius. Even if Crowley almost always referred to the dog star in veiled terms, the whole of his magickal philosophy, from his development as a young Freemason through to his final years as the Head of the O.T.O, is wholly in accordance with the Sirian influence, which was identified and expressed by other writers of his era. His alleged contact with his Holy Guardian Angel that later led to the channelling of ‘Liber AL: The Book of the Law’ is believed to have originated from Sirius.

If Crowley used code words to describe Sirius, his protégé Kenneth Grant has explicitly and extensively written about the dog star. Throughout his numerous books, he often described Sirius as being a powerful center of magickal magnetic power. His belief that the star holds the central key to unlocking the mysteries of the Egyptian and Typhonian traditions has strengthened over time and became a central focus of his research. One of Grant’s most important and controversial thesis was his discovery of the “Sirius/Set current”, which is an extra-terrestrial dimension connecting Sirius, the Earth and Set, the Eyptian god of Chaos – who was later associated with Satan.

“Set is the initiator, the Opener of mans’ consciousness to the rays of the Undying God typified by Sirius – the Sun in the South.”

“Sirius, or Set, was the original “headless one” – the light of the lower region (the south) who was known (in Egypt) as An (the dog), hence Set-An (Satan), Lord of the infernal regions, the place of heat, later interpreted in a moral sense as “hell”.”

Although each occult philosophy describes Sirius in a slightly different matter, it is still consistently regarded as the “sun behind the sun”, the true source of occult power. It is perceived as the cradle of human knowledge and the belief of the existence of a strong connection between the star and planet Earth never seems to become outdated. Is there a true link between Sirius and Earth? Is the dog star an esoteric symbol representing something happening in the spiritual realm? It is both? One thing is for sure, the cult of Sirius is not a “thing of the past” and is very alive today. An in-depth look at our popular culture, which is heavily influenced by occult symbolism, reveals numerous references to Sirius.

Direct references to Sirius in popular culture are too many to enumerate (e.g. see the name and the logo of the most important satellite radio in the world). A more interesting aspect of popular culture to analyze are the coded references to Sirius. Important movies have indeed made veiled yet profound references to the dog star (apparently intended to those “in the know”), where the star plays the role it was always given by the Mysteries: as an initiator and a divine teacher. Here are some examples.

In Disney’s Pinocchio, based on a story written by Freemason Carlo Collodi, Gepetto prays to the brightest star in the sky to have a “real boy”. The Blue Fairy (her color is a reference to Sirius’ light-blue glow) then descends from the heavens to give life to Pinocchio. Throughout the marionette’s quest to become a boy (an allegory for esoteric initiation), the Blue Fairy guides Pinocchio towards the “right path”. Sirius is therefore represented as a source of life, a guide and a teacher.

The theme song of the movie Pinocchio is also an ode to Sirius:

When you wish upon a star, makes no difference who you are
Anything your heart desires will come to you

If your heart is in your dreams, no request is too extreme
When you wish upon a star as dreamers do

(Fate is kind, she brings to those who love
The sweet fulfillment of their secret longing)

Like a bolt out of the blue, fate steps in and sees you thru
When you wish upon a star, your dreams come true

In Harry Potter, the character named Sirius Black is most likely a reference to Sirius B. (the “darker” star of Sirius’ binary system). He is Harry Potter’s godfather, which makes Sirius, once again, a teacher and a guide. The wizard can turn into a big black dog, another link with the “dog star”.

In the Truman Show, a spotlight – used to imitate the light of a star in Truman’s fake world – falls from the sky and nearly hits him. The label on the spotlight identifies it as Sirius. Truman’s encounter with Sirius gives him a glimpse of “true knowledge” and prompts his quest for truth. Sirius is therefore the “star of initiation”. It caused Truman to realize the limitations of the his studio world (our material world) and lead him to freedom (spiritual emancipation).

From the dawn of civilization to modern times, from remote tribes of Africa to the great capitals of the modern world, Sirius was – and still is – seen as a life-giver. Despite the disparity between cultures and epochs, the same mysterious attributes are given to the dog star, which can lead us to ask: how can all theses definitions synchronize so perfectly? Is there a common source to these myths about Sirius? The dog star is invariably associated with divinity and is regarded as a source of knowledge and power. These connections are particularly evident when one examines the teachings and the symbolism of secret societies, who have always taught about a mystical link with this particular celestial body. Is there a secret link between human evolution and Sirius? Unlocking this secret would mean unlocking one of humanity’s greatest mysteries.


Read more from Auricmedia:


Jane Tripp Time Travel

Some interesting article, but still I’m not convinced:

From Ken Adachi and Jane Tripp
August 20, 2014

Google Translator (60 Languages)

Photographic Evidence of Time Travel~An Introduction to the Work of Jane Tripp (August 20, 2014)

(Notes from Ken Adachi and Jane Tripp)

Jane Tripp is an artist, writer and researcher. She is also a psychic photographic medium. She can take a photo with a digital camera, and interdimensional beings can be seen in that photo as clearly and distinctly as ordinary people. As an interdimensional photographer, Jane’s determination to know more about what is hidden in photographs that contain anomalies has led to the development of an image editing technique that has allowed her to retrieve imagery from the layers of visual data that certain photographs contain.

She became an investigator of this phenomena due to the unusual discoveries she obtained while using image editing tools. Experimenting with image editing software has allowed her to discover that there was much more hidden within photographic images than anyone could have ever imagined. Having been concerned over the years, like many other people, with the many nefarious and covert operations that are being conducted in countries around the world, Tripp discovered that she could actually see the results of some of these covert operations within photographs by employing image editing techniques.

Surprisingly, she learned how to make scalar waves and frequency attack waves appear visible in photos, uncovering images of the actual transmission patterns. She was also able to cut through cloaking facades to reveal images of stealth craft as well as various covert experiments taking place in the sky right right over her head, often revealing an amazing depth of intricate detail.

These same techniques can be used to recover hidden data from NASA photographs, even after they have been airbrushed to conceal things that the government does not want you to see. In her three online tutorial books, available below, Tripp teaches how this concealed visual data can be retrieved by anyone, using simple digital editing software.

While exploring the hidden images embedded in photos, Tripp discovered one of the most closely guarded secrets of all time – literally. Using photographs from the historical archives of the Canadian town where she lives, Tripp was hired to create vintage photo calendars for a local market. One of these century-old photographs in particular caught her eye, and what she subsequently discovered was so shocking and incredible, that it changed her life forever.

Photographic evidence of time travel
Many people will remember the story of the cell phone spotted in an old Charlie Chaplin movie that hit the news in October of 2010. Irish filmmaker George Clark  noticed what looked like a woman using a cell phone in the silent 1928 movie, ‘The Circus’. He put the clip on YouTube (#2 clip), where it immediately went viral, scoring him a lot of publicity and interviews.

The film did, in fact, have a time traveler in it, but it’s by no means an isolated incident, nor is it the earliest.

Two years prior to the media interest that this story created, Jane Tripp already had dozens of photos on her computer clearly revealing evidence of time travel operations, with some photos dating date back to the 1800s.

There are thousands of photos with evidence of time travel freely available in a multitude of locations. Jane’s free online tutorial books can show you how to find them.

Time Travel: ‘The Truth & The Proof ‘ –  It’s About Time

by Jane Tripp

The time travel experiments I am documenting do not resemble episodes of Star Trek or Dr. Who. The discoveries I am exposing involve malicious black projects, far beyond top secret, which have caused unimaginable suffering to innocent people, including children and babies.

The truth is that although the treacherous people responsible for these time travel  experiments are guilty of treason, murder, and more, this sinister shadow-group can only continue to control finances and manipulate governments on a global scale ~ for as long as the majority of the world population remains unaware of who they are and what they are doing, along with their deadly, exploitative and potentially disastrous use of super-technology.

The scale of it all truly seems beyond belief, which is precisely why people have such a difficult time in accepting this phenomena as real. It’s much easier to dismiss the subject as nonsense.

But at some point they must believe it, because it’s all true.

I hope that disclosing my discoveries and also the techniques I use to uncover such clear evidence in my own work, will lead to many more people carrying out similar and perhaps even superior research in the interest of freedom: Freedom from all covert manipulation at the hands of those who are right now controlling and manipulating our reality to a great extent.

That is why I’m offering my three online tutorial books free to everybody, so the truth of this strange story will become apparent to anyone who takes the time to read my online books and examine the fascinating photographic images contained in them.

The three books offered here are designed to expose secrets – secrets so big, mysterious, and dark that they have cost the lives of many innocent people. There are some things, however, that no man or woman has the right to keep secret.

Perhaps the only good thing about pernicious secrets is that once they have been exposed, they are no longer secrets, and they begin to lose their power.

A shadowy and supposedly all-powerful group has been keeping astonishing information from us for a very long time.

Time Travel is taking place, and has been for many years

Some of you will say that this is rubbish and not possible, but the three online tutorial books (available below) have been written precisely for those who want proof.

Many knowledgeable people have bravely come forward over the years and have reported their experiences in taking part in covert time travel and teleportation operations. Although most of these stories are in fact true, these people unfortunately can’t provide tangible proof to their audiences other than their memories as evidence. But now, finally, for the very first time, the world is going to get the actual visual proof that time travel is occurring today.

Much of the money that has unaccountably disappeared is a direct consequence of trillions of dollars consistently being spent on time travel and other black-budget operations, while the world goes down under the weight of deliberately engineered disasters, poverty, disease, wars, and NWO control schemes.

When people realize the reality of time travel and teleportation, and discover that they can find and uncover the proof of these covert activities themselves, hopefully they will become part of a much larger network of people working to help make these black-ops publicly known.

In the end, people will demand transparency and full disclosure after they finally realize the depth and breadth of humanity’s betrayal at the hands of these pirates of time and re-writers of history.

The unfortunate truth is that the age of time travel is already upon us, but it’s being used for evil purposes, now and in the past. The first thing they did when they obtained the necessary technology for time travel was to weaponize it and use it against the people.

Despite the unfortunate circumstances of its present-day use, the knowledge that time travel technology exists and is a reality today also holds the promise of a tomorrow where people behave in a far more advanced and responsible way than now, and where technologies such as time travel and teleportation are used openly and responsibly, for the good of all. That time hasn’t arrived yet, but it will.

Many people have already lost their lives to disseminate secret information informing us exactly what – or who – keeps us all enslaved. People have been murdered in order to silence them, and quite often the world does not even know of their existence. The more people who see the irrefutable evidence I am offering, the better the chances are that the power that this secret holds over the world will come to an end.

Download the books and they will prove to you that weaponized time travel and many other covert exercises are happening in today’s world, and then learn how to easily obtain your own evidence with a computer and an image editing program such as PhotoShop.

You are encouraged to download all the books and to share this page with other people, because the time has arrived when the world must learn the truth.
You will find the following three free online books containing over 500 pages of fascinating and never-before-seen information packed with the proof that you and your friends and family need to discover the incredible truth in over 680 text-accompanied photographic images:

[Ken Adachi note, Sept. 3, 2014. I inadvertently misnamed the photoessay “In Her Hand” as Jane’s article “Proof of Time Travel.” Today. Jane sent me the proper introductory pdf titled “Proof of Time Travel” which I placed at the top of this list and moved “In Her Hand” to the bottom of the list as an added bonus download.]

I think we have all been misinformed about patriotism. Isn’t true patriotism really about owing our allegiance to all people everywhere on our home planet?

That may be the true definition of brotherly and sisterly love, caring for people, in fact for all life, with no thought for borders, race, creed or any other differentiating factors, and instead celebrating the differences with joy.  Living in this way, secrets are no longer necessary or even desirable.

I want to thank you all in advance for your willingness, as intelligent and open-minded people, to comprehend and understand the gravity of the amazing things you are about to see and read. I also wish to urge your subsequent courage and cooperation in spreading this extremely important, beyond-top-secret information, until it isn’t a secret any more.

I would like to take this opportunity to thank Ken Adachi for kindly hosting these documents on

Jane Tripp


Amazing DVDs Coming Out Soon

Jane Tripp’s ‘The Pirates of Time’ will be released in two parts. Both will document time travel experiments and covert experimentation, using dozens of fascinating photo-articles that will prove to the viewer what is happening beyond any reasonable doubt.

Below are just some of the topics that will be covered in depth in the two releases:

  • Vintage archived photographs documenting temporal displacement experiments performed on people living in the past.
  • An alternative explanation to the ‘disappearance’ of so many children in residential schools and the refusal by government to open the mass graves that contain the remains of the murdered and missing.
  • Skyshots – photo-articles documenting in detail covert experimentation in the sky above our heads.
  • A photo revealing a frequency attack directed at the home of a targeted individual.
  • The role of covert technologies in ‘natural’ disasters, including de-cloaked photographic evidence.
  • Detailed edits of certain old religious paintings, revealing that modern images may have been photographically reproduced beneath the pigments & brush strokes, and showing modern objects and people hidden in the paintings themselves.
  • Discoveries regarding specific art pieces throughout history, some of them dating as far back as the Neolithic era, and the messages we find in them today regarding possible tampering with the past.
  • How time travel activities might relate to the type of predictions that were made by Nostradamus and are to be found in Revelations.
  • An in-depth article about the Jesuits, the Catholic Church and their possible role in the time travel conspiracy – now and back through ‘history’.
  • How the experiments relate to Christianity and The Bible, and what this might mean to the world’s belief systems
  • A study of legends & folklore regarding abductions & other phenomena and their possible relation to temporal displacement and teleportation experiments conducted throughout history, as well as its link to aliens & alien technologies.
  • How the past can be looted, people can be wiped out with lab-made diseases and history re-written to suit the shadowy group who are controlling our planet today and in the past using covert technology.

Please note:  This information has never been released publically before. It is a newly released discovery and has to be experienced to be believed. Once viewed, the truth becomes apparent to everyone who sees it.

© Copyright 2014  All Rights Reserved.


The technology of the Gods

It may be, that everything we consider as high tech has been developed thousands of years ago, but it has been vanished and now we are discovering it again:

The Gods and Their Flying Machines

The major attribute of the gods is that they could fly. Here are a few clues:

– When flying Quetzalcoatl appeared to the ancient Mexicans as a feathered serpent: “…first it flies, quite high up, well up it goes, and it just descends…”. And when it flies or descends a great wind blows. Wherever it goes, it flies” (Baldwin, 1998).

Don’t you wonder what kind of aircraft might appear to the natives as a “plumed serpent” accompanied by a “great wind”?

– “…there appeared a chariot of fire, and horses of fire, and parted them both asunder; and Elijah went up by a whirlwind into heaven.” (2 Kings 2:11).

– “And Jehovah was going before them by day in a pillar of cloud, to lead them in the way, and by night in a pillar of fire, to give light to them, to go by day and by night…” (Exo 13:21).

– Yahweh lands on Mt Sinai. “…And on the third day, it being morning, it happened. There were thunders and lightning, and a heavy cloud upon the mountain, and the sound of a ram’s horn, very strong! And all the people of the camp trembled… And mountain of Sinai was smoking, all of it, because Jehovah came down on it in fire. And it’s smoke went up like the smoke of a furnace; and the mountain quaked exceedingly…” (Exodus 19:16-18).

– “…And the spirit lifted me up, and I heard behind me the sound of a great tumult, saying, Blessed be the glory of Jehovah from his place; and the sound of the wings of the living creatures touching each other to the other; and the sound of the wheels along with them; and the sound of a great tumult…” (Ezekiel 3:12).

– Jehovah comes down on the high places with a great heat: “For behold, Jehovah is coming out of his place, and will come down and walk on the high places of the earth. And the mountains shall melt under him, and the valleys shall cleave themselves as wax before the fire, as waters poured out on a steep place…” (Micah 1:3-4).

– A reference to flying gods in the Mahabharata:

“The gods, in cloud-borne chariots… bright celestial cars in concourse sailed upon the cloudless sky.” (Sitchin, 1985).

– Sitchin (1985) also mentions the flying Maruts:

“…loud roaring as the winds make the mountains rock and reel…(as they) lift themselves aloft…these verily wondrous, red of hue, speed on their course with a roar over the ridges of the sky…and spread themselves with beams of light…bright, celestial, with lightning in their hands and helmets of gold upon their heads.”

– Egyptian King Pepi ascends:

“As an imperishable star; Flies who flies! He flies away from you, O men! He is no longer upon earth; he is in the sky! He rushes at the sky like a heron. He has kissed the sky like a falcon. He has leapt skyward like a grasshopper.” (Frankfort, 1948).

– An angelic messenger announces to Manoah about the birth of Samson to his wife, and who, after telling Manoah that his name is secret,

“…ascends in a flame of fire from the altar.” (Judges 13:2-15).

– Naymlap, the leading god of the Indians of Ecuador, was

“taken heavenward by the god of the speaking stone” (Sitchin, 1990).

– Von Daniken (1982) states that the “fiery heavenly chariots”, described by Enoch and Elijah are also found in Buddhist (Padmasambhava) and Hindu (Ardjuna) mythology. Apparently every child in India is well aware of ancient flying gods and their aircraft, which they called Vimanas.

– In the Sumerian tale of Nergal and Ereshkigal (Pritchard, 1975), there are hints that there were periods when the gods were not able to travel from one location to another, perhaps because their orbital positions or the planetary alignments were not favorable:

Anu opened his mouth to say to Kaka:

I will send thee, Kaka, to the Land of no Return,

To Ereshkigal…thou shalt say: “‘Thou art not able to come up,

In thy year thou canst not ascend to our presence, And we cannot go down,

In our month we cannot descend to thy presence…”

Probably the most familiar description of the AA’s aircraft (possibly spacecraft) is in the biblical book of Ezekiel. It is a very convincing description by a very astute observer. From this description former NASA engineer J. F. Blumrich designed and patented his impression of the vehicle (Blumrich, 1974) (Fig 7-1). A small cockpit, where Ezekiel observed the “Lord”, rested atop the body of the vehicle.

Fig 7-1.

The body, which Ezekiel called the “fiery firmament”, terminated in a single main engine. Attached to the body were four helicopter engines and blades, which enabled the vehicle to land vertically without using the main engine, which would have either covered poor Ezekiel with rubble or blown him away!

Not so well known, and more interesting in my opinion, is the tale of the “Divine Throne-Chariot” from the Dead Sea Scrolls (Vermes, 1962). The introduction to the piece reads:

“The Divine Throne-Chariot draws its inspiration from Ezekiel (1:10) and is related to the Book of Revelation. It depicts the appearance and movement of the Merkabah, the divine Chariot supported and drawn by the cherubim, which is at the same time a throne and a vehicle. The ‘small voice’ of blessing is drawn from 1 Kings 19:112: it was in a ‘small still voice’ that God manifested himself to Elijah. In our Qumran text this voice is uttered by the cherubim and it is interesting to note that although the Bible does not define the source of the voice, the ancient Aramaic translation of 12 Kings (Targum of Jonathan) ascribes it to angelic beings called ‘they who bless silently.’”

“The Throne-Chariot was a central subject of meditation in ancient as well as in medieval Jewish esotericism and mysticism, but the guardians of Rabbinic orthodoxy tended to discourage such speculation. The liturgical use of Ezekiel’s chapter on the Chariot is expressly forbidden in the Misnah; it even lays down that no wise man is to share his understanding of the Merkabah with a person less enlightened than himself…”

Not being a “wise man” I guess I’m free to share my speculation regarding the Merkabah. Of course the ancient Hebrews did not have the words to describe the technology which they were observing; regardless Ezekiel did quite an impressive job with the words available to him.

The description of the vehicle in operation, excerpted from Vermes by Barnstone (1984) reads:

“…and the cherubim utter blessings. And as they rise up, there is a divine small voice and loud praise; there is a divine small voice as they fold their wings.

“The cherubim bless the image of the Throne-Chariot above the firmament, and they praise the majesty of the fiery firmament beneath the seat of his glory. And between the turning wheels angels of holiness come and go, as it were a fiery vision of most holy spirits; and about them flow seeming rivulets of fire, like gleaming bronze, a radiance of many gorgeous colors, of marvelous pigments magnificently mingled. The spirits of the Living God move perpetually with the glory of the wonderful Chariot.

“The small voice of the blessing accompanies the tumult as they depart, and on the path of their return they worship the Holy One. Ascending, they rise marvelously; settling, they stay still. The sound of joyful praise is silenced and there is a small voice of blessing in all the camp of God.”

Here it is again with my “interpretations” in parenthesis:

“…and the cherubim (and the objects with wings – the helicopters) utter blessings (make a soft sound resembling prayer). And as they rise up (as the helicopter blades rise into place), there is a divine small voice (the blades make a swishing sound in the air) and loud praise (along with the loud noise of the engine); there is a divine small voice as they fold their wings (when the main engine is stopped only the swishing sound of the blades is heard as they drop down and stop).

“The cherubim (The helicopters) bless the image of the Throne-Chariot above the firmament (make a soft sound like prayer), and they praise the majesty (and they speak louder, and in amazement, about the brightness) of the fiery firmament beneath the seat of his glory (of the glowing, idling engine under the main body of the aircraft). And between the turning wheels (between the helicopter’s blades), angels of holiness come and go (wispy changing patterns), as it were a fiery vision of most holy spirits (of flames and vapors from the main engine); and about them flow seeming rivulets of fire, like gleaming bronze, a radiance of many gorgeous colors, of marvelous pigments magnificently mingled (the exhaust from the helicopter engines mingled with the multi-colored exhaust from the main engine). The spirits (the helicopters) of the Living God move perpetually with the glory (always move with the flaming exhaust) of the wonderful Chariot (of the wonderful vehicle).

“The small voice of the blessing (the soft sound of the blades) accompanies the tumult (accompanies the roar of the main engine) as they depart, and on the path of their return they worship (they make a loud noise) the Holy One (the god-pilot). Ascending, they rise marvelously (the blades ascend quickly); settling, they stay still (the blades drop down and stop,). The sound of joyful praise is silenced (the loud noise of the main engine ceases) and there is a small voice of blessing (the helicopter blades slow and drop down) in all the camp of God.”

I do not think there is a better description of Ezekiel’s “spaceship”!

Another interesting tale is that of Elijah meeting the Lord. In I Kings 19:11-12, Yahweh makes himself known to Elijah (Eli-yahu):

“And, behold, the Lord passed by, and a great and strong wind rent the mountains, and brake in pieces the rocks before the earthquake; but the Lord was not in the wind: and after the wind an earthquake; but the Lord was not in the earthquake; and after the earthquake a fire; but the Lord was not in the fire; and after the fire a still small voice.”

My translation: As the spacecraft approaches the exhaust was first perceived as a powerful wind; as it descended on the mountain the engine caused the earth under it to vibrate; the engine’s fiery exhaust then came into Elijah’s view; finally, the main engines are stopped and only the sound of the helicopter blades is heard as they slow and stop.

Zecharia Sitchin (1998) gives an interesting description of Elijah’s ascent to heaven. This apparently was also the time when Ezekiel wrote of his experiences with the Lord’s aircraft – about 592 bc:

“…a chariot of fire, and horses of fire, came. And they separated between them both (Elijah and Elisha), and Elijah went up in a tempest to Heaven. And Elisha was watching, and he was crying ‘My father, my father! the chariot of Israel and its Horsemen!’ And he did not see him again…”

(2 Kings 2:11).

If your language did not include the words aircraft, or rocket, or spaceship, or any other thing that could carry men through the air, what could you possibly call it but a “chariot”? And it seems clear that some of them were what we now call VTOL (vertical take-off and landing) aircraft.

So I am left with no doubt that the AAs possessed the technology to come to Earth in spacecraft, and to move about the Earth in various kinds of aircraft which did not require runways.


Ancient Nuclear Warfare

“We turned the switch, saw the flashes, watched for ten minutes, then turned everything off and went home. That night I knew the world was headed for sorrow”

– Physicist Leo Szilard, atomic bomb builder

“(It was) a single projectile, charged with all the power of the Universe. An incandescent column of smoke and flame, as bright as the thousand suns, rose in all its splendor… it was an unknown weapon… which reduced to ashes the entire race of the Vrishnis and the Andhakas… the corpses were so burned as to be unrecognizable. The hair and nails fellout; pottery broke without apparent cause, and the birds turned white… after a few hours all foodstuffs were infected…”

– The Mahabharata.

During the first Egyptian “pyramid war”, between Horus and Seth, Horus strikes:

“…(and he) let loose against them a storm which they could neither see with their eyes, nor hear with their ears. It brought death to all of them in a single moment…” (Sitchin, 1985)


This sounds to me like the gamma-ray and neutron pulse from a sub-kiloton nuclear weapon, which has no fireball and the nuclear radiation extends far beyond the blast wave.

Zeus battles the Titans:

“The hot vapor lapped around the Titans, of Gaea born, flame unspeakable rose bright to the upper air. The Flashing glare of the Thunder-Stone, its lightning, blinded their eyes-so strong it was. Astounding heat seized Chaos… It seemed as if Earth and wide Heaven above had come together, a mighty crash, as though Earth was hurled to ruin. Also were the winds brought rumbling, earthquake and dust storm, thunder and lightning.” (Sitchin, 1985).

I would guess that this was a large nuclear weapon which was detonated on or close to the ground, thus producing a large mushroom cloud.

Zeus conquering Thyphon:

“A flame shot forth from the stricken lord in the dim, rugged, secluded valley of the Mount, when he was smitten. A great part of huge earth was scorched by the terrible vapor, melting as tin melts when heated by man’s art…in the glow of a blazing fire did the earth melt down.” (Sitchin, 1985).

Biblical references to nuclear warfare:

– The destruction of Sodom and Gomorrah:

“…(Abraham) looked toward Sodom and Gomorrah…and he beheld and saw a smoke rising from the earth, as the smoke of a furnace.”

(Gen 18:27).

– “…and the Lord sent thunder and hail, and the fire ran along upon the ground; and the Lord rained hail upon the land of Egypt.”

– Exodus 9:23

“And it came to pass, as they fled from before Israel, and were in the going down to Bethhoron, that the Lord cast down great stones from heaven upon them unto Azekah, and they died: they were more which died with hailstones than they whom the children of Israel slew with the sword.”

– Joshua 10:11

“And the fire of God came down from heaven, and consumed him and his fifty.”

– 2 Kings 1:12

-“Thou shalt make them as a fiery oven in the time of thine anger: the Lord shall swallow them up in his wrath, and the fire shall devour them.”

– Psalms 21:9

“A fire goeth before him, and burneth up his enemies round about.”

– Psalms 97:3

“Thou shalt be visited of the Lord of hosts with thunder, and with earthquake, and great noise, with storm and tempest, and the flame of devouring fire.”

– Isaiah 29:6

There are many other clues regarding nuclear warfare. Childress (2000) discusses ancient atomic warfare, first Hattusas (Bogazkoy) in Turkey where “parts of the city are vitrified, and the walls of rock are partly melted.” He then discusses Sodom and Gomorrah and compares them with Hiroshima and Nagasaki.

He thinks Sodom, Gomorrah, Zoar, Admah and Zeboiim (Gen. 14:2) were destroyed, creating the Dead Sea. He quotes L.M.Lewis, “Footprints on the Sands of Time”, who argues for atomic explosions. And he quotes from the Mahabharata an excellent description of an atomic battle in which Arjuna is given a “celestial weapon” which he cannot use against humans “for it might destroy the world”, but he could use it against “any foe who is not human.”

From the Mahabharata, as quoted by Charles Berlitz (1972), is probably the best description of ancient atomic warfare one can find:

“…(it was) a single projectile, charged with all the power of the Universe. An incandescent column of smoke and flame, as bright as the thousand suns, rose in all its splendor… it was an unknown weapon, and iron thunderbolt, a gigantic messenger of death, which reduced to ashes the entire race of the Vrishnis and the Andhakas… the corpses were so burned as to be unrecognizable. The hair and nails fell out; pottery broke without apparent cause, and the birds turned white… after a few hours all foodstuffs were infected… to escape from this fire the soldiers threw themselves in streams to wash themselves and their equipment.”

Steinhauser (1975) relates a story from the Ramayana:

“…when the god Rama was threatened by a ‘army of monkeys’ (men or robots?) he put a ‘magic arrow’ into action. This produces a flash of lighting ‘stronger than the heat from a hundred thousand suns’, turning everything to dust. The hair of survivors falls out, their nails disintegrate. We know of such magic weapons from Sodom and Gomorrah, and from Hiroshima and Nagasaki.”

Mohenjo-Daro and Harappa, Pakistan: David Davenport (1996), who spent 12 years studying ancient Hindu scripts and evidence at the ancient site of Mohenjo-Daro, declared in 1996 that the city was instantly destroyed 2,000 years bc. The city ruins reveal the explosion’s epicenter which measures 50 yards wide. At that location everything was crystallized, fused or melted. Sixty yards from the center the bricks were melted on one side indicating a blast… the horrible mysterious event of 4000 years ago was recorded in the Mahabharata.

According to that text,

“white hot smoke that was a thousand times brighter than the sun rose in infinite brilliance and reduced the city to ashes. Water boiled… horses and war chariots were burned by the thousands… the corpses of the fallen were mutilated by the terrible heat so that they no longer looked like human beings…”

From one of the oldest chronicles of India… the Book of Dzyan:

“Separation did not bring peace to these people and finally their anger reached a point where the ruler of the original city took with him a small number of his warriors and they rose into the air in a huge shining metal vessel. While they were many leagues from the city of their enemies, they launched a great shining lance that rode on a beam of light. It burst apart in the city of their enemies with a great ball of flame that shot up to the heavens, almost to the stars. All those who were in the city were horribly burned and even those who were not in the city – but nearby – were burned also.

Those who looked upon the lance and the ball of fire were blinded forever afterward. Those who entered the city on foot became ill and died. Even the dust of the city was poisoned, as were the rivers that flowed through it. Men dared not go near it, and it gradually crumbled into dust and was forgotten by men. When the leader saw what he had done to his own people he retired to his palace and refused to see anyone. Then he gathered about him those warriors who remained, and their wives and children, and they entered their vessels and rose one by one into the sky and sailed away. Nor did they return.”

Childress (1999) also presents sketches of the Citadel of Mohenjo-Daro and a discussion of its destruction by nuclear explosion. Harappa and Mohenjo-Daro were the main cites of the “Harappa Culture” of the Indus Valley, an amazingly uniform and advanced urban civilization existing between 2500 and 1500 bc, the beginnings of which remain obscure.

About Parshaspur near Srinagar, Kashmir, David Childress (2000) states,

“It is a scene of total destruction; huge blocks of stone are scattered about a wide area giving the impression of explosive annihilation.”

Zecharia Sitchin (1985) devotes an entire chapter to a discussion of nuclear warfare in ancient times in Mesopotamia and the Sinai peninsula. In this book he also suggests the destruction of the Sinai “space facilities” by nuclear weapons. He offers as evidence

“…the immense cavity in the center of the Sinai and the resulting fracture lines (see figure), the vast surrounding flat area covered with blackened stones, traces of radiation south of the Dead Sea, the new extent and shape of the Dead Sea – is still there, four thousand years later”.

He maintains that the radioactive fallout from this operation wiped out the area around Sumer for a period of 70 years, until 1953 bc.

So did the gods use nuclear weapons in their struggles with each other and with mankind? You be the judge!


The Biotechnology of the Gods

“There are 193 species of monkeys and apes, 192 of them are covered with hair. The exception is a naked ape self-named Homo Sapiens”

– Desmond Morris

“It is difficult to say what is impossible – for the dream of yesterday is the hope of today and the reality of tomorrow”

– Robert Goddard

Tales from various sources suggest that the gods possessed an advanced knowledge of biology many millennia ago:

– The Egyptian god Thoth helped Isis, the wife of Osiris, to extract from the dismembered Osiris the semen with which Isis was impregnated to bear Horus.

– “The Telleriano-Remensis and Florentine codices declare that Quetzalcoatl, as great artificer, ‘formed’ and ‘molded’ the first human beings in his image, and that only he – and no other god – ‘had a human body’.” (Baldwin, 1998).

– “Before I (the Lord) formed you (Jeremiah) in the belly I knew you; and before you came out of the womb I set you apart…” (Green, Jay, 1986, Jeremiah 1:5).

– “…‘though it is said that in truth Zeus, King of the Gods, whom you call Amen-Ra, was her father’. Seti nodded when he heard this and murmured, ‘Even as Amen-Ra was the father of Hatshepsut. Yes, the gods can indeed be the fathers of the spirits that dwell in the bodies of kings and queens’.” (Green, Roger, 1967).

– In the tale of the birth of Samson, Manoah’s wife, who was barren, was visited by “the Angel of Jehovah” who said,

“Behold now you are barren and have not borne. But you shall conceive and bear a son…(who shall be)…a Nazirite to God from the womb” (Green, Jay, 1986, Judges 13:2-14)

(Nazirite: Endowed with special psychic or physical qualities to be used in God’s service).

– “The god Citlaltonac sent an ambassador to see the virgin Chimalma…The god told her that she was to conceive a son, which she did soon after…” (Fernandez, 1982).

– Concerning the birth of the Toltec god Huitzilopochtli: “…a woman called Coatlicue, who was charged with keeping clean a temple on the Cerro de Coatepec, near Tula, was sweeping the building when she saw a beautiful ball of feathers drop from the sky, and put it away in her bosom. When she had finished her work, and tried to find the feather ball, it was no longer there, it had disappeared. At that same moment she became pregnant, although she had been a widow for many years.” (Demetrio, 1983).

– In his discussion of the Sumerian story of the creation of The Adam (” the earthling”) from Mesopotamian texts (clay tablets), Zecharia Sitchin (1985) writes,

“…to achieve the feat Enki suggested that a ‘being that already exists’, Ape woman, be used to create the Lulu Amelu (‘the mixed worker’) by ‘binding’ upon the less evolved beings ‘the mold of the gods’. The goddess Sud purified the ‘essence’ of a young male Anunnaki; she mixed it into the egg of an Ape woman. The fertilized egg was then implanted in the womb of a female Anunnaki, for the required period of pregnancy. When the ‘mixed creature’ was born, Sud lifted him up and shouted: ‘I have created! My hands have made it!’”

These stories raise several interesting questions:

In prehistoric times how in fact did the gods incorporate their ‘essence’ into ape females, a different species (but possibly the same genus), to create modern humans, as ancient texts have suggested?

How could gods and humans, of different but possibly similar species, marry and reproduce as suggested in Genesis?

Within historical times how did the AAs incorporate their ‘spirit’ into the prophets, humans again of a different but probably similar species?

How could the ancient ‘god-kings’ of Mesopotamia and Egypt marry their immediate family members, as custom required, and reproduce without apparent damage to the family gene pool?

Before speculating on how these things were done it will be useful to list some of the bioengineering methods in use at the present time:

IVF: In-vitro fertilization. Sperm and egg of the same species is fused in-vitro. The embryo is implanted in the uterus. A common method of treating infertility since the 1978 British ‘test tube baby’.

CSCT: Cross-species cell transfer (or nuclear transfer). An in-vitro fertilization in which a somatic (e.g. skin) ‘donor’ cell is fused in vitro with the ‘host’ egg of a different but similar species (but of the same genus). The embryo is implanted in the uterus of the host.

CCSCT: Cloned cross-species cell transfer. Same as CSCT except the egg is de-nucleated, resulting in a clone of the donor animal (although a small amount of DNA, in the mitochondria, always comes from the egg). This was the method employed by Advanced Cell Technology, Inc, to regenerate the recently extinct Asian Gaur using an ordinary cow as host (which died shortly after – darn!).

RDNA: Recombinant DNA. Since, in most cases, DNA cannot be transferred directly from one organism to another, in this technique a desirable DNA fragment, isolated from the animal ‘donor’ cell, is incorporated into the plasmid of a benign bacteria (the vector). The bacteria reproduces the fragment as a part of it’s own DNA, and the hybrid bacteria cells are injected back into the animal. This is currently the method of human ‘gene therapy’, but one would expect that the technique could also be used for cross-species cell transfer if the bacteria were benign to both species.

HESC: Human Embryonic Stem Cells. A human somatic cell is fused in vitro with a de-nucleated egg of a different species. “These differentiated cells began to grow as an embryo and then reverted to become embryonic stem cells, which can grow into virtually any type of tissue for transplant use”

So let’s speculate.

Zecharia Sitchin’s statement concerning the development of the Adam sounds like our current technique of cross-species cell transfer (CSCT), the ‘essence’ being DNA fragments (genes) which the gods wanted incorporated into the Ape woman’s egg. The resulting Adam, a hybrid like mules or hinnies, was sterile. Later on some procedure was employed to enable the “mixed creatures” to procreate.

Incorporating the “spirit” (certain traits or abilities) of the gods into the prophets, apparently a partial and selective reprogramming of the central nervous system, could have been accomplished via the technique of recombinant DNA.

Finally, the custom of the ancient ‘god-kings’ of Mesopotamia and Egypt of marrying their sisters and reproducing without apparent damage to the family gene pool would have been possible using the technique of cloned cross-species cell transfer (CCSCT) in the following scenario:

Harvest an egg from a human female and remove the DNA.

Collect a skin cell from a living god, or a deceased god whose cells have been preserved by freezing (or embalming?).

Fuse the skin cell and egg in vitro, and electrically stimulate the embryo to start dividing.

Implant the embryo back into the female, whose immune system will accept it.

If all goes well the human will birth a clone of the god. Now repeat the procedure using a skin cell from a goddess. The cloned god-son and goddess-daughter would be totally genetically different, and could marry and reproduce without genetic damage or violating rules pertaining to incest. Furthermore, since the god-son and his mother are genetically different, they may marry, as was required in ancient Egypt, without violating taboos.

But what if the god and human are of a very different species, or even of a different genus? That this is probable is evidenced by literature suggesting that some of the gods were frightful to look at, and took great care not to be seen by humans, except possibly by the highest priest:

– Concerning the appearance of (the angel) Eleleth. “…now as for that angel, I cannot speak of his power…No, truly, my mouth cannot bear to speak of his power and the appearance of his face.”

(Robinson, 1978, “The Hypostasis of the Archons’)

– In the tale of the birth of Samson, the wife of Manoah says, “A man of God has come to see me, and His appearance was like the appearance of an Angel of God, very terrifying.”

(Green, Jay, 1986, Judges 13:2-14) (This might have been an android).

– “Quetzalcoatl…only he, no other God, had a human body. He was ‘el hombre-dios’, the god made flesh, man embodied with divine spirit.”

– Fanged (Tlaloc) or grotesque (Xipe Totec – ‘The Flayed One’), the gods sometimes hid behind skins of flayed humans.

– “…now it is revealed to us concerning the race of the gods, and we confess it along with everyone else, that they have come into being out of a pure matter, and their bodies are heads only.” (Robinson, 1978, the Asclepius tractate, 21-29)

– “…they (the first male and female earthlings-Adam and Eve?) saw that they were naked, and they became enamored of one another. When they saw their makers, they loathed them since they were beastly forms.” (Robinson, 1978, “On the Origin of the World”).

In these cases probably the techniques of recombinant DNA or the generation of human embryonic stem cells was used. Scary as it sounds the “the hominid-animal mixtures” described by the Babylonian priest Berossus (Burstein, 1978) could have resulted from the modern human embryonic stem cells technique. In

fact when this experiment was announced two years ago by Advanced Cell Technology, biotechnology watcher Jeremy Rifkin strongly objected:

“They should never, ever have done this. We don’t know what kind of creature could develop from that.”

I think we now do know of at least one kind of creature that can “develop from that ” – the Adam!

In summary it appears that our current knowledge of animal biology and physiology permits a close understanding of how the gods might have accomplished their bioengineering feats. Furthermore, since we are assuming that the gods had this ability millennia ago, it’s exciting to speculate concerning their current biotechnology. I suspect we would find it indescribable.


The Immortals

“The more science learns what life is, the more reluctant scientists are to define it “

Leila M. Coyne

“Eternity is very long, especially near the end”

Woody Allen

A universal attribute of the “gods” was their immortality, or at least their very long lives compared to humans. Several references to this characteristic follows:

– “For a thousand years, in your eyes, are as yesterday when it passes, and as a watch in the night.” (Green, Jay, 1986, Psalm 90:4).

This represents a time dilation factor of 1/365,000.

– “…that one day with the Lord is as a thousand years, and a thousand years as one day.” (Green, Jay, 1986, 2 Peter 3:8).

Also a time dilation factor of 1/365,000.

– “…adding up to 1200 divine years of 432,000 Earth years” – The Vishnu Purana, as quoted by Zecharia Sitchin (Sitchin,1993).

A time dilation factor of 1/360 or 1/432,000, whichever way it is interpreted.

– “Put not thy faith in length of years, for the gods regard a lifetime as but an hour.” (Frankfort, 1948).

A time dilation factor of 1/52,840 for a 60 year lifetime.

– Mead (1921) writes,

“Jesus tells his initiated of the dissolution of the universe after its expansion is completed ‘in the years of the light’. Mary Magdalene asks him: ‘My Lord, how many years of the years of the world is a year of the light?’ Jesus answered: ‘A day of the light is a thousand years in the world, so that thirty-six myriads of years and a half myriad of years of the world are a single year of the light.’”

Translating we have 1 day of light = 1000 Earth years; 1 year of the light = 365 days of the light = 365,000 Earth days = 36.5 myriads of Earth years, i.e. as used here “myriad” represents the multiplier 10,000.

– From The Vision of Isaiah:

“After taking Isaiah to Heaven, the angel was requested to return the prophet to Earth. Isaiah said: ‘Why so soon? I have only been here two hours.’ The angel said: ‘Not two hours, but thirty-two years…’” (Slemen, 2000).

A time dilation factor of 1/140,160.

These references seem to imply that the AAs did not live forever, but so much longer than humans that they appeared to be immortal. The texts report that the Sumerian goddess Inanna did age, but she was considered immortal.

One obvious advantage of being even relatively immortal is that one could move about the galaxy without having to achieve very high, and very expensive, speeds. As astronomer Sandy Faber noted, “If we could live longer we wouldn’t have to accelerate to high speeds”. Living longer instead of going faster is of course a familiar science fiction theme.

I can think of four possibilities to account for the alleged immortality of the gods:

(1) Organ replacement, if the gods are biological, or parts replacement if they are not – some of the ‘angels’ and other emissaries of the gods seemed suspiciously robotic:

“Behold, I send an angel before thee, to keep thee in the way, and to bring thee into the place which I have prepared. Beware of him, and obey his voice, provoke him not; for he will not pardon your transgressions, for my name is in him.” (Exodus 23:20-21).

(2) Rejuvenation by somatic cell nuclear transfer.

(3) Time dilation via travel at relativistic speeds relative to Earth.

(4) Gravitational time dilation by orbiting a large black hole.

I am not aware of any references to organ or parts replacement by the gods; however rejuvenation was likely since there was a “Tree of Life” which the gods had access to but humans did not. Zecharia Sitchin (1980) suggests that to be taken up in ancient Egypt meant that one would be immortal, so the rocket ship represented the “tree of life”, and was also symbolized by the obelisks.

According to the ancient king lists the 1st god-king of Ur reigned for 28,800 Earth years, but the texts also mention that the goddess Inanna grew old and fat after being on Earth for an extended period. So was the Tree of Life a repository of spare parts, a cellular rejuvenator, or was it a location such as the vicinity of a black hole?

Time dilation via high speeds seems unlikely, since the degree of time dilation implied by all of the foregoing statements would require velocities very close to the speed of light, which we currently consider to be impossible (although physicists have recently claimed to have transmitted photons, which have no mass, faster than the speed of light, moving a spacecraft faster than the speed of light would seem to require most of the energy in the entire universe).

Rejuvenation by somatic cell nuclear transfer was probably employed since the gods possessed a very advanced biotechnology. In this “still largely theoretical procedure…(the procedure) can ‘rejuvenate’ an aged cell, restoring the proliferative capacity inherent in cells at the beginning of life.” (West, 2000).

Rejuvenation (replacement) by cloning is also very probable. This procedure, which can be used to produce “young cells of any type”, avoids the “Hayflick limit” in which the “telemeres” on the ends of the chromosomes are reduced every time the cell divides until they are used up and division stops (Cibelli, 2000).

I think it’s also logical that the gods might reside, at least some of the time, in an equilibrium orbit about a black-hole which is massive enough to provide an acceptable tidal force across the width of their spacecraft. How massive? If we assume a spacecraft of any length, but having a width of a kilometer (this is a big spaceship folks!), orbiting a black-hole of 32,425 solar masses, the tidal force across the width of the craft would be a comfortable 1g (the pull of gravity at the Earth’s surface). For the case of “1200 divine years of 432,000 human years”, i.e. a time dilation of 0.00278, the ratio of the circumference of the event horizon to the circumference of the orbit of the spacecraft is 0.999992.

Since the horizon circumference for this mass is only about 601,585 kms, our gods would need to drive very carefully! But in this orbit, one Earth year in the life of the gods is 360 years on Earth. The case of “…a thousand years, in your eyes, are as yesterday when it passes” is more difficult since the orbit of the spacecraft would essentially have to coincide with the event horizon.

But there is another clue. In the Sumerian tale of Nergal and Ereshkigal (Pritchard, 1975), there are hints that there were periods when the gods were not able to travel from one location to another, perhaps because their orbital positions or the planetary alignments were not favorable:

Anu opened his mouth to say to Kaka:

I will send thee, Kaka, to the Land of no Return,

To Ereshkigal…thou shalt say: “‘Thou art not able to come up,

In thy year thou canst not ascend to our presence, And we cannot go down,

In our month we cannot descend to thy presence…”

Gravitational time dilation is the logical explanation here. The time dilation factor is of course 1/12, so that the 96,410 km radius of Anu’s orbit is now a comfortable 665 km greater than the horizon radius. Notice that even this modest time dilation, if not close to a black-hole, would require a speed of 99.6% the speed of light – not possible according to current knowledge.

Although astronomers are convinced that the Milky Way’s core contains a massive black hole of about 2.6 million solar masses (Science News, 153:59) it is over 30,000 LY from Earth. So how likely is it that there is a suitably large black hole reasonably close to us, say in the Orion nebula? (The solar system used to be in the Orion nebula but is now about 1500 LY away). One clue may come from Stephen Hawking’s (1988) observation that,

“The number of black holes may well be greater even than the number of visible stars (about 1011 in our galaxy)…then the black hole nearest to us would probably be at a distance of about a thousand million kilometers, or about as far away as Pluto…”.

Furthermore the Space Telescope Science Institute reports recent observations which suggest that they may be numerous:

“Two international teams of astronomers using NASA’S Hubble Space Telescope and ground based telescopes in Australia and Chile have discovered the first examples of isolated stellar-mass black holes adrift among the stars in our galaxy.” (stsci, 2000) .

Finally astrophysicists have recently postulated that there may be as many as 25,000 black holes within 15 LYs of the center of our galaxy (Escude, 2000).

Lacking other clues I’ll speculate that a combination of cellular rejuvenation for those that are biological, parts replacement for those who are not, and gravitational time dilation are probably how the gods achieved their incredibly long lives, relative to Earthlings.



Many of you may have used pendulum or such to ask questions from Higher Self or find out the gender of baby with a ring attached to a string. Here is some information about dowsing:

By Ken Adachi <>
June 6, 2003

We can access higher frequency vibrational planes of consciousness through varied means- meditation, psychedelic drugs, clairvoyance, medium ship, remote viewing, etc. Some means may be harmful or dangerous for some people, while other techniques require natural gifts, and yet others require a lot of training to become competent in.

Dowsing, on the other hand, is one of the easiest ways to access a repository of unlimited knowledge, referred to by Carl Jung as the “collective unconscious” or the “super conscious mind”. Based on the books I’ve studied and the workshops I’ve taken with master dowser Walt Woods, I get the idea that you are gaining access to this library of unlimited knowledge through your Higher Self – with the least amount of time invested in study and training. Many people think that dowsing is only used for the purpose of finding water or minerals, but dowsing can be used to obtain ANSWERS and information about anything, providing you frame the question correctly.

When you dowse, you are engaged in a dialog with your Higher Self and other spirit guides who are trying to assist you in obtaining the information you seek. You are asking a question in your mind that is most often framed with a ‘yes’ or ‘no’ answer. When you learn more advanced dowsing skills, you can ask for answers that go beyond this framework, but most dowsing questions are answered using the ‘yes’ or ‘no’ format. We use very simple indicator tools in dowsing to help us accurately recognize the information we are trying do obtain. The three most common dowsing tools are 1) the pendulum, 2) the “L” rod, and 3) the “Y” rod. There are other types of dowsing tools beyond these three, but these three are the ones most often used.

1) The pendulum is nothing more than some sort of weighted object hung from a thread, a string, a piece of fishing line, or a light chain. You can tie a paper clip to a short length of sewing thread and Voila, you have a pendulum. You could also tie a threaded nut to a length of light monofilament fishing line and you have yourself a dowsing pendulum. Most dowsers like to use something for a pendulum that’s more fancy looking like a turned brass bob or a crystal pendant, but it’s not necessary. There is nothing magical about the pendulum itself. It’s merely an indicator tool, and nothing more. I will add, however, that certain pendulums (made of certain materials) can be more responsive than an ordinary pendulum (and therefore are preferred for that reason), but all pendulums will respond to your questions, regardless of what they are made of.

2) The “L” rod is usually a length of stiff wire shaped like the letter “L”. Usually, we place tubing on the short leg of the “L” so it will rotate freely when we hold the L rod in our lightly clenched hands. The long leg of the “L” is held in a horizontal position out n front of us and it will swing to the left or right in response to the answers we are seeking.

I was nudged into attending a Dowser’s meeting a few years ago by Merlin Wolf and I thought that I was going to be bored out of my mind, but I couldn’t have been more mistaken. It turned out to be very interesting and highly stimulating. I was learning about things at that meeting that I had no idea existed. Curt Kobylarz, the president of the Orange County dowser’s chapter, was one of the brightest guys I’ve ever met in my life. He seemed to know everything about everything. I also met Dr. Bob Beck there for the first time and he had a lot of fascinating things to say as well. All in all, I loved it! And I looked forward to the next meeting each month.

At Dowser meetings, we occasionally talk about dowsing, but more often the subject is Radionics, Bio-medicine, the Kaballah, Psychic Development, Color Therapy, or similar topics. But I digress…

Let’s talk Dowsing 101

Anyone who’s ever seen someone dowse for water, will typically see a dowser walking along the land with a “Y” shaped thin branch or flexible plastic rod firmly grasped in both hands. When the pointer of the “Y” rod suddenly points downs (or up), that is suppose to indicate where the water is.

Does it really work? You bet it does!

What you don’t see, or more accurately ‘hear’, is what’s going on inside the dowser’s mind. He’s repeatedly saying to himself as he walks along: “indicate if there is water here” or “”point down when I walk over a water vein” or “respond when I reach water”, or something close to that. Who’s he talking to? He’s communicating with a boundless information source known as the “super conscious” which is connected with all living things though the subconscious. Dowsing instruments, such as the pendulum , the aura meter, “L” rods, or the “Y” rod cited above provide a communication interface with our subconscious. Some prefer to think of it as a dialog with the Higher Self or Spirit Guides.

I’ve recently attended my sixth weekend-long workshop with Walter Woods, one of the most amazing men that I’ve ever had the good fortune to meet. Walt is an extraordinary dowser and  researcher. He’s also a highly gifted healer who has helped many people release themselves from physical and emotional suffering. Walt’s humble appearance and soft spoken demeanor completely  belie the range of knowledge, experiences, and powers that this advanced soul has acquired over the years.

Walt has experienced things that you and I only can read about in esoteric books and articles (and other things that we’ve never read about). He has clearly demonstrated that the power of using the mind alone to heal and fix ANYTHING is LIMITLESS. I have at least 8 notebooks crammed with Walt’s astounding lectures. When you read this stuff, it will knock you over (there are more things under the stars and sun than you can possibly imagine). Many more articles on the research efforts  of Walt Woods will appear at this web site in the very near future. Stay tuned!

If you contact the American Society of Dowsers (PO Box 24, Danville, VT 05828-0024) web site:
Tel (802) 684-3417; E-Mail:, they will tell you the location of a Dowsers chapter that is nearest to you. I strongly urge you to go, look, and listen. If you decide to join and become a member, please mention my name (Ken Adachi) on the application form as the person who recommended you to the ASD (and let me know as well).

I mentioned above that I was practically dragged- kicking and screaming- to my first dowsers meeting many years ago by my good friend, Merlin Wolf. I was quite sure that I was going to be bored out of my mind. But surprise, surprise, I quickly realized that I was missing out on some of the best and most advanced “stuff” out there!

I have about 15 books on dowsing, but the best dowsing “course” that I’ve ever taken was contained within a 24 page booklet put together by Walt called Letter to Robin.  This incredible booklet can teach anyone to be an accomplished dowser. Highly recommended.

Dowsing Pendulums

I was contacted by a man named Chris Gozdzik who makes unique and attractive pendulums. He asked me if I would check his pendulum out, so I did and found it to respond very well. If you are interested in checking one out yourself, you can find them all described at the link below. I have no financial arrangement with Chris and told him that I don’t sell advertising space at my web site, but if I liked his pendulum, I would give him a plug on this page. (“Dowsing Tools with a Difference”) .


Geobiology/Geopathic Stress and its effect on Human Health Problems and Solutions (Apr. 2, 2004)


Brighter than the Sun (A photographic record of human transfiguration, Shroud of Turin)

This Shroud of Turin has puzzled me many times and here’s Nigel Kerner’s opinion about it:


Image of an Alien Grey depicted as a religious icon

Brighter than the Sun (A photographic record of human transfiguration)

Originally published:, &
5th February 2010In 1988, three reputable laboratories in Oxford, Zurich and Tucson carried out radiocarbon tests on the Shroud of Turin and declared it a brilliant, medieval fake produced between 1260 and 1390. Since then startling new evidence has led Professor Christopher Ramsey of the University of Oxford and Head of the Oxford Radiocarbon Accelerator Unit which participated in the original 1988 carbon-14 dating of the Shroud to say, in May 2008:

“There is a lot of other evidence that suggests to many that the shroud is older than the radiocarbon dates allow, and so further research is certainly needed. Only by doing this will people be able to arrive at a coherent history of the shroud which takes into account and explains all of the available scientific and historical information.” 1

The evidence to which Professor Ramsey refers includes:
1. Contamination by a fire in 1532 that could have skewed the results by thousands of years.
2. A difference detected in the dates of the different samples given to the three laboratories (in some cases as much as several hundred years).
3. The fact that some parts of the sample appear to come from a fabric that was used to repair the cloth at a later date.

If the Shroud of Turin was indeed created by the same phenomenon that allowed Jesus to ‘glow brighter than the sun’ in front of James, Peter and John, known as the ‘Transfiguration’ then the remarkable features that this cloth has been found to possess could have a clear explanation.

Could a momentary burst of radiant energy, a transfiguration account for these properties? In 2008 an Italian group of scientists researching this possibility presented their conclusions at the Ohio Shroud Conference:

“In summary, our results do not rule out the possibility that a short and intense burst of directional UV radiation, having a very narrow set of duration/intensity/wavelength values, may have played a role in the formation of the body image on the Turin Shroud. However more investigations and characterization work are still necessary to gain a deeper insight into the UV radiation effects on linen aging and image formation Finally, let us point out that the total UV radiation power required to color a linen surface corresponding to a human body, of the order of 16 × 106 W/cm2 × 17.000 cm2 = 2.7 × 1011 W, is impressive, and cannot be delivered by any UV laser built to date. The enigma of the origin of the body image of the Turin Shroud still “is a challenge to our intelligence” 2

Could this burst of laser-like radiation have been produced by the conversion of the very atoms of Christ’s body into light? If this was indeed the case it is no surprise that there is no laser powerful enough to deliver such a blast of radiation! Einstein’s famous equation describing the fact that mass is really an expression of energy E=MC² describes the fact that mass or matter is ‘condensed’ energy. Energy is an expression of force and force is a product of the state of separation of points. Levels of separation and therefore force are increasing in time due to the entropic momentums of a physical Universe. Based on this fact I am going to put before you a remarkable proposition:

Is it possible that through thought and behavior that binds and unites, in other words through that much misused word ‘love,’ Jesus Christ lessened the force of his own atoms such that their condensed energy was liberated in a blaze of transfiguration?

I propose that E=MC² suggests that matter is in fact no more than energy in a frozen state and energy is no more than thought in a frozen state. If the God state is infinite in extent then it is a state of timelessness without beginning or end. All finite states must therefore have their beginning in this infinite state. If the fabric of that infinite state is thought then all finite states are therefore fashioned from thought. With this in mind let’s take another look at how the image on the Shroud might have been formed.

Shape-phase hologram encoding a ring trap with radius

The holographic properties of the Shroud are very important. A hologram is a pattern of interacting microscopic rings, or interference fringes, not unlike the pattern created when a handful of pebbles are tossed into a pond. Every area of the hologram sees and stores information about the whole image. If you break a hologram into multiple pieces, you have multiple holograms, each of which bears information about the whole image.

Dr. Petrus Soons has confirmed that it is indeed possible to glean holographic information from photographs of the shroud at the Eindhoven holographic lab in Holland. This he found quite remarkable, as photographs do not usually contain holographic information. In addition, Dr. Soons made the surprising discovery that this three-dimensional holographic information could only be found in the actual image of the body. The images of plants and flowers and the bloodstains also imprinted on the shroud did not contain this information. Thus the process by which the image of the body itself was formed allowed somehow for the record of information in holographic form. Holograms are produced two beams of coherent laser light at right angles to eachother. I propose that the laser light that created this particular hologram was of the utmost coherence possible and that the two beams at right angles define the two dimensional extent of that which I refer to as the Godverse. In two dimensions limitless extent is possible, it is only once three dimensions occur that limit and fixture can begin.

Image of the full length of the Shroud of Turin

To return to Dr. Soons research, he is also trying to establish if each fiber of the shroud might contain holographic information of the whole image. In his preliminary research he has seen rings on the shroud to suggest that it could indeed be holographic at microscopic level.

According to Dr. Soons another unusual feature of the Shroud image is that no external light source was involved in producing the image: When we look at the Shroud we see what looks like a picture. What to our eyes seems like the highlights, lowlights, and cast shadows of reflected light on a human form is not light at all. It is certainly not light as a camera would detect it, or an artist would see it and translate it to canvas. Technical image analysis reveals no directionality to the implied light of the highlights and shadows. The brightness does not come from any angle. It is not from above or below, nor from the right or the left, nor from the front. The light emerges from within all of the body evenly everywhere at the same time. Thus he concludes that the most probable cause of the image would have been a flash of very short duration, which in some way allowed for distance information to be encoded in the image.3

Giles Carter, an eminent scientist, believes that the image, which is confined to the top-most fibers of the cloth, was caused by an “auto-radiation” effect emanating from inside the cloth.4 Several physicists, including Dr. John Jackson of the Colorado Shroud Center, point to a form of possible columnated radiation as the best explanation for how the image was formed, representing a scorch like appearance (the scorch caused by light versus heat, as the image does not fluoresce). Dr. Thomas Phillips (nuclear physicist at Duke University and formerly with the High Energy Laboratories at Harvard) points to a potential miliburst of radiation (a neutron flux) that could be consistent with the moment of resurrection. Such a miliburst could have caused the purely surface phenomenon of the scorch-like (scorch by light) images and a possible key to the addition of carbon-14 to the cloth. As Dr. Phillips points out: “We never had a Resurrection to study,” and more testing can be done to ascertain whether a neutron flux occurred.5

Distinguished particle physicist, Dame Isabel Piczek, has identified the remarkable fact that there seems to be no distortion in the image on the cloth, a distortion that should have resulted from the pressure of the body on the stone floor of the tomb and the inevitable irregularities that would have occurred due to the folds and wrinkles of the wrapping:

“There is a strange dividing element, an interface from which the image is projected up and the image is projected down. The muscles of the body are absolutely not crushed against the stone of the tomb. They are perfect. It means that the body is hovering between the two sides of the shroud. What does that mean? It means that there is absolutely no gravity. The image is absolutely undistorted. Now if you imagine that the cloth was wrinkled, tied, wrapped around the body and all of a sudden you see a perfect image, which is impossible unless the shroud was made absolutely taut, rigidly taut. A heretofore unknown interface acted as an event horizon. The straight, taut linen of the shroud simply was forced to parallel the shape of this powerful interface. The projection, an action at a distance, happens from the surface and limit of this, taking with itself the bas-relief image of the upper and, separately, the underside of the body.”

This, “heretofore unknown interface” she says, would have been the result of a “collapsed event horizon,” in the center of which, “there is something which science knows as a singularity. This is exactly what started the universe in the Big Bang.” Thus, she goes on to say: “We have nothing less in the tomb of Christ than the beginning of a new universe.” 6

A second ghostly image of a man’s face has been discovered on the back of the linen, according to a report published by London’s Institute of Physics. The back of the shroud has rarely been seen, as it was hidden beneath a piece of cloth sewn on by nuns in 1534, after it had been damaged by fire. But the back surface was exposed during a restoration project in 2002. A professor at Italy’s Padua University, Giulio Fanti, thought he saw a “faint image” in the photographs from this project and decided to investigate it further. Professor Fanti has dismissed claims that the image on the back confirms that the shroud is a fake, with paint soaking from the front to the back: “This is not the case of the Shroud. On both sides, the face image is superficial, involving only the outermost linen fibers,” he said. “It is extremely difficult to make a fake with these features.” 7

Could the fact that the image is formed on the surface fibers of both sides of the cloth without penetrating through the intervening layers suggest that Christ was able to be in two places at once from that interface? In other words the separation of points and therefore force and energy were no longer relevant for him. He had converted the atoms of his body to a form of ‘educated light,’ a light that had no component of force or energy to it. A light that held all the information about what and who he was with such purity and power it could create the living semblance of himself. In other words the form of himself that could account for the phenomenon we call the Resurrection. Could this form of educated light be what we call a soul? A mechanism we cannot yet quantify and qualify through science but nevertheless exists and accounts for the continuation of a personal living individuality past death.

© Nigel Kerner 2010REFERENCES
2 A Physical Hypothesis on the Origin of the Body Image Embedded into the Turin Shroud
Paolo Di Lazzaro*, et al 2008

3 The Fabric of Time, Grizzly Adams Productions DVD (April 24, 2007).
4 Giles F. Carter, “Formation of Images on the Shroud by X-rays: A New Hypothesis”, ACS Advances in Chemistry No. 205: Archaeological Chemistry, (1984) 425-446.
5 The Fabric of Time, Grizzly Adams Productions DVD (April 24, 2007).
6 Ibid
7Giulio Fanti, Francesco Lattarulo, Oswald Scheuermann, Body Image Formation Hypotheses Based on Corona Discharge

The truth about the Shroud of Turin.
The “Sacred Shroud,” which has brought a lot of controversy, is indeed the authentic shroud that covered the body of Jesus after his crucifixion, but it is not a sacred cloth as naively Catholics claimed, nor a rag, as skeptics derogatory categorized it. The figure of the Master was impressed by the radiation used by the aliens who resuscitated him.
Why something so simple is so difficult to understand?
More information: Resurrection of Jesus
Email received:
Dear Professor: From the point of view, we might call it “official”, there are doubts regarding to the cloth we known as the “Sacred Shroud of Turin,” it is said that it was the cloth that wrapped the body of Jesus after he was removed from the cross by Joseph of Arimathea. What is the opinion of Grupo Elron?
Alexander V.
Dear Alexander: Grupo Elron doesn’t need to hold an opinion because the actual data of this enigma was revealed by the Master Jesus himself, who explained that the cloth which was used to wrap his face and his body is genuine, in this case a fortuitous event happened through the radiation used by the extraterrestrials who resurrected him.
We know it, because it was also revealed by the Master Jesus; that after having been resuscitated successfully, Jesus fulfilled another mission, even shorter than his mission on Earth.
When Jesus finally disembodied, he was subsequently appointed as Solar Logos, a very high position he still has.
His lifeless body was brought back to Earth by these aliens and it was buried in Judea. Obviously, there is no trace of his remains.
Medium: Jorge Raul Olguin.
Entity that came to dialogue: Master Jesus, current Solar Logos.
Interlocutor: Was the resurrection made by terrestrial or extraterrestrial hands?
Master Jesus: Extraterrestrial… They lift me from level because I had to fulfill another mission in another world that will be explained later on.
That radioactivity is left in that cloth that wrapped me; with this, I am saying that the so-called “Sacred Shroud”, is real.
Interlocutor: Was it something deliberate somehow, or it was a fortuitous fact?
Master Jesus: No, it was not something premeditated; the radioactivity was simply impregnated fortuitously.
I will leave to give place to another entity. All my blessings to you. Know that I am always with you. 

Medium: Jorge Raul Olguin.
Entity that came to dialogue: Master Ruanel
Interlocutor: Recently it has been said that scientists who have examined the shroud have found a second face of Jesus. Is there any truth on this?
Here I have the information about it:
Ruanel: No, everything is false; there is no second face.
Interlocutor: Is it a total fantasy?
Ruanel: Correct.
Interlocutor: And why did they do this?
Ruanel: Just to gain popularity, nothing more.
Interlocutor: Then, they are idiots?
Ruanel: It’s the word that fits better.
Interlocutor: It’s hard to believe that they have done something like that.
Ruanel: You believed it, didn’t you?
Interlocutor: Well, I admit that I did. I thought that it might be true. Then, everything is just a trick?
Ruanel: Yes, there is no second face.
Interlocutor: Was there intervention of the spirits of error?
Ruanel: Yes, they influenced in their ego.
Interlocutor: Let’s see if I understood well. Do they know it’s a trick or were they deceived?
Ruanel: One of them knows that the second face is false, but the others don’t know it and they were dragged. It’s like one of them said “Look! There is a second face of Jesus,” and everyone else, with their feverish minds, nodded and were dragged and also “saw” the second face.
This often happens in spiritualistic schools, where one of them says: “I see a figure behind the medium of such and such features, using clothes, with long pointed beard, eyes of that color.” and it turns to be that all of them see the same thing, being that it is only their imagination in their mental decoders.
Interlocutor: Another point is clear.

Sacred Shroud: Gr. Elron. The burial cloth which was impressed by the face and body of Jesus. It was a fortuitous event produced by the radiation used by the aliens who resuscitated him. The Master Jesus, after being raised, fulfilled another mission successfully in other world, which was even shorter than his mission on Earth. After Jesus died, he was appointed as Solar Logos, a very high position he still has.

Whistleblower: Massive Extraterrestrial Crafts Hiding Behind Moon

Just some information considering about ships, that are maybe lurking behind the Moon:

by Gregg Prescott, M.S.

A government whistleblower recently stated that officials are baffled as to why numerous extraterrestrial crafts have docked themselves on the opposite side of the moon.

Dr. Eric Norton, an outside consultant for the NSA and NASA for the past 12 years, was hired to track various object in space including meteors, comets, etc.. but recently has been following a number of unidentified aircrafts that were heading towards Earth.

On January 22, 2012, Dr. Norton was called to the MacDonald Observatory in Texas and saw  “massive, three dimensional black structures in space, in straight line formation advancing in the direction of planet Earth.  The object seemed to be emitting  some sort of force field that deflected space particles from touching their surface, almost like the magnetic field around the earth.  The objects were getting so close that, with our telescopes, we could see the structural features of these things in high detail. They were shaped as a three dimensional “L” shaped craft.  By January 2013, the objects had been tracked to about 200,000 miles past the planet Mars.  Once they reached this point, almost instantaneously, the object vanished from our telescope lenses as if they had activated some sort of invisibility shield at the flick of the switch.  I knew that the upper echelons of government were worried about these things because I was under a constant 24/7 guard by Secret Service agents.  For nearly the entire year of 2013, we watched the skies in disbelief.  We didn’t know what was going on or where these things were.  According to my calculations, these things would have been so close to us by now that we would have no problem seeing them in the night sky had they stayed visible to us.  We didn’t know if they were still coming or had left the solar system.”

Dr. Norton was sent home and was awaiting additional order, if needed, but had not heard anything else about this situation for approximately 6 months.  Upon all of the commotion around the government shutdown as well as the shutdown of numerous space monitoring programs, Dr. Norton finally made a call to a close friend who he worked with confidentially who told Norton that “the objects reappeared and had repositioned themselves behind the moon”  in a circular type of alignment, which allowed them to dock to the backside of the moon in order to remain invisible to skywatchers.

Norton added that the blackout of all space monitoring programs was essential in “keeping the lid on what had happened.”

“We don’t know what they are, what they are doing or what they’re going to do.  We do know that there have already been fluctuations in Earth’s gravity field and the gravity field which links the moon to the Earth.”

According to Dr. Norton, if this information were to be revealed to the masses, it would cause a breakdown of all religions as well as the “breakdown of society, itself”.


It is this writers opinion that our society is ready to acknowledge the existence of other forms of life other than what is already on our planet.  The biggest fears would be from those who have kept us living as economic slaves for millennia through subservience, control and conformity as their illusion of their fiat currency falls apart.  They will continue to grasp on to this illusion for as long as possible while keeping the rest of us in the proverbial dark until the last possible second in order to maintain their illusion of power.

If the extraterrestrials are changing the magnetic waves in the gravitational field of this planet, it could have implications on what that might do to our brains and more specifically, what we are capable of doing.

For example, a slight change in the magnetic field may affect the Schumann Resonance where the frequencies are more derived from pure love or as some may call it, “Christ Consciousness“.  It may also open up our minds to their fullest collective capacity where we all have instantaneous abilities, such as telekinesis, ESP and other psychic or metaphysical abilities.

The Earth is currently undergoing a magnetic pole shift, which has not occurred in at least 700,000 years on this planet, so perhaps this visitation has something to do with that?

Many people believe that the moon is a large satellite, so the possibility remains that those who placed it here have returned.

While much of this is speculation, no one truly knows who they are or why they are on the moon.  Only time will tell!

Also see: Pentagon Secret – The Anunnaki Are Returning

Who do you think they are and why do you think they’re here?  Comment below!




I remembered, that I have seen something unusual in front of the CERN building and found this article about how CERN’s Large Hadron Collider could be a stargate:

Right now I almost can see in my mind, a bunch of ATSers jumping in their chairs, in front of the computer and saying “Oh no, another weirdo going nuts about the LHC…” Well, just my two cents that, after read what I’m sharing here, some of you, guys, will stop thinking that the purpose of that gigantic device, is to reproduce the primordial spark of the big-bang and start to figure out what REALLY may be scheduled by this project.
To make my point, if the LHC is or not is a stargate machine, I’ll start talking about another very suspicious object, well known of the ancient Egyptians and that may have had the same purpose of the collider: The Ta-Wer, that means “The Eldest Land”, but is known among UFO researchers as “The Osiris Device”. According to mainstream scholars, the Ta-Wer was a only a mystic symbol that has represented the connection between Abydos and some mythical place in the underworld, interpreted as the “Land of the Dead”.
Well, it’s a common sense among UFO researchers that the Ta-Wer depicted in some paitings, in the walls of Abydos temple, is a structure that could be part of a huge device that activated dimensional portals, stargates or wormholes.

Yeah, now is the time where people here are saying “You gotta be kidding. It’s a boat that has represented the crossing between life and death…” Indeed the scholars have alleged that the boat-like object seen in that painting, was the so called “Boat of Million Years”, used by Ra to travel across the underworld. Is it, really, just a boat??

Above you see a model of cosmic wormhole, that matches with the theory of Kurt Gödel, that due the fact that nothing can travel faster than light, a “shortcut” could be open in certain coordinates of the space, to connect two distant points. A huge amount of energy would produce a huge amount of gravitation that could “bend” the space, forming two light cones interconnected by a space-time tunnel where matter could pass.

Above, you see a close in the right section of the Ta-Wer. Notice that Seth is coming out and it seems that his body is twisted or warped. And below you see a 3D render of the Gödel’s stargate. Needless to say it’s just IDENTICAL to the Ta-Wer.

Above you see a group of Neter, “The Watchers”: Isis, identified by Zecharia Sitchin as the Anunnaki goddess NIMAH aka Hathor, plus Osiris, Seth and Horus, identified as sons of MARDUK aka RA.
On the radar: The LHC is a particle booster, built to beam up protons in very high speed and opposite directions, until they collide creating a huge amount of energy capable to reproduce similar cosmic conditions that have creating such phenomena as dark matter, antimatter and ultimately the creation of the universe billions of years ago. The scientist team keeps the beam up speed, between 3.5 and 7 TeV (Teraelectron Volts) to reach a collision energy around 90 times to over 500 TeV. They plan increase the speed of beam up around 12 TeV until 2012.Under the radar:1) According to Prof Irina Aref’eva and Dr Igor Volovich, both mathematical physicists at the Steklov Mathematical Institute in Moscow, the energies generated by the subatomic collisions in the LHC may be powerful enough to rip space-time itself, spawning wormholes.2) According to Fermilab director, Pier Oddone, 7 TeV of beam up speed could cause a collision with energy enough to reproduce to reproduce the conditions of the universe one second after the Big Bang. (Remember that the scientists want reach 12 Tev until 2012)3) According to a team of brainiac scientists as the Nobel physicist Frank Wilczek, the Astronomer Martin Rees, the physicist Adrian Kent of Cambridge, the space engineer Richard Wagner and the chemist and physicist Ph.D Otto Rossler, the LHC could “turning the planet into a smoking asteroid the size of a baseball park” or “to create a micro black hole swallowing the Earth from the core outwards, if not the sun”, through the generation of a huge amount of energy equivalent to a thermonuclear bomb per second.

You can check this data here and hereMy point is that the scientists behind the LHC know EXACTLY what they are doing, despite they PRETEND don’t know. They cynically talk as if they were exploiting the coincidences of nature, but that device was built as solid secret purpose.

“Give me a glass ball, a crystal ball, then I would know but I don’t know what nature has for us.”
Professor Rolf-Dieter Heuer, CERN director.

It’s a common sense, among 99% of the “out of the box” physicists, that the LHC can INDEED produce energy to open wormholes, what turns it in a huge STARGATE device. I’m stating here, that the “quest by God’s particle” is a FALSE FLAG, to something else. Let’s follow the crumbs…

Above you see a statue of the Hindu “god” SHIVA, right in front of the CERN building, (European Center for Research in Particle Physics) in Geneva. We know that scientists of world wide have been working on LHC development, including Indian scientists, but a 2m high statue of the most feared hindu deity EVER, in front of the LHC facility, seems too odd.

That’s weird… The pictures you see above were taken within the LHC facility… Strange panels with ancient writings assembled onto a structure with some kind of blue beam light surrounding it, that seems to be a movement sensor or something. They could be just fancy messages left by foreign scientists, representing their nations. Some panel seems ancient Mandarin, other some Arab characters, but one particular panel has very strange characters, that don’t seem nothing I’ve seen before and other panel has Sanskrit characters. In India, the only people that read and write Sanskrit, are scholars of Vedas and Upanishads, scriptures written in the “language of the gods”. Why these panels have security sensors around and what are they?? Invocations???

Above, some sections of the LHC, nothing you haven’t seen before. But take a good look to the image below.

The mouth of this tunnel, this image seems quite familiar…

… the tunnel’s section resembles the structure where Shiva is always depicted, doing his Anandatandava aka “the cosmic dance”. Now check this out:

Well I really doubt that the statue of Shiva in front to CERN building is a coincidence. I wonder what the ancient Hindu people have testified, to depict this deity attached to some structure identical to the mouth of LHC’s particle tunnel… Just regarding that Zecharia Sitchin has identified the “Lord Shiva” as the Anunnaki first commander ENLIL aka Yahweh, what makes me think if the LHC was developed in order to open a stargatee to bring the Anunnaki back to Earth.
450.000 years ago they came in 600. Maybe the next time they will come in thousands or hundred of thousands…

So guys, bring the ideas.

And then some videos:




All Photos & text Copyright©

Remote viewer Edward Riordan views comet ISON

I have watched and searched many remote viewers, but absolutely the best one is a man called Edward Riordan. Here he’s viewing the comet ISON.

Target cue: Describe the most important aspects of the target.

Target coordinates: 3062 9557

Remote viewer: Edward Riordan

Monitor: Jerry Harthcock

This target was selected for several reasons. First, not much is known about the object(s) commonly referred to in astronomical circles as ISON (C/2012 S1), which might be improperly designated a “comet”. Second, there is much controversy circulated on the Internet not only from “official” sources such as NASA, etc, but also in the form of YouTube videos and articles written about it by various “authorities”. Third, due to the foregoing reasons, the target seemed to be an excellent candidate for an “operational” session, wherein the ultimate objective is to obtain information/data in the form of descriptions when no other source of obtaining such information is available, which is what operational remote viewing (as opposed to mere scientific experiments, demos, or practice sessions) is all about and why CRV was developed in the first place.

This is an approx. 5.5 hrs-long session, comprising 4 videos. In this session, Edward actually names the target–twice! The first time he named it, monitor Jerry Harthcock prompts him to Stage-5 the AOL/S “comet ISON”. The main reason for this is to try and understand the data behind the AOL/S. In other words, it is not enough for the viewer to articulate the target name. What is more important is to articulate “why” Edward AOL’d it. We want to know what are the descriptors behind that noun. In other words, what data was stored in those cognitrons at the time of the AOL.

Here are the links to the sites from where the video clips, simulations, and images used in the leader to Part 1 of the session:

(Hubble image used in the tasking and session feedback photo)…

(Track simulation clip)

(Alleged “Chinese Space Radar” clip 1)…

(Alleged “Chinese Space Radar” clip 2)…

Here is an interesting article posted at the Exopolitics website:…






Here you can find more info about Edward and his viewings:

>> Edward Riordan website

>> Edward Riordan Youtube-Channel

Here’s some info about remote viewing:

Fairy ring

I came across with this phenomenon and I had to check it out and it is called “Fairy Ring”. Is it a portal to another dimension and time?

Fairy ring

From Wikipedia, the free encyclopedia
“Fairy circle” redirects here. For the barren or desert grassland phenomenon, see Fairy circle (Africa). For the Neolithic monument in Scotland, see Hjaltadans.
A fairy ring, also known as fairy circle, elf circle, elf ring[1] or pixie ring, is a naturally occurring ring or arc of mushrooms. The rings may grow to over 10 metres (33 ft) in diameter, and they become stable over time as the fungus grows and seeks food underground. They are found mainly in forested areas, but also appear in grasslands or rangelands. Fairy rings are detectable by sporocarps in rings or arcs, as well as by a necrotic zone (dead grass), or a ring of dark green grass. A fungus, mycelium, is likely to be present in the ring or arc underneath.


There are two theories regarding the process involved in creating fairy rings. One states that the fairy ring is begun by a spore from the sporocarpus. The underground presence of the fungus can also cause withering or varying colour or growth of the grass above. Mushrooms, the fruiting bodies of fungi that poke their heads up out of the soil after rainstorms, tell only part of the fungi’s story. Hidden in the soil is a huge network of thread-like mycelia. Mushrooms are not individual organisms. Rather, they are just one part of the mycelia lurking beneath the ground.[2]

The second theory, which is presented in the investigations of Japanese scientists on the Tricholoma matsutake species, shows that fairy rings could be established by connecting neighbouring oval genets of these mushrooms. If they make an arc or a ring, they continuously grow about the centre of this object.

Necrotic or rapid growth zones

One of the manifestations of fairy ring growth is a necrotic zone—an area in which grass or other plant life has withered or died. These zones are caused by the mycelia which, during a very dry year, coat the roots of grasses and other herbs in meadows. After some time they are removed by biotic factors from the ground, at which stage a zone on the surface soil becomes visible. Patterns other than the basic ring or arc are also possible: circles, doubled arcs, sickle-shaped arcs, and other complicated formations are also formed by this process. Fungi can deplete the soil of readily available nutrients such as nitrogen, causing plants growing within the circle to be stressed which leads to plant discoloration. Some fungi also produce chemicals which act like hormones called gibberellins, which affect plant growth, causing rapid luxuriant growth.

Long-term observations of fairy rings on Shillingstone Hill, England, further suggested that the cycle depended on the continuous presence of rabbits. Chalky soils on higher elevations in the counties of Wiltshire and Dorset (U.K.) used to support many meadow-type fairy rings. Rabbits crop grass very short in open areas and produce nitrogen-rich droppings. Mushrooms need more soil nitrogen than grass does. A ring can start from a single spore from which the mycelium develops; the fruiting bodies of the mushrooms only appearing later, when sufficient mycelial mass has been generated to support them. Subsequent generations of fungi grow only outwards, because the parent generations have depleted their local nitrogen levels. Meanwhile, rabbits keep cropping the grass, but do not eat the fungi, allowing them to grow through their competition to tower, relatively, above the grass. By the time a circle of mushrooms reaches about 6 metres (20 ft) in diameter, rabbit droppings have replenished the nitrogen levels near the centre of the circle, and a secondary ring may start to grow inside the first.[citation needed]

Soil analysis of soil containing mycelium from a wood blewit (Clitocybe nuda) fairy ring under Norway spruce (Picea abies) and Scots pine (Pinus sylvestris) in southeast Sweden yielded fourteen halogenated low molecular weight organic compounds, three of which were brominated and the others chlorinated. It is unclear whether these were metabolites or polluntants. Brominated compounds are unknown as metabolites from terrestrial fungi.[3]


There are two generally recognised types of fairy ring fungus. Those found in the woods are called tethered, because they are formed by mycorrhizal fungi living in commensalism with trees. Meadow fairy rings are called free, because they are not connected with other organisms. These mushrooms are saprotrophic. The effects on the grass depend on the type of fungus that is growing; when Calvatia cyathiformis is growing in the area grass will grow more abundantly; however, Leucopaxillus giganteus will cause the grass to wither.[4]

Species involved

There are about 60 mushroom species which can grow in the fairy ring pattern.[5] The best known is the edible Scotch bonnet (Marasmius oreades), commonly known as the fairy ring champignon.

One of the largest rings ever found is near Belfort in France. Formed by Infundibulicybe geotropa, it is thought to be about 600 metres (2,000 ft) in diameter and over 700 years old.[6] On the South Downs in southern England, Calocybe gambosa has formed huge fairy rings that also appear to be several hundred years old.[7]

List of species

Cultural references

Oral tradition and folklore

“Plucked from the Fairy Circle”
A man saves his friend from the grip of a fairy ring

A great deal of folklore surrounds fairy rings.[23] Their names in European languages often allude to supernatural origins; they are known as ronds de sorciers (“sorcerers’ rings”) in France, and Hexenringe (“witches’ rings”) in German.[24] In German tradition, fairy rings were thought to mark the site of witches’ dancing on Walpurgis Night,[23] and Dutch superstition claimed that the circles show where the Devil set his milk churn. In Tyrol, folklore attributed fairy rings to the fiery tails of flying dragons; once a dragon had created such a circle, nothing but toadstools could grow there for seven years. European superstitions routinely warned against entering a fairy ring. French tradition reported that fairy rings were guarded by giant bug-eyed toads that cursed those who violated the circles. In other parts of Europe, entering a fairy ring would result in the loss of an eye.[24] Fairy rings are associated with diminutive spirits in the Philippines.[25]

Western European, including English, Scandinavian and Celtic, traditions claimed that fairy rings are the result of elves or fairies dancing. Such ideas dated to at least the mediæval period; The Middle English term elferingewort (“elf-ring”), meaning “a ring of daisies caused by elves’ dancing” dates to the 12th century.[26] In his History of the Goths (1628), Olaus Magnus makes this connection, saying that fairy rings are burned into the ground by the dancing of elves.[23] British folklorist Thomas Keightley noted that in Scandinavia in the early 20th century, beliefs persisted that fairy rings (elfdans) arose from the dancing of elves. Keightley warned that while entering an elfdans might allow the interloper to see the elves—although this was not guaranteed—it would also put the intruder in thrall to their illusions.[27][28]

Fairy rings in moss on Iceland

The folklores of the British Isles contain a wealth of fairy lore, including the idea from which fairy rings take their name: the phenomena result from the dancing of fairies.[29] In 19th-century Wales, where the rings are known as cylch y Tylwyth Teg, fairies were almost invariably described as dancing in a group when encountered,[30] and in Scotland and Wales in the late 20th century, stories about fairy rings were still common;[31][32] some Welsh even claimed to have joined a fairy dance.[33] Victorian folklorists regarded fairies and witches as related, based in part on the idea that both were believed to dance in circles.[34] These revels are particularly associated with moonlit nights, the rings only becoming visible to mortals the following morning.[35][36] Local variants add other details. An early 20th-century Irish tradition says that fairies enjoy dancing around the hawthorn tree so that fairy rings often centre on one.[37] One resident of Balquhidder, Scotland, said that the fairies sit on the mushrooms and use them as dinnertables,[32] and a Welsh woman claimed that fairies used the mushrooms as parasols and umbrellas.[33]Olaus Magnus in Historia de Gentibus Septentrionalibus wrote that the brightness of the fairy ring comes not from the dancing of the fairies, who harm it with their feet, but from Puck, who refreshes the grass.[38] A Devon legend says that a black hen and chickens sometimes appear at dusk in a large fairy ring on the edge of Dartmoor.[39] A Welsh and Manx variant current in the 1960s removes dancing from the picture and claims that fairy rings spring up over an underground fairy village.[40] These associations have become linked to specific sites. For example, “The Pixies’ Church” was a rock formation in Dartmoor surrounded by a fairy ring,[41] and a stone circle tops Cader Idris in northern Wales, believed to be a popular spot for fairy dances.[42]

Many folk beliefs generally paint fairy rings as dangerous places, best avoided.[40][43] Sikes traces these stories of people trespassing into forbidden territory and being punished for it to the tale of Psyche and Eros. In it, Psyche is forbidden to view her lover, and when she does so, her palace disappears and she is left alone.[44] Superstition calls fairy circles sacred and warns against violating them lest the interloper (such as a farmer with a plough) anger the fairies and be cursed.[33][45][46] In an Irish legend recorded by Wilde, a farmer builds a barn on a fairy ring despite the protests of his neighbours. He is struck senseless one night, and a local “fairy doctor” breaks the curse. The farmer says that he dreamed that he must destroy the barn.[47] Even collecting dew from the grass or flowers of a fairy ring can bring bad luck. Destroying a fairy ring is unlucky and fruitless; superstition says it will just grow back.[40]

A traditional Scottish rhyme sums up the danger of such places:

He wha tills the fairies’ green
Nae luck again shall hae :
And he wha spills the fairies’ ring
Betide him want and wae.
For weirdless days and weary nights
Are his till his deein’ day.
But he wha gaes by the fairy ring,
Nae dule nor pine shall see,
And he wha cleans the fairy ring
An easy death shall dee.[48]

Numerous legends focus on mortals entering a fairy ring—and the consequences. One superstition is that anyone who steps into an empty fairy ring will die at a young age.[49] A 20th-century tradition from Somerset calls the fairy ring a “galley-trap” and says that a murderer or thief who walks in the ring will be hanged.[50] Most often, someone who violates a fairy perimeter becomes invisible to mortals outside and may find it impossible to leave the circle. Often, the fairies force the mortal to dance to the point of exhaustion, death, or madness.[49][51] In Welsh tales, fairies actively try to lure mortals into their circles to dance with them.[30] A tale from the Cambrian Mountains of Wales, current in the 19th century, describes a mortal’s encounter with a fairy ring:

… he saw the Tylwyth Teg, in appearance like tiny soldiers, dancing in a ring. He set out for the scene of revelry, and soon drew near the ring where, in a gay company of males and females, they were footing it to the music of the harp. Never had he seen such handsome people, nor any so enchantingly cheerful. They beckoned him with laughing faces to join them as they leaned backward almost falling, whirling round and round with joined hands. Those who were dancing never swerved from the perfect circle; but some were clambering over the old cromlech, and others chasing each other with surprising swiftness and the greatest glee. Still others rode about on small white horses of the most beautiful form … All this was in silence, for the shepherd could not hear the harps, though he saw them. But now he drew nearer to the circle, and finally ventured to put his foot in the magic ring. The instant he did this, his ears were charmed with strains of the most melodious music he had ever heard.[52]

Entering the ring on May Eve or Halloween night was especially dangerous.[40] One source near Afon fach Blaen y Cae, a tributary of the Dwyfach, tells of a shepherd accidentally disturbing a ring of rushes where fairies are preparing to dance; they capture him and hold him captive, and he even marries one of them.[53] In variants from Scotland recorded by Edwin Sidney Hartland in 1891, the ring is replaced by a cavern or an old mill.[54]

Freedom from a fairy ring often requires outside intervention. A tactic from early 20th-century Wales is to cast wild marjoram and thyme into the circle and befuddle the fairies;[55] another asks the rescuer to touch the victim with iron.[56] Other stories require that the enchanted victim simply be plucked out by someone on the outside,[57] although even this can be difficult: A farmer in a tale from the Langollen region has to tie a rope around himself and enlist four men to pull him from the circle as he goes in to save his daughter.[58] Other folk methods rely on Christian faith to break the enchantment: a stick from a rowan tree (thought to be the wood from which the cross of Jesus Christ was built) can break the curse,[33] as can a simple phrase such as “what, in Heaven’s name”, as in a 19th-century tale from Carmarthenshire.[59] A common element to these recoveries is that the rescuer must wait a year and a day from the point where the victim entered the ring.[56]

Mortals who have danced with the fairies are rarely safe after being saved from their enthrallment. Often, they find that what seemed to be but a brief foray into fairyland was indeed much longer in the mortal realm, possibly weeks or years.[49][60] The person rescued from the fairy ring may have no memory of their encounter with the sprites, as in a story from Anglesea recorded in 1891.[61] In most tales, the saved interlopers face a grim fate. For example, in a legend from Carmarthenshire, recorded by Sikes, a man is rescued from a fairy ring only to crumble to dust.[59] In a tale from Mathavarn, Llanwrin Parish, a fairy-ring survivor moulders away when he eats his first bite of food.[57] Another vulnerability seems to be iron; in a tale from the Aberystwyth region, a touch from the metal causes a rescued woman to disappear.[61]

Some legends assert that the only safe way to investigate a fairy ring is to run around it nine times. This affords the ability to hear the fairies dancing and frolicking underground.[43] According to a 20th-century tradition of Northumberland, this must be done under a full moon, and the runner must travel in the direction of the sun; to go widdershins allows the fairies to place the runner under their sway. To circle the ring a tenth time is foolhardy and dangerous.[40]Thomas Keightley recorded a similar tradition from Northumberland in 1905: “The children constantly run this number [nine times], but nothing will induce them to venture a tenth run.”[62] A story from early 20th century England says that a mortal can see the sprites without fear if a friend places a foot on that of the person stepping beyond the circle’s perimeter.[63] Another superstition says that wearing a hat backwards can confuse the fairies and prevent them from pulling the wearer into their ring.[64]

Although they have strong associations with doom, some legends paint fairy circles as places of fertility and fortune. Welsh folk belief is that mountain sheep that eat the grass of a fairy ring flourish, and that crops sown from such a place will prove more bountiful that those from normal land.[23] A folk belief recorded in the Athenian Oracle claims that a house built on a fairy circle will bring prosperity to its inhabitants.[65] Likewise, a legend from Pont y Wern says that in the 13th or 14th century, the inhabitants of the town of Corwrion watched fairies dancing in a ring around a glow worm every Sunday after church at a place called Pen y Bonc. They even joined the sprites in their revels. The legend survives in a rhyme: “With the fairies nimbly dancing round / The glow-worm on the Rising Ground.”[66] A Welsh tale recorded by Rhys in 1901 tells of a man who supposedly lived on the side of the Berwyn, above Cwm Pennant, in the early 19th century. The man destroyed a nest of rooks in a tree surrounded by a fairy ring. In gratitude, the fairies gave him a half crown every day but stopped when he told his friends, “for he had broken the rule of the fair folks by making their liberality known”.[67] Nevertheless, fairy boons are not without their curses, and tales often tell of the sprites exacting their revenge.[23]


The mushroom Gomphus clavatus growing in a fairy ring formation

Come unto These Yellow Sands (1842) by Richard Dadd. Images of nude and semi-nude fairies dancing in rings became popular during the Victorian era.

Fairy rings have featured in the works of European authors, playwrights, and artists since the 13th century. In his Arthurian romanceMeraugis de Portlesguez, Raoul de Houdenc describes a scene clearly derived from Celtic fairy-ring lore: The title character visits the Château des Caroles and sees a circle of women and a knight dancing around a pine in the castle courtyard. Meraugis is unable to fight the intense desire to join in, thus freeing the previous knight from the spell. Meraugis is helpless to leave the dance until, ten weeks later, another knight joins it and frees him.[68] Fairy circles feature in works by several Elizabethan poets and playwrights. William Shakespeare alludes to them in A Midsummer Night’s Dream, Act II, Scene I[49][69] (“And I serve the fairy queen, / To dew her orbs upon the green” and “To dance our ringlets to the whistling wind”),[70] and The Tempest, Act V, Scene I:[29]

… you demi-puppets that
By moonshine do the green sour ringlets make,
Whereof the ewe not bites, and you whose pastime
Is to make midnight mushrooms, that rejoice
To hear the solemn curfew …[71]

Shakespeare’s contemporary Thomas Randolph speaks of fairy rings in his Amyntas, or the Impossible Dowry (1638), and Michael Drayton describes one in Nymphidia: The Court of Fairy:[69]

And in their courses make that round
In meadows and in marshes found,
Of them so called the Fairy Ground,

Of which they have the keeping.[72]

Fairy imagery became especially popular in the Victorian era. Thomas Hardy uses a fairy ring as a symbol of lost love in The Mayor of Casterbridge (1886); the character Michael Henchard passes a fairy ring and remembers that he last saw his wife Susan there when he sold her to a sailor in a drunken rage.[73] Victorian poets who have referred to fairy rings in their works include Elizabeth Barrett Browning, Eliza Cook, Robert Stephen Hawker, Felicia Hemans, Gerald Massey, and Alfred, Lord Tennyson.[74]W. H. Cummings composed the cantata The Fairy Ring, and William Butler Yeats wrote of them in The Land of Heart’s Desire (1894).[75]


Fairy circles have appeared in European artwork since at least the 18th century. For example, William Blake painted Oberon, Titania and Puck with Fairies Dancing, depicting a scene from Shakespeare’s A Midsummer Night’s Dream, around 1785,[76] and Daniel Maclise painted Faun and the Fairies around 1834. Images of fairies dancing in circles became a favourite trope of painters in the Victorian period. On the one hand, artists were genuinely interested in the culture such imagery represented, and on the other, fairies could be depicted as titillating nudes and semi-nudes without offending Victorian mores, which made them a popular subject of art collectors. Examples of Victorian fairy-ring paintings include Come unto these Yellow Sands (1842) by Richard Dadd and Reconciliaion of Titania and Oberon (1847) by Joseph Noel Paton.[77]


Modern depictions continue in a similar vein. The online gameRuneScape features a magical fairy-ring network used for transportation, Ultima Online includes circles of mushrooms in several locations, and in “Quest for Glory: So You Want to Be a Hero” the Hero must dance in a fairy ring to acquire spell components. The popularity of the garden gnome in England may be the most visible manifestation of the imprint of fairy-ring imagery on popular culture, as it links the fairy-like gnome with imagery of toadstools and mushrooms.[78]

Further reference is included in Guillermo Del Toro’s Don’t Be Afraid of the Dark. The main character, Sally, is venturing through the grounds of her father’s new estate when she comes across a fairy ring. She steps carefully into and out of it before continuing on. Mr. Harris, however, a restoration worker, knows of the house’s negative history with ancient fae and warns the girl. There is special attention paid to the fact that, as he is forcibly removing her from the area, he crushes many of the mushrooms forming the fairy ring. He is later attacked and hospitalized through the fae’s failed attempts to murder him.


And some videos about the penomenon:



Egyptian Book of the Dead

Now when we have looked the Tibetan Book Of The Deatd there is also an Egyptian Book Of The Dead:

The Book of the Dead is an ancient Egyptian funerary text, used from the beginning of the New Kingdom (around 1550 BCE) to around 50 BCE.[1] The original Egyptian name for the text, transliterated rw nw prt m hrw[2] is translated as “Book of Coming Forth by Day”.[3] Another translation would be “Book of emerging forth into the Light”. The text consists of a number of magic spells intended to assist a dead person’s journey through the Duat, or underworld, and into the afterlife.

The Book of the Dead was part of a tradition of funerary texts which includes the earlier Pyramid Texts and Coffin Texts, which were painted onto objects, not papyrus. Some of the spells included were drawn from these older works and date to the 3rd millennium BCE. Other spells were composed later in Egyptian history, dating to the Third Intermediate Period (11th to 7th centuries BCE). A number of the spells which made up the Book continued to be inscribed on tomb walls and sarcophagi, as had always been the spells from which they originated. The Book of the Dead was placed in the coffin or burial chamber of the deceased.

There was no single or canonical Book of the Dead. The surviving papyri contain a varying selection of religious and magical texts and vary considerably in their illustration. Some people seem to have commissioned their own copies of the Book of the Dead, perhaps choosing the spells they thought most vital in their own progression to the afterlife. The Book of the Dead was most commonly written in hieroglyphic or hieratic script on a papyrus scroll, and often illustrated with vignettes depicting the deceased and their journey into the afterlife.


The Book of the Dead developed from a tradition of funerary manuscripts dating back to the Egyptian Old Kingdom. The first funerary texts were the Pyramid Texts, first used in the Pyramid of King Unas of the 5th dynasty, around 2400 BCE.[4] These texts were written on the walls of the burial chambers within pyramids, and were exclusively for the use of the Pharaoh (and, from the 6th dynasty, the Queen). The Pyramid Texts were written in an unusual hieroglyphic style; many of the hieroglyphs representing humans or animals were left incomplete or drawn mutilated, most likely to prevent them causing any harm to the dead pharaoh.[5] The purpose of the Pyramid Texts was to help the dead King take his place amongst the gods, in particular to reunite him with his divine father Ra; at this period the afterlife was seen as being in the sky, rather than the underworld described in the Book of the Dead.[5] Towards the end of the Old Kingdom, the Pyramid Texts ceased to be an exclusively royal privilege, and were adopted by regional governors and other high-ranking officials.

In the Middle Kingdom, a new funerary text emerged, the Coffin Texts. The Coffin Texts used a newer version of the language, new spells, and included illustrations for the first time. The Coffin Texts were most commonly written on the inner surfaces of coffins, though they are occasionally found on tomb walls or on papyri.[5] The Coffin Texts were available to wealthy private individuals, vastly increasing the number of people who could expect to participate in the afterlife; a process which has been described as the “democratization of the afterlife”.[6]

The Book of the Dead first developed in Thebes towards the beginning of the Second Intermediate Period, around 1700 BCE. The earliest known occurrence of the spells included in the Book of the Dead is from the coffin of Queen Mentuhotep, of the 13th dynasty, where the new spells were included amongst older texts known from the Pyramid Texts and Coffin Texts. Some of the spells introduced at this time claim an older provenance; for instance the rubric to spell 30B states that it was discovered by the Prince Hordjedef in the reign of King Menkaure, many hundreds of years before it is attested in the archaeological record.[7]

By the 19th dynasty, the Book of the Dead had become widespread not only for members of the royal family, but courtiers and other officials as well. At this stage, the spells were typically inscribed on linen shrouds wrapped around the dead, though occasionally they are found written on coffins or on papyrus.[8]

The New Kingdom saw the Book of the Dead develop and spread further. The famous Spell 125, the ‘Weighing of the Heart‘, is first known from the reign of Hatshepsut and Tuthmose III, c.1475 BCE. From this period onward the Book of the Dead was typically written on a papyrus scroll, and the text illustrated with vignettes. During the 19th dynasty in particular, the vignettes tended to be lavish, sometimes at the expense of the surrounding text.[9]

In the Third Intermediate Period, the Book of the Dead started to appear in hieratic script, as well as in the traditional hieroglyphics. The hieratic scrolls were a cheaper version, lacking illustration apart from a single vignette at the beginning, and were produced on smaller papyri. At the same time, many burials used additional funerary texts, for instance the Amduat.[10]

During the 25th and 26th dynasties, the Book of the Dead was updated, revised and standardised. Spells were consistently ordered and numbered for the first time. This standardised version is known today as the ‘Saite recension’, after the Saite (26th) dynasty. In the Late period and Ptolemaic period, the Book of the Dead remained based on the Saite recension, though increasingly abbreviated towards the end of the Ptolemaic period. New funerary texts appeared, including the Book of Breathing and Book of Traversing Eternity. The last use of the Book of the Dead was in the 1st century BCE, though some artistic motifs drawn from it were still in use in Roman times.[11]


The mystical Spell 17, from the Papyrus of Ani. The vignette at the top illustrates, from left to right, the god Heh as a representation of the Sea; a gateway to the realm of Osiris; the Eye of Horus; the celestial cow Mehet-Weret; and a human head rising from a coffin, guarded by the four Sons of Horus.[12]

The Book of the Dead is made up of a number of individual texts and their accompanying illustrations. Most sub-texts begin with the word ro, which can mean mouth, speech, a chapter of a book, spell, utterance, or incantation. This ambiguity reflects the similarity in Egyptian thought between ritual speech and magical power.[13] In the context of the Book of the Dead, it is typically translated as either “chapter” or “spell”. In this article, the word “spell” is used.

At present, some 192 spells are known,[14] though no single manuscript contains them all. They served a range of purposes. Some are intended to give the deceased mystical knowledge in the afterlife, or perhaps to identify them with the gods: for instance, Spell 17, an obscure and lengthy description of the god Atum.[15] Others are incantations to ensure the different elements of the dead person’s being were preserved and reunited, and to give the deceased control over the world around him. Still others protect the deceased from various hostile forces, or guide him through the underworld past various obstacles. Famously, two spells also deal with the judgement of the deceased in the Weighing of the Heart ritual.

Such spells as 26-30, and sometimes spells 6 and 126 relate to the heart, and were inscribed on scarabs.[16]

The texts and images of the Book of the Dead were magical as well as religious. Magic was as legitimate an activity as praying to the gods, even when the magic was aimed at controlling the gods themselves.[17] Indeed, there was little distinction for the Ancient Egyptians between magical and religious practice.[18] The concept of magic (heka) was also intimately linked with the spoken and written word. The act of speaking a ritual formula was an act of creation;[19] there is a sense in which action and speech were one and the same thing.[18] The magical power of words extended to the written word. Hieroglyphic script was held to have been invented by the god Thoth, and the hieroglyphs themselves were powerful. Written words conveyed the full force of a spell.[19] This was even true when the text was abbreviated or omitted, as often occurred in later Book of the Dead scrolls, particularly if the accompanying images were present.[20] The Egyptians also believed that knowing the name of something gave power over it; thus, the Book of the Dead equips its owner with the mystical names of many of the entities he would encounter in the afterlife, giving him power of them.[21]

The spells of the Book of the Dead made use of several magical techniques which can also be seen in other areas of Egyptian life. A number of spells are for magical amulets, which would protect the deceased from harm. In addition to being represented on a Book of the Dead papyrus, these spells appeared on amulets wound into the wrappings of a mummy.[17] Everyday magic made use of amulets in huge numbers. Other items in direct contact with the body in the tomb, such as headrests, were also considered to have amuletic value.[22] A number of spells also refer to Egyptian beliefs about the magical healing power of saliva.[17]


Almost every Book of the Dead was unique, containing a different mixture of spells drawn from the corpus of texts available. For most of the history of the Book of the Dead there was no defined order or structure.[23] In fact, until Paul Barguet‘s 1967 “pioneering study” of common themes between texts,[24] Egyptologists concluded there was no internal structure at all.[25] It is only from the Saite period (26th dynasty) onwards that there is a defined order.[26]

The Books of the Dead from the Saite period tend to organize the Chapters into four sections:

  • Chapters 1–16 The deceased enters the tomb, descends to the underworld, and the body regains its powers of movement and speech.
  • Chapters 17–63 Explanation of the mythic origin of the gods and places, the deceased are made to live again so that they may arise, reborn, with the morning sun.
  • Chapters 64–129 The deceased travels across the sky in the sun ark as one of the blessed dead. In the evening, the deceased travels to the underworld to appear before Osiris.
  • Chapters 130–189 Having been vindicated, the deceased assumes power in the universe as one of the gods. This section also includes assorted chapters on protective amulets, provision of food, and important places.[25]


The nature of the afterlife which the dead person enjoyed is difficult to define, because of the differing traditions within Ancient Egyptian religion. In the Book of the Dead, the dead were taken into the presence of the god Osiris, who was confined to the subterranean Duat. There are also spells to enable the ba or akh of the dead to join Ra as he travelled the sky in his sun-barque, and help him fight off Apep.[35] As well as joining the Gods, the Book of the Dead also depicts the dead living on in the ‘Field of Reeds’, a paradisaical likeness of the real world.[36] The Field of Reeds is depicted as a lush, plentiful version of the Egypt of the living. There are fields, crops, oxen, people and waterways. The deceased person is shown encountering the Great Ennead, a group of gods, as well as his or her own parents. While the depiction of the Field of Reeds is pleasant and plentiful, it is also clear that manual labour is required. For this reason burials included a number of statuettes named shabti, or later ushebti. These statuettes were inscribed with a spell, also included in the Book of the Dead, requiring them to undertake any manual labour that might be the owner’s duty in the afterlife.[37] It is also clear that the dead not only went to a place where the gods lived, but that they acquired divine characteristics themselves. In many occasions, the deceased is mentioned as “The Osiris – [Name]” in the Book of the Dead.

Two ‘gate spells’. On the top register, Ani and his wife face the ‘seven gates of the House of Osiris’. Below, they encounter ten of the 21 ‘mysterious portals of the House of Osiris in the Field of Reeds’. All are guarded by unpleasant protectors.[38]

The path to the afterlife as laid out in the Book of the Dead was a difficult one. The deceased was required to pass a series of gates, caverns and mounds guarded by supernatural creatures.[39] These terrifying entities were armed with enormous knives and are illustrated in grotesque forms, typically as human figures with the heads of animals or combinations of different ferocious beasts. Their names—for instance, “He who lives on snakes” or “He who dances in blood”—are equally grotesque. These creatures had to be pacified by reciting the appropriate spells included in the Book of the Dead; once pacified they posed no further threat, and could even extend their protection to the dead person.[40] Another breed of supernatural creatures was ‘slaughterers’ who killed the unrighteous on behalf of Osiris; the Book of the Dead equipped its owner to escape their attentions.[41] As well as these supernatural entities, there were also threats from natural or supernatural animals, including crocodiles, snakes, and beetles.[42]


The Weighing of the Heart ritual, shown in the Book of the Dead of Sesostris.

If all the obstacles of the Duat could be negotiated, the deceased would be judged in the “Weighing of the Heart” ritual, depicted in Spell 125. The deceased was led by the god Anubis into the presence of Osiris. There, the dead person swore that he had not committed any sin from a list of 42 sins,[43] reciting a text known as the “Negative Confession”. Then the dead person’s heart was weighed on a pair of scales, against the goddess Maat, who embodied truth and justice. Maat was often represented by an ostrich feather, the hieroglyphic sign for her name.[44] At this point, there was a risk that the deceased’s heart would bear witness, owning up to sins committed in life; Spell 30B guarded against this eventuality. If the scales balanced, this meant the deceased had led a good life. Anubis would take them to Osiris and they would find their place in the afterlife, becoming maa-kheru, meaning “vindicated” or “true of voice”.[45] If the heart was out of balance with Maat, then another fearsome beast called Ammit, the Devourer, stood ready to eat it and put the dead person’s afterlife to an early and unpleasant end.[46]

This scene is remarkable not only for its vividness but as one of the few parts of the Book of the Dead with any explicit moral content. The judgement of the dead and the Negative Confession were a representation of the conventional moral code which governed Egyptian society. For every “I have not…” in the Negative Confession, it is possible to read an unexpressed “Thou shalt not”.[47] While the Ten Commandments of Judaeo-Christian ethics are rules of conduct laid down by a perceived divine revelation, the Negative Confession is more a divine enforcement of everyday morality.[48] Views differ among Egyptologists about how far the Negative Confession represents a moral absolute, with ethical purity being necessary for progress to the Afterlife. John Taylor points out the wording of Spells 30B and 125 suggests a pragmatic approach to morality; by preventing the heart from contradicting him with any inconvenient truths, it seems that the deceased could enter the afterlife even if their life had not been entirely pure.[46] Ogden Goelet says “without an exemplary and moral existence, there was no hope for a successful afterlife”,[47] while Geraldine Pinch suggests that the Negative Confession is essentially similar to the spells protecting from demons, and that the success of the Weighing of the Heart depended on the mystical knowledge of the true names of the judges rather than on the deceased’s moral behaviour.[49]

Producing a Book of the Dead

Part of the Book of the Dead of Pinedjem II. The text is hieratic, except for hieroglyphics in the vignette. The use of red pigment, and the joins between papyrus sheets, are also visible

A close-up of the Papyrus of Ani, showing the cursive hieroglyphs of the text

A Book of the Dead papyrus was produced to order by scribes. They were commissioned by people in preparation for their own funeral, or by the relatives of someone recently deceased. They were expensive items; one source gives the price of a Book of the Dead scroll as one deben of silver,[50] perhaps half the annual pay of a labourer.[51] Papyrus itself was evidently costly, as there are many instances of its re-use in everyday documents, creating palimpsests. In one case, a Book of the Dead was written on second-hand papyrus.[52]

Most owners of the Book of the Dead were evidently part of the social elite; they were initially reserved for the royal family, but later papyri are found in the tombs of scribes, priests and officials. Most owners were men, and generally the vignettes included the owner’s wife as well. Towards the beginning of the history of the Book of the Dead, there are roughly 10 copies belonging to men for every one for a woman. However, during the Third Intermediate Period, 2/3 were for women; and women owned roughly a third of the hieratic paypri from the Late and Ptolemaic Periods.[53]

The dimensions of a Book of the Dead could vary widely; the longest is 40m long while some are as short as 1m. They are composed of sheets of papyrus joined together, the individual papyri varying in width from 15 cm to 45 cm. The scribes working on Book of the Dead papyri took more care over their work than those working on more mundane texts; care was taken to frame the text within margins, and to avoid writing on the joints between sheets. The words peret em heru, or ‘coming forth by day’ sometimes appear on the reverse of the outer margin, perhaps acting as a label.[52]

Books were often prefabricated in funerary workshops, with spaces being left for the name of the deceased to be written in later.[54] For instance, in the Papyrus of Ani, the name “Ani” appears at the top or bottom of a column, or immediately following a rubric introducing him as the speaker of a block of text; the name appears in a different handwriting to the rest of the manuscript, and in some places is mis-spelt or omitted entirely.[51]

The text of a New Kingdom Book of the Dead was typically written in cursive hieroglyphs, most often from left to right, but also sometimes from right to left. The hieroglyphs were in columns, which were separated by black lines – a similar arrangement to that used when hieroglyphs were carved on tomb walls or monuments. Illustrations were put in frames above, below, or between the columns of text. The largest illustrations took up a full page of papyrus.[55]

From the 21st Dynasty onward, more copies of the Book of the Dead are found in hieratic script. The calligraphy is similar to that of other hieratic manuscripts of the New Kingdom; the text is written in horizontal lines across wide columns (often the column size corresponds to the size of the papyrus sheets of which a scroll is made up). Occasionally a hieratic Book of the Dead contains captions in hieroglyphic.

The text of a Book of the Dead was written in both black and red ink, regardless of whether it was in hieroglyphic or hieratic script. Most of the text was in black, with red used for the titles of spells, opening and closing sections of spells, the instructions to perform spells correctly in rituals, and also for the names of dangerous creatures such as the demon Apep.[56] The black ink used was based on carbon, and the red ink on ochre, in both cases mixed with water.[57]

The style and nature of the vignettes used to illustrate a Book of the Dead varies widely. Some contain lavish colour illustrations, even making use of gold leaf. Others contain only line drawings, or one simple illustration at the opening.[58]

Book of the Dead papyri were often the work of several different scribes and artists whose work was literally pasted together.[52] It is usually possible to identify the style of more than one scribe used on a given manuscript, even when the manuscript is a shorter one.[59] The text and illustrations were produced by different scribes; there are a number of Books where the text was completed but the illustrations were left empty.[60]

Discovery, translation, interpretation and preservation

Karl Richard Lepsius, first translator of a complete Book of the Dead manuscript

The existence of the Book of the Dead was known as early as the Middle Ages, well before its contents could be understood. Since it was found in tombs, it was evidently a document of a religious nature, and this led to the widespread misapprehension that the Book of the Dead was the equivalent of a Bible or Qu’ran.[61]

The first modern facsimile of a Book of the Dead was produced in 1805 and included in the Description de l’Égypte produced by the staff of Napoleon’s expedition to Egypt. In 1822, Jean Francois Champollion began to translate hieroglyphic text; he examined some of the Book of the Dead papyri and identified them as a funerary ritual.[62]

In 1842 Karl Richard Lepsius published a translation of a manuscript dated to the Ptolemaic era and coined the name “Book of The Dead”. He also introduced the spell numbering system which is still in use, identifying 165 different spells.[14] Lepsius promoted the idea of a comparative edition of the Book of the Dead, drawing on all relevant manuscripts. This project was undertaken by Edouard Naville, starting in 1875 and completed in 1886, producing a three-volume work including a selection of vignettes for every one of the 186 spells he worked with, the variations of the text for every spell, and commentary. In 1876, Samuel Birch of the British Museum published a photographic copy of the papyrus of Nebseny.[63]

The work of E. A. Wallis Budge, Birch’s successor at the British Museum, is still in wide circulation – including both his hieroglyphic editions and his English translations, though the latter are now considered inaccurate and out-of-date.[64] More recent translations in English have been published by T. G. Allen (1974) and Raymond O. Faulkner (1972).[65] As more work has been done on the Book of the Dead, more spells have been identified, and the total now stands at 192.[14]

Research work on the Book of the Dead has always posed technical difficulties thanks to the need to copy very long hieroglyphic texts. Initially, these were copied out by hand, with the assistance either of tracing paper or a camera lucida. In the mid-19th century, hieroglyphic fonts became available and made lithographic reproduction of manuscripts more feasible. In the present day, hieroglyphics can be rendered in desktop publishing software and this, combined with digital print technology, means that the costs of publishing a Book of the Dead may be considerably reduced. However, a very large amount of the source material in museums around the world remains unpublished.[66]


Secret Tibetan Book of the Dead

Now some info about the Tibetan Book of the Dead:

Bardo Thodol: The Liberation Through Hearing During the Intermediate State, it is often referred to in the West by the more casual title, Tibetan Book of the Dead, a name which draws a parallel with the ancient Egyptian Book of the Dead, another funerary text.

The Tibetan text describes, and is intended to guide one through, the experiences that the consciousness has after death, during the interval between death and the next rebirth. This interval is known in Tibetan as the bardo. The text also includes chapters on the signs of death, and rituals to undertake when death is closing in, or has taken place. It is the most internationally famous and widespread work of Tibetan Nyingma literature.

According to Tibetan tradition, the Liberation Through Hearing During the Intermediate State was composed in the 8th century by Padmasambhava, written down by his primary student, Yeshe Tsogyal, buried in the Gampo hills in central Tibet and subsequently discovered by a Tibetan terton, Karma Lingpa, in the 14th century.[7][8] There were variants of the book among different sects.[9] The Tibetan Book of the Dead was first published in 1927 by Oxford University Press. Dr. Walter Y. Evans-Wentz chose this title because of the parallels he found with the Egyptian Book of the Dead.[10]

The Liberation Through Hearing During the Intermediate State is recited by Tibetan Buddhist lamas over a dying or recently deceased person, or sometimes over an effigy of the deceased. The name means literally “liberation through hearing in the intermediate state”.


 Bardo Thodol

The Liberation Through Hearing During the Intermediate State (Standard Tibetan: bardoliminality” or “threshold”; thodol “liberation”[1]), sometimes translated as Liberation Through Hearing or transliterated as Bardo Thodol, is a funerary text. It is often referred to in the West by the more casual title, Tibetan Book of the Dead, a name which draws a parallel with the ancient Egyptian Book of the Dead, another funerary text.

The Tibetan text describes, and is intended to guide one through, the experiences that the consciousness has after death, during the interval between death and the next rebirth. This interval is known in Tibetan as the bardo. The text also includes chapters on the signs of death, and rituals to undertake when death is closing in, or has taken place. It is the most internationally famous and widespread work of TibetanNyingma literature.[2]


This text is commonly known by its Western title: The Tibetan Book of the Dead. However, Fremantle (2001: p. 20) states:

…there is in fact no single Tibetan title corresponding to the Tibetan Book of the Dead.[3] The overall name given to the whole terma cycle is Profound Dharma of Self-Liberation through the Intention of the Peaceful and Wrathful Ones, and it is popularly known as Karma Lingpa’s Peaceful and Wrathful Ones.[4] It has been handed down through the centuries in several versions containing varying numbers of sections and subsections, arranged in different orders, ranging from around ten to thirty-eight titles. These individual texts cover a wide range of subjects, including the dzogchen view…, meditation instructions, visualizations of deities, liturgies and prayers, lists of mantras, descriptions of the signs of death, and indications of future rebirth, as well as those that are actually concerned with the after-death state. the [sic.] Tibetan Book of the Dead as we know it in English consists of two comparatively long texts on the bardo of dharmata (including the bardo of dying) and the bardo of existence… They are called Great Liberation through Hearing: The Supplication of the Bardo of Dharmata and Great liberation through Hearing: The Supplication Pointing Out the Bardo of Existence.[5] Within the texts themselves, the two combined are referred to as Liberation through Hearing in the Bardo, Great Liberation through Hearing, or just Liberation through Hearing,[6]….


According to Tibetan tradition, the Liberation Through Hearing During the Intermediate State was composed in the 8th century by Padmasambhava, written down by his primary student, Yeshe Tsogyal, buried in the Gampo hills in central Tibet and subsequently discovered by a Tibetanterton, Karma Lingpa, in the 14th century.[7][8] There were variants of the book among different sects.[9]The Tibetan Book of the Dead was first published in 1927 by Oxford University Press. Dr. Walter Y. Evans-Wentz chose this title because of the parallels he found with the Egyptian Book of the Dead.[10]

The Liberation Through Hearing During the Intermediate State is recited by Tibetan Buddhist lamas over a dying or recently deceased person, or sometimes over an effigy of the deceased. The name means literally “liberation through hearing in the intermediate state”.

The Liberation Through Hearing During the Intermediate State differentiates the intermediate state between lives into three bardos:

  1. The chikhai bardo or “bardo of the moment of death”, which features the experience of the “clear light of reality”, or at least the nearest approximation of which one is spiritually capable.
  2. The chonyid bardo or “bardo of the experiencing of reality”, which features the experience of visions of various Buddha forms (or, again, the nearest approximations of which one is capable).
  3. The sidpa bardo or “bardo of rebirth”, which features karmically impelled hallucinations which eventually result in rebirth. (Typically imagery of men and women passionately entwined.)

The Liberation Through Hearing During the Intermediate State also mentions three other bardos: those of “life” (or ordinary waking consciousness), of “dhyana” (meditation), and of “dream” (the dream state during normal sleep).

Together these “six bardos” form a classification of states of consciousness into six broad types. Any state of consciousness can form a type of “intermediate state”, intermediate between other states of consciousness. Indeed, one can consider any momentary state of consciousness a bardo, since it lies between our past and future existences; it provides us with the opportunity to experience reality, which is always present but obscured by the projections and confusions that are due to our previous unskillful actions.

In an introduction to Evans-Wentz’ version, SwisspsychiatristCarl Jung summarizes his psychological commentary:

The Bardo Thödol[Tibetan Book of the Dead] began by being a closed book, and so it has remained, no matter what kind of commentaries may be written upon it. For it is a book that will only open itself to spiritual understanding, and this is a capacity which no man is born with, but which he can only acquire through special training and special experience. It is good that such to all intents and purposes useless books exist. They are meant for those queer folk who no longer set much store by the uses, aims, and meaning of present-day civilisation.[11]

— Carl Jung

Robert and Annabelle dolls – Fact or fiction?

These are just those stories, which are hard to believe if you don’t see it yourself… I would like to see these dolls and make my own conclusions about them, what about you?

Robert, otherwise known as Robert the Doll,[1]Robert the Haunted Doll,[2][3][4] or Robert the Enchanted Doll;[5] is a doll that was once owned by Key West painter and author Robert Eugene Otto. The doll is alleged to be possessed by evil spirits and has a terrifying reputation.

The doll, which is allegedly cursed, has become a fixture of ghost tours in the Key West area since it was inducted into the Fort East Martello Museum. Aesthetically, Robert resembles an early 20th-century American Naval officer. Contrary to popular belief, however, the doll’s hair is not made of human hair, but rather, it consists of a synthetic material resembling wool yarn.[6]

Eugene was given the doll in 1906 by a Bahamian servant who was skilled in black magic and voodoo and was displeased with the family. Soon afterward, it became clear that there was something eerie about the doll. Eugene’s parents said they often heard him talking to the doll and that the doll appeared to be talking back. Although at first they assumed that Eugene was simply answering himself in a changed voice, they later believed that the doll was actually speaking.

Neighbors claimed to see the doll moving from window to window when the family was out. The Otto family swore that sometimes the doll would emit a terrifying giggle and that they caught glimpses of it running from room to room. In the night Eugene would scream, and when his parents ran to the room, they would find furniture knocked over and Eugene in bed, looking incredibly scared, telling them that “Robert did it!”. In addition, guests swore that they saw Robert’s expression change before their eyes.

When Eugene died in 1974, the doll was left in the attic until the house was bought again. The new family included a ten-year old girl, who became Robert’s new owner. It was not long before the girl began screaming out in the night, claiming that Robert moved about the room and even attempted to attack her on multiple occasions. More than thirty years later, she still tells interviewers that the doll was alive and wanted to kill her.[7]

The doll is annually rotated to the Old Post Office and Customhouse in October, with the museum staff claiming that strange activity in the museum increases during such times.

The doll made an appearance at Taps CON,[8] a paranormal convention held in Clearwater, Florida in May 2008. This was the first time that it had left Key West, Florida in the 104 (at the time) years of its existence.

For individuals who visit Robert in the Fort East Martello Museum and wish to take a picture of him, according to legend, the person must ask the doll politely. If the doll feels disrespected it may choose to curse or follow a person. [9] If he does not agree (by tipping his head to one side), and the individual takes a picture anyway, the doll will curse the person and their family.[10]

The doll served as an inspiration for the Chucky doll in the Child’s Play film franchise.[1]


Creepy Legends Paranormal Research investigates Robert the Possessed Doll of Key West, Florida and the old Civil War Fort East Martello. Support the team by going to Creepy Legends Paranormal Research on facebook and mark “Like”. Visit the Creepy Legends Website at and learn of our research






Annabelle was the focus of a case that famed paranormal investigators Ed and Lorraine Warren took part in during the early 1970s and is highlighted in the book The Demonologist. It has been stated that this is one of the most unusual cases of a possessed object on record.

In 1970 a mother purchased an antique Raggedy Ann Doll from a hobby store. The doll was a present for her daughter Donna on her birthday. Donna, at the time, was a student in college, preparing to graduate with her nursing degree and resided in a tiny apartment with her roommate Angie (a nurse as well). Pleased with the doll, Donna placed it on her bed as a decoration and didn’t give it a second thought until a few days later. Within that time, both Donna and Angie noticed that there appeared to be something very strange and creepy about the doll. The doll apparently moved on its own, relatively unnoticeable movements at first, like a change in position, but as time passed the movement became more noticeable. Donna and Angie would come home to find the doll in a completely different room from which they had left it. Sometimes the doll would be found crossed legged on the couch with its arms folded, other times it was found upright, standing on its feet, leaning against a chair in the dining room. Several times Donna, placing the doll on the couch before leaving for work, would return home to find the doll back in her room on the bed with the door closed.

The Medium

One night Donna came home to find the doll had moved again, this time it was on her bed. Donna had come to find that this was typical of the doll but somehow she knew this time it was different, something wasn’t right. A sense of fear came over her when she inspected the doll and saw what looked like blood drops on the back of its hands and its chest. Seemingly, from nowhere, a red liquid had appeared on the doll. Scared and desperate, Donna and Angie decide it was time to seek expert advice.

Not knowing where to turn, they contacted a medium and a séance was held. Donna was then introduced to the spirit of Annabelle Higgins. The medium related the story of Annabelle to both Donna and Angie. Annabelle was a young girl that resided on the property before the apartments were built. She was a young girl of only seven years old when her lifeless body was found in the field upon which the apartment complex now stands. The spirit related to the medium that she felt comfort with Donna and Angie and wanted to stay with them by moving into the doll. Feeling compassion for Annabelle and her story Donna gave her permission to inhibit the doll and stay. They were to soon find out however, that Annabelle was not what she seemed.


Lou was friends with Donna and Angie and had been with them since the day the doll arrived. He had never been fond of the doll and on several occasions warned Donna that it was evil, saying that she should get rid of it. However, Donna had developed a personal tie to the doll and decided to keep it, despite Lou’s feelings. Her decision was a terrible mistake.

One night Lou awoke with a jolt of terror, a jolt that didn’t seem like it was from his usual nightmares. Somehow, something felt different. What would appear to be a common case of sleep paralysis became all too real; he looked around the room but couldn’t discern anything out of the ordinary. At first anyway. Looking down toward his feet he saw the doll, Annabelle. It began to slowly glide up his leg, moving over his chest and stopping at his neck. Helpless against it, the doll began to strangle him. After a moment Lou, at the point of asphyxiation, blacked out. He awoke the next morning, certain it wasn’t an ordinary night terror, and was determined to rid himself of that doll and the spirit that possessed it.

Preparing for a road trip the next day, Lou and Angie were reading over maps alone in her apartment. The apartment was eerily quiet. The silence was broken when rustling sounds coming from Donna’s room aroused fear that someone had broken into the apartment. Lou, determined to figure out what was causing the noise, quietly made his way to the bedroom door. He waited for the noises to stop before entering and turning on the light. The room was empty except for Annabelle, whom was tossed in a corner on the floor. Lou searched the room for signs of forced entry but nothing was out of place. As he got closer to the doll he got the distinct impression that somebody was behind him. Spinning around Lou found that despite his unease nobody besides himself and the doll were in the room. Then in a flurry of motion he found himself doubled over in pain, with blood dripping from a cut on his chest. Upon opening his shirt, there on his chest were what appeared to be 7 distinct claw marks.


I hope you enjoyed this article and should you ever want to visit the famous Annabelle, she can be found at the Warren Occult Museum in Moodus, Connecticut. The museum is run by Lorraine Warren, the famous paranormal investigator, and now frequent guest on the television show “Paranormal State”. Housed in a glass case at the museum you will find Annabelle. Mrs. Warren relates that Annabelle still moves about occasionally and is still known to make growling noises at unsuspecting visitors….






So what is the Truth… hard to believe. I would have to see the doll myself and do some investigations. Once again it’s up to you.

“Many yet are the secret truths of God which will be unfolded as they are needed.”
HENRY WARD BEECHER, Proverbs from Plymouth Pulpit

Poll Of The Month Winner: Giants and Nephilims

So the last month’s winner was giants and Nephilims, so I will make more postings considering these mystery creatures from beyond. Thanks to all who voted!

Here are couple of posts, that I have made them before, just for starters:

And please vote again in this month.

Something from the history…

This video is from 1964. It just makes you wonder why we have to be suppressed all of this information. There must to be an end to this dark cabal and it seems that we have to demand disclosure. Otherwise we just have to keep on going in the darkness…

This recording is from the KVOS Channel 12 Films, Center for Pacific Northwest Studies, Western Washington University, Bellingham WA.

700 year old Nordics, Space Travel, Time travel (f =1/T), technology swap.

In 1952, over a week before the events of the 1952 Washington D.C. UFO incident George-Van-Tassel notified the US air force, Los Angeles Herald-Examiner and the Life (magazine) of the future events of the 1952 Washington D.C. UFO incident via registered letters.[6] This event was witnessed by thousands of people in and around the Washington D.C. area. It is one of the most publicized sightings to have ever taken place.

Author, inventor and controversial UFO advocate. Some agreed, some disagreed with his philosophy.
None found him boring.…

FAIR USE NOTICE: These pages/video may contain copyrighted (© ) material the use of which has not always been specifically authorized by the copyright owner. Such material is made available to advance understanding of ecological, POLITICAL, HUMAN RIGHTS, economic, DEMOCRACY, scientific, MORAL, ETHICAL, and SOCIAL JUSTICE ISSUES, etc. It is believed that this constitutes a ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, this material is distributed without profit to those who have expressed a prior general interest in receiving similar information for research and educational.



“They frequently find the truth who do not seek it, they who do, frequently lose it.”
FANNY KEMBLE, Further Records, Feb. 8, 1875

The Mystery of the Missing Pyramidion of Khufu

I have many times wondered, that when you watch the Great Pyramid you notice that there is something missing on the top, the cap stone. Where is it and what was the purpose of it. Here’s a little article about that stone:

The Mystery of the Missing Pyramidion of Khufu


One of the mysteries of Giza is the missing pyramidion or capstone of the Great Pyramid of Khufu. Since modern recorded history, the Great Pyramid has been topless, with several meters of its apex missing. Egyptologists have assumed that the pyramid was originally capped by a small pyramid called a pyramidion. If that is true, then what happened to it, and what could it have looked like?

It is possible, indeed highly probable, that the great Egyptian architect and royal vizier, Imhotep, was still alive when Khufu planned his pyramid. Imhotep was the High Priest of Heliopolis, where the sacred Benben Stone was kept, and on its shape and symbolism was modeled the gilded capstones of pyramid called ‘Benben-t’. Could Imhotep have advised Khufu to conceal the Benben in his pyramid? But where?

This article below is culled from a discussion in Appendix 1 of my latest book, co-written with Thomas Brophy, Ph.D., Imhotep The African: Architect of the Cosmos (Disinformation Books).

In October 1900 the guards of the Egyptian Antiquities Organisation (EAO) in the area of Dashur, a site on the western desert that is some 20 kilometers south of modern Cairo, were attacked by a group of armed brigands. A few days later, Gaston Maspero, the head of the EAO went to inspect the site. It was then that he was taken to see an amazing and rather unique artifacts that had been found embedded in the sand near a pyramid of the 12th Dynasty belonging to the pharaoh Amenemhet III. There, sticking partially out of the sand, was a magnificent pyramidion made of black granite. Maspero could hardly believe his eyes at the amazing preservation of this 4000 years old artifacts which, in his excitement, he described as “polished like a mirror”.  The pyramid, which measured 1.85 meters at the base and had a height of 1.40 meters, was decorated with wonderful inscriptions. On one face was a winged solar-disk flanked by two ureus (sacred cobras), and under the solar-disk were two large eyes. Under the eyes were three lutes with a large sun disk underneath. On each side of the sun-disk were the royal cartouches bearing the names of Amennemhet III, and  at the base of the triangular face were two lines of hieroglyphs. In an article published in the Annales Du Services Des Antiquités in 1902, Maspero gave this translation:

“May the face of the king be opened so that he may see the Lord of the Horizon when he crosses the sky; may he cause the king to rise as a god, lord of eternity and indestructible… Horakhti has said I have given to the king of Upper and Lower Egypt the beautiful horizon who takes the inheritance of the two lands…so that you may unit with the horizon…the horizon has said that you rest upon it, which pleases me.”

In view of the mention of Horakhti (Horus of the Horizon) who was regarded as the symbol of the rising sun in the east, Maspero concluded that this face with the winged sun-disk was the East face of the pyramidion. Maspero did not give a full translation of the other threes faces which also bore two lines of inscriptions each, but nonetheless adds that “the invocation is similarly addressed on the South face to Anubis; on the West face to Ptah-Sokar-Osiris; on the North face to Sah-Orion.”

The same view was later expressed by the American Egyptologist James Henry Breasted in 1912. Breasted wrote:

“On the side which undoubtedly faced the east appears a winged sun-disk, surmounted by a pair of eyes, beneath which are the words ‘Beauty of the Sun’, the eyes of course indicate the idea of beholding which is to be understood with the words, ‘beauty of the sun’. Below is an inscription of two lines beginning: ‘The face of king Amenemhet III is opened, that he may behold the Lord of the Horizon when he sails across the sky’…”

In 1964 the American Egyptologist Alexander Piankoff, renowed for his translation of the Pyramid Texts, gave the translation of part of the East face which mentioned the constellation of Orion:

The sou) of Amenemhet is higher than the heights of  Orion, and it unites itself with the Duat…”

Piankoff interpreted the above by writing that “here, as in the Pyramid Texts, Orion is the visible manifestation of Osiris who, like this constellation, descends to the Netherworld (Duat) and then appears again in the sky.”

In 1946 the British Egyptologist Sir I.E.S. Edwards, an authority on the pyramids of Egypt, gave his own translation of the East face:

“May the face of the king be opened so that he may see the Lord of the Horizon [i.e., Harakhte] when he crosses the sky; may he cause the king to shine as a god, lord of eternity and indestructible, (Harakhte replies that he has) given the beautiful horizon to the king”

Today Egyptologists agree that the pyramids of ancient Egypt represented the dead kings. Indeed, the pyramidwas regarded as an actually personification of the dead king.  Indeed the name given to the pyramids show clearly that these monuments were considered to be the afterlife form of the king himself. According to A. Piankoff, for example,

“The embalmed body of the king lay in or under the pyramid, which together with its entire compound, was considered his body.”

Yet Egyptologists also agree that in the Pyramid Texts, the afterlife form of the king is said to be a ‘star’ in the sky.

This, then, may explain why in the case of at least three pyramids, the monuments were given stellar names while also personifying the dead king, such as “Djedefre is a Star in the Sky”, “Nebka is a Star” and the pyramid of Djoser being called “Horus is the Star at the head of the Sky”.  All this leads us to conclude that the pyramidion on top of the king’s pyramid was regarded as the stellar-transfigured king or his star-soul. It is only when we view it as such that the inscriptions on the East side of the pyramidion of Amenemhet III makes any sense: “May the face of the king be opened so that he may see the Lord of the Horizon…”

But two questions now must be also considered. For if indeed the pyramidion represented the form of the king as a star, then what could possibly have given the ancient Egyptians the idea that a star had the physical shape of a ‘pyramid” and, furthermore, that it was composed of very hard “black stone” such as black granite?

Most Egyptologists agree that the shape of pyramids was inspired by the Benben Stone that was venerated in the ‘Mansion Of The Phoenix’ at the city of Heliopolis. Many scholars claim that the Benben was symbolic of the sun. In 1912 the eminent American Egyptologist James H. Breasted noted the similarity of the word ‘Benben’ with the word ‘Benbenet’ –the pyramid-shaped apex of an obelisk– and concluded that “an obelisk is simply a pyramid upon a lofty base which has become a shaft… the obelisk, as is commonly known, is a symbol sacred to the Sun-god…[it followed that] the king was buried under the very symbol of the Sun-god which stood in the holy of holies in the Sun-temple at Heliopolis” This conclusion by an authority of the caliber of Breasted was quickly embraced by other authorities such as Sir I.E.S. Edwards who also proposed that the occasional sight of an immaterial triangle formed by the sun’s rays striking downwards through low clouds at sunset could have been the inspiration for the Benben’s shape “and its architectural derivative, the true Pyramid”.  Edwards quoted several passages from the Pyramid Texts that seem to support this idea:

“I have laid down for myself this sunshine of yours as a stairway under my feet…”

“May the sky make the sunlight strong for you, may you rise up to the sky…”

According to Edwards “the temptation to regard the true Pyramid as a material representation of the sun’s rays and consequently as a means whereby the dead king could ascend to heaven seems irresistible.” Yet it is also true that the Pyramid Texts give many other means for the dead pharaoh to ascend to the sky: on a ladder ( “The king climbs to the sky on a ladder”); on the wind (“the king is bound for the sky on the wind” (pyr. 309); on a storm-cloud/thunderbolt (“The king is a flame before the wind…there is brought to him a way of ascent to the sky”); on a hailstorm (“the hailstorms of the sky have taken me”); on a reed-floa: (“the reed-floats of the sky are set in place for me…I am ferried over to the eastern sky”); by climbing a rope (“set the rope aright, cross the Milky Way…”); on the thighs of Isis: (I ascend [to the sky] upon the thighs of Isis” ).  So the Pyramid Texts are full of such metaphors, and thus the idea of the dead king climbing on the sun’s rays is only another to describe poetically the celestial ascent, and cannot be taken as evidence for the shape of the Benben or the pyramid. There is, however, in the Pyramid Texts a passage which directly equate the actual pyramid to the king and Osiris: “This king is Osiris, this pyramid of the king is Osiris, this construction of his is Osiris, betake yourself to it, do not be far from it in its name of pyramid…”.

In the rebirth rituals of the Pyramid Texts the dead king’s name is compounded with the name of Osiris, showing that after his death the king became “an Osiris”. Now Osiris in the Pyramid Texts was a star-god whose soul was identified to the constellation of Orion:

“Behold Osiris has come as Orion”

“O king, you are this Great Star, the companion of Orion”

Could, therefore, the Benben Stone, and its derivatives the pyramid and the pyramidion, be regarded as ‘star’ symbols?  It is true that the ‘Mansion Of The Phoenix’ in which was kept the Benben Stone was in the City of Iunu, later called Heliopolis (City of the Sun) by the Greeks, an association of the Benben with the sun does not necessarily follow. Why, one must wonder, was a pyramid or conical shaped stone would be regarded as a manifestation of the sun when in all ancient Egyptian art the sun is represented as a disk or circle? Egyptologists have argued that the reason for this was because the Benben Stone may also have been a symbol of the so-called “Primeval Mound” in the Pyramid Texts on which it is said that the first sunrise took place, implying that the shape of the pyramid was inspired by the idea of a sacred mound. Edwards rejects this idea by pointing out that the Primeval Mound was linked to the much older Mastaba tomb structure of the first three Dynasties, which was not pyramid-shaped but rather in the form of a rectangular slab. Clearly, another more plausible explanation for the pyramidal or conical shape of the Benben Stone must be sought.

It is known that a sacred pillar was worshipped at Heliopolis before the Benben. The phallic symbolism of a pillar needs no emphasis; and its association to the “phallus” of Atum is implied in the Pyramid Texts

“Atum is he who once came into being, who masturbated in Heliopolis. He took his phallus in his grasp that he might create orgasm by means of it…”

“O Atum, the rising sun (-khoprer, the sacred beetle), you became high on the heights, , you rose as the Benben Stone in the Mansion Of The Phoenix in On…”

The Egyptologist Henry Frankfort made the plausible suggestion that the Benben was placed atop the sacred pillar, giving rise to the idea of the obelisk with a Benbenet/pyramidion at its top, and that the pyramidion may thus represent the “semen” or “seed” being ejaculated from a cosmic phallus associated to Atum. There are several well-known depiction of the Earth-God Geb (the son of Atum) laying down with an exaggeratedly long phallus pointing to the Sky-Goddess Nut, the “mother of Osiris”:

“…make the womb of Nut pregnant with the seed of the spirit which is in her”

“Pressure is in your womb, O Nut, through the seed of the god which is in you; it is I [the Osiris-king] who am the seed of the god which is in you…”

“…the king is an imperishable star, son of the sky-goddess Nut…”

“The king was fashioned by his father Atum…”

“O Atum, this king comes to you, an imperishable spirit (star)…your son comes to you, this king comes to you”

In my opinion, then, the idea of a pillar surging skywards and on top of which was the Benben Stone, is highly symbolic of a giant phallus offering its “star-seed” to the sky-goddess in order to gestate it in her womb and cause the departed king to be “reborn”. Bearing this in mind, it comes as no surprise to discover that the word “Benben” is often given the meaning to “copulate” or “seed a womb” confirmed by the hieroglyphic sign of an erect phallus shown ejaculating semen. Indeed, there are several words in the ancient Egyptian language that use the root word ‘Ben’ to describe sexual acts. Also in the famous Turin Papyrus which depicts sexual scenes, one image shows a beautiful naked woman inserting the tip of a pyramidion into her vagina, making clear that such objects were regarded phallis or capable of seeding a womb. The stellar aspect of these “seeding” rituals are depicted in the following passages of the Pyramid texts, where the departed king is somehow put into the womb of the sky-goddess (the ‘sarcophagus’) and is gestated there to eventually be reborn as star:

“The king is your seed”

“…the king comes to you, O mother of the king, he has come to Nut, that you may bring the sky to the king and hang the stars for him…”

“the sky-Goddess Nut conceives you with Orion…”

“Recitation by Nut, the greatly beneficent: the king is my eldest son who splits open my womb…”

“…O King, you are this Great Star, the companion of Orion…the sky has borne you with Orion…” (pyr.882-3).

“The King is a star brilliant…the King appears as a star…”

“You [Nut] have set this King as an imperishable Star who is in you…”

“The King is a star”

“I [the king] am a soul …a star of gold…”

“I [the king] am a star which illumines the sky…”

As we have said earlier in this article, the names of several monumental pyramids were given stellar names such as ‘Djedefre is a sehed  star’; ‘Nebka is a star’. Also the ‘ba’ i.e. soul, of the dead king is clearly to be regarded as a s ‘star’ in the Pyramid Texts, which indirectly also gives a stellar name to many other pyramids such as ‘The soul (ba) of Sahure gleams’ and ‘Neferirkare has become a soul (ba)’. The compounding of the pharaoh’s name with his pyramid implies, if not proves, that the monument (or perhaps mostly the pyramidion at the top) is to be regarded as the transfigured form of the king into a star-soul.

Still, why did the ancient Egyptians imagine that the star were shaped like a pyramid or a cone?

In antiquity the sight of “shooting stars” or  “falling stars” is, of course, a meteorite. Meteorites are debris from outer space, mostly from broken up asteroids, which enter the gravitational pull of the Earth and fall down to the ground –as opposed to meteors which completely burn up during atmospheric transit. Meteorites are either iron-meteorites (about 90% iron and 10-12% nickel) or stone meteorites. The largest that survive impact are the iron-meteorites for obvious reasons. Most meteorites are very small, but occasionally a large meteorite enters our atmosphere. If it is very large  it will retain most of its cosmic velocity, thus compressing the air in front of it as it approaches the ground, causing it to explode with dramatic effect. But if the meteorite is of medium size, somewhere between 10 and 60 tons, its cosmic velocity is slowed down by the earth’s atmosphere, causing the meteorite to eventually free fall and hit the ground almost intact. Some of these medium size meteorites retain their orientation as they speed through the earth’s atmosphere, which causes only the front part to melt and flow toward the rear. The result is a iron object having the shape of a rough pyramid or cone.

Bearing this in mind, I also discovered that the ancient Egyptians believed that iron actually came from heaven, which is clearly an allusion to the meteoritic origin of iron before the Iron Age. In other ancient cultures there were many sacred stones such as the Benben which were believed to have ‘fallen from heaven’. The Ephesians (see Acts xix-35 of the Bible) worshipped such a stone in the temple of Diana “that symbol of her which fell from heaven”. In Delphi a stone shaped like a cone was believed to have come from the sky. A conical iron-meteorite was also worshiped by the Phrygian in the 7th century BC. There was also the famous conical “black stone” called Elagalabus that was worshipped in Emessa. A modern example of such “stone from heaven” is the  black stone of the the Ka’aba in Mecca in Saudi Arabia which is a meteorite that was recovered in antiquity. The British Egyptologist Gerald Wainwright has shown how iron in early Egypt was obtained from iron-meteorites. The ancient Egyptian word for iron was ‘bja’ which was called “material of which heaven was made”. Significantly, in the Pyramid Texts we are told that,

“The king’s bones are iron and the king’s members are the imperishable stars…”

“I [the king] am pure, I take to myself my iron bones…my imperishable limbs are in the womb of Nut”

“…my bones are iron and my limbs are the imperishable stars”.

It is not very hard to see that chunks of meteoritic iron, which generally have a luster black appearance, were classified by the ancient Egyptians along with other hard black or dark stones such as diorite, basalt and granite. To a people unfamiliar with iron and its chemical properties, the resemblance of basalt to a rough iron meteorite can be uncanny. Not surprising then, black basalt was called ‘black iron’ (bja kam), suggesting that basalt, and possibly black granite, were associated to meteoritic iron, and consequently to the ‘bones’ of star-gods. Most pyramidions that were once placed on the top of pyramids were made of dark granite, such as the fine example of Amenemhet III. Also the hieroglyphic sign for ‘pyramid’ was a pyramid often with a yellow pyramidion, suggesting that the latter may have been covered with gold leaf. An inscription on the pyramid of queen Udjebten (6th Dynasty) speaks of the golden capstone on her pyramid. In the Pyramid Texts we read,

“O King, raise yourself upon your iron bones and golden members, for this body of yours belongs to a god… may your flesh be born to life and may your life be more than the life of the stars in their season of life…”

“I [the king] row Ra when traversing the sky, even I a star of gold…”

“…be a soul like a living star”.

Could the idea of the pyramidal shape of a “living star” made from golden flesh and black iron bones and shining high up in the sky, have been the reason for the pyramidion made of black granite covered in gold leaf and raised high up the pyramid? Was this how the lost pyramidion of Khufu looked like? And what could have happened to it? Could it have been removed by the priests of Heliopolis, under the orders of Imhotep, from its original sanctuary and hidden somewhere? Where?

In a ‘secret chamber’ inside the Great Pyramid?

Only time will tell…

Creatures from beyond part XII, Orang Pendek (Hobbit)



Next creature is like Bigfoot, but smaller and could be the “Real Hobbit”. Here we go:

Orang Pendek (Indonesian for “short person”) is the most common name given to a cryptid, or cryptozoological animal, that reportedly inhabits remote, mountainous forests on the island of Sumatra.

The animal has allegedly been seen and documented for at least one hundred years by forest tribes, local villagers, Dutch colonists and Western scientists and travellers. Consensus among witnesses is that the animal is a ground-dwelling, bipedalprimate that is covered in short fur and stands between 80 and 150 cm (30 and 60 in) tall.[1][2][3][4][5][6][7]


While Orang Pendek or similar animals have historically been reported throughout Sumatra and Southeast Asia, recent sightings have occurred largely within the Kerinci regency of central Sumatra and especially within the borders of Taman Nasional Kerinci Seblat (Kerinci Seblat National Park) (TNKS).[1][2][8] The park, 2° south of the equator, is located within the Bukit Barisan mountain range and features some of the most remote primary rainforest in the world. Habitat types within the park include lowland dipterocarp rainforest, montane forests, and volcanic alpine formations on Mt. Kerinci, the second highest peak in Indonesia.[8] Because of its inaccessibility, the park has been largely spared from the rampant logging occurring throughout Sumatra and provides one of the last homes for the endangered Sumatran Tiger.

The animal

Orang Pendek has yet to be fully documented and no authoritative account of its behavior or physical characteristics exists. However, witnesses report some characteristics consistently, so a likely picture of the animal can be conjectured.

Physical description

Frequently reported

Other reports

  • blackish-brown,[7] red-brown,[5] golden-brown,[7] yellow,[7] or orange[4] fur
  • short-legged with long, powerful arms[3][7]
  • seen in trees[1][7]
  • inverted feet, to hide direction of travel[7]

From Debbie Martyr

Debbie Martyr – a prominent Orang Pendek researcher who has worked in the area for over 15 years, has interviewed hundreds of witnesses, and alleges to have seen the animal personally on several occasions—gives the following description:

…usually no more than 85 or 90cm in height — although occasionally as large as 1m 20cm. The body is covered in a coat of dark grey or black flecked with grey hair. But it is the sheer physical power of the orang pendek that most impresses the Kerinci villagers. They speak in awe, of its broad shoulders, huge chest and upper abdomen and powerful arms. The animal is so strong, the villagers would whisper that it can uproot small trees and even break rattan vines. The legs, in comparison, are short and slim, the feet neat and small, usually turned out at an angle of up to 45 degrees. The head slopes back to a distinct crest — similar to the gorilla — and there appears to be a bony ridge above the eyes. But the mouth is small and neat, the eyes are set wide apart and the nose is distinctly humanoid. When frightened, the animal exposes its teeth — revealing oddly broad incisors and prominent, long canine teeth.[3]

Reported dietary habits

Sightings by locals often take place in farmland on the edge of the forest, where Orang Pendek is allegedly seen walking through fields and raiding crops (especially corn, potatoes, and fruit).[5] Locals with experience in the forests claim that Orang Pendek seeks out ginger roots,[9] a plant known locally as “pahur” or “lolo”, young shoots, insects in rotting logs, and river crabs.[7] The Durian fruit is also thought to be a favourite of the Orang Pendek.[10]


Orang Pendek and similar cryptids from this area of the world are also referred to as Uhang Pandak (local Kerinci dialect), Sedapa,[1]Batutut,[3]Ebu Gogo, Umang,[2] Orang Gugu,[6] Orang Letjo, Atoe Pandak, Atoe Rimbo, Ijaoe, Sedabo, and Goegoeh.[11]


Witnesses from many different backgrounds have reported seeing Orang Pendek over the last hundred years.

Suku Anak Dalam

The Suku Anak Dalam (“Children of the Inner-forest”)–also known as Orang Kubu, Orang Batin Simbilan, or Orang Rimba–are groups of nomadic people who have traditionally lived throughout the lowland forests of Jambi and South Sumatra. According to their legends, Orang Pendek has been a part of their world and a co-inhabitant of the forest for centuries. Benedict Allen, author of Hunting the Gugu, writes that these groups frequently leave offerings of tobacco to keep the Orang Pendek happy.[6]

In Bukit Duabelas, the Orang Rimba speak of a creature, known as Hantu Pendek (short ghost), whose description closely matches that of Orang Pendek. However, Hantu Pendek is thought of as a ghost or demon rather than an animal.[12] According to the Orang Rimba, the Hantu Pendek travel in groups of five or six, subsisting off wild yams and hunting animals with small axes. Accounts of the creature claim it ambushes unfortunate Orang Rimba hunters traveling alone in the forest. Along the Makekal River on the western edge of Bukit Duabelas, people recount a legend of how their ancestors outsmarted these cunning yet dim-witted creatures during a hunting trip. The legend is often used to boast of the intellect and reason of people who live along the Makekal.

Local villagers

Local Indonesian villagers provide the largest source of lore and information on Orang Pendek. Hundreds of locals claim to have either seen the animal personally or can relate stories of others who have. While the conjectured physical description listed above is consistently reported by this group, other, less credible characteristics such as inverted feet or magical- or ghost-like behavior are also reported.[3]

Dutch colonists

Dutch settlers in the early 20th century provided Westerners with their modern introduction to Orang Pendek-like animals in Sumatra. Two accounts in particular are widely reported:

  • Mr. van Heerwarden, who described an encounter he had while surveying land in 1923:

I discovered a dark and hairy creature on a branch… The sedapa was also hairy on the front of its body; the colour there was a little lighter than on the back. The very dark hair on its head fell to just below the shoulder-blades or even almost to the waist… Had it been standing, its arms would have reached to a little above its knees; they were therefore long, but its legs seemed to me rather short. I did not see its feet, but I did see some toes which were shaped in a very normal manner… There was nothing repulsive or ugly about its face, nor was it at all apelike.[1]

  • Mr. Oostingh, who saw a strange creature while walking in the forest:

I saw that he had short hair, cut short, I thought; and I suddenly realized that his neck was oddly leathery and extremely filthy. “That chap’s got a very dirty and wrinkled neck!” I said to myself. His body was as large as a medium-sized native’s and he had thick square shoulders, not sloping at all… he seemed to be quite as tall as I. Then I saw that it was not a man. It was not an orang-utan. I had seen one of these large apes a short time before. It was more like a monstrously large siamang, but a siamang has long hair, and there was no doubt that it had short hair.[2]

Western researchers

The most widely-known Western researcher to have attempted to document Orang Pendek is a British woman named Debbie Martyr. Along with British photographer Jeremy Holden, she engaged in a 15-year project beginning in the early 1990s and funded by Fauna and Flora International. The scope of the project was to systematically document eye-witness accounts of the animal and to obtain photographic proof of its existence via camera-trapping methods. Debbie and Jeremy did not succeed in proving its existence (Martyr has since moved on to head TNKS’s Tiger Protection and Conservation Unit), but they collected several foot print casts that appear to be from Orang Pendek and claim to have personally seen the animal on several occasions while working in the forest.[3]

From 2001 to 2003, scientists analyzed hairs and casts of a foot print found by three British men—Adam Davies, Andrew Sanderson and Keith Townley—while traveling in Kerinci.[13]Dr. David Chivers, a primate biologist from the University of Cambridge, compared the cast with those from other known primates and local animals and stated:

…the cast of the footprint taken was definitely an ape with a unique blend of features from gibbon, orangutan, chimpanzee, and human. From further examination the print did not match any known primate species and I can conclude that this points towards there being a large unknown primate in the forests of Sumatra.[14]

Hans Brunner, an Australian hair analyst, compared the hairs to those of other primates and local animals and suggested that they originated from a previously undocumented species of primate.[14]Dr. Todd Disotell, a biological anthropologist from New York University, performed DNA analysis on the hairs and found nothing but human DNA in the sample. He cautioned, however, that contamination by people who handled the hairs could have introduced this DNA or that the original DNA could have decomposed.[15]

Beginning in 2005, National Geographic funded a camera-trapping project in TNKS led by Dr. Peter Tse of Dartmouth College that attempted to provide photographic documentation of Orang Pendek. The project ended in 2009 without success.[15]

An episode of the Animal Planet series Finding Bigfoot featured the Orang Pendek, with members of the Bigfoot Field Researchers Organization traveling to Sumatra to investigate the creature.

Possible explanations

Three possible explanations of Orang Pendek’s identity are prominent: that all sightings can be explained as the mistaken identification of local animals; that witnesses of Orang Pendek are describing a previously undocumented species of primate; and that a species of early hominid still lives in the Sumatran jungle.[3][7]

Mistaken identity

Many locals say Orang Pendek’s feet look like those of a child, evidenced by foot prints they have found while walking through the forest. However, another local animal, the Sun Bear, is a possible source of these sightings. Bears in general are known for having feet that look quite human-like, and the size of a Sun Bear’s are similar to those of a child. In addition, gibbons populate the forests in this area and are known to occasionally descend to the ground and walk for a few seconds at a time on two legs. Witnesses could possibly be seeing orangutans; however: 1) this species has long been thought to have died out in all but the northern regions of Sumatra and 2) witnesses almost never describe the animal as having orange fur.[3]

Undocumented primate

Orang Pendek’s reported physical characteristics differentiate it from any other species of animal known to inhabit the area. All witnesses describe it as an ape- or human-like animal. Its bipedality, fur coloring, and southerly location on the island make orangutans an unlikely explanation, and its bipedality, size, and other physical characteristics make gibbons, the only apes known to inhabit the area, unlikely as well. Many[who?] therefore propose that Orang Pendek could represent a new genus of primate or a new species or subspecies of orangutan or gibbon.[3]

Surviving hominid

As far back as Mr. van Heerwarden’s account of Orang Pendek, people have speculated that the animal may in fact be a hominid. In October 2004, scientists published claims of the discovery of skeletal remains of a new species of human (Homo floresiensis) in caves on Flores (another island in the Indonesian archipelago) dating from as recently as 12,000 years ago. The species was described as being roughly one meter tall. The recency of Homo floresiensis’ continued existence and the similarities between its physical description and the accounts of Orang Pendek have led to renewed speculation in this respect.[1]


Here is the History Channel’s documentary about Orang Pendek:



So do we have Hobbits running around in our forests? It’s up to you, again. Stay tuned for more CREATURES FROM BEYOND!!!

Creatures from beyond part XI, The Ropen

Now some new episodes in the Creatures from beyond series. First one is a large bird, lost dinosaur or demon called The Ropen. Here we go again:

The Ropen is a flying cryptid[1] alleged to live in the vicinity of Papua New Guinea.[2] According to the book Searching for Ropens, it is “any featherless creature that flies in the Southwest Pacific, and has a tail-length more than 25% of its wingspan.” On Umboi Island the word “ropen” refers to a large nocturnal creature that glows briefly as it flies.[3] The ropen is the subject of folklore (like a man but also like a spirit) but it’s believed by some natives to be a real animal.[4] Descriptions vary, but it is often said to be batlike,[5] and sometimes, Pterosaur-like;[6] although pterosaurs are generally accepted to have been extinct.[7][8] The ropen is believed to be nocturnal and to exhibit bioluminescence.[9][10] Purportedly it lives on a diet of fish,[11] though there have been some reports of the creature feasting on human flesh, especially grave robbery.[12][13][14]


As an attempt to discredit mainstream scientific views on universal common descent or the age of the Earth, several American creationists, including Carl Baugh, Paul Nation, Jonathan Whitcomb,[15] David Woetzel, and Garth Guessman have embarked on expeditions[16] in Papua New Guinea.

In late 2006, Paul Nation, of Texas, explored a remote mountainous area on the mainland of Papua New Guinea.[17] He videotaped two lights that the local natives called “indava.” Nation believed the lights were from the bioluminescence of creatures similar to the ropen of Umboi Island. The video was analyzed by a missile defense physicist who reported that the two lights on the video were not from any fires, meteors, airplanes or camera artifacts. He also reported that the image of the two lights was authentic and was not manipulated or hoaxed.[18]

In 2007, cryptid investigator Joshua Gates went to Papua New Guinea in search of the Ropen for his TV show Destination Truth. He and his team also witnessed strange lights at night and could not confirm what they were.

In 2009, the television show Monster Quest conducted an expedition in search of the “demon flyer” but found no evidence of the creature. Later, they had a forensic video analyst examine the Paul Nation video. The analyst could not definitely conclude what was causing the lights, but ruled out vehicles and campfires believing the footage was of a pair of bioluminescent creatures perched in a tree that later take flight.


As is often the case with cryptids, the Ropen’s true identity is subject to debate. Some believe it to be a rhamphorhynchoid-like creature (a long-tailed pterosaur, which went extinct in the late Jurassic), while others suggest that the Ropen is a misidentified bat (e.g. flying foxes, which are large fruit bats than can have wingspans up to 2 metres (6.6 feet), or frigatebird. Flying lights in Papua New Guinea have been reported by not only natives but by Western visitors. Evelyn Cheesman, an entomologist, mentions them in her book The Two Roads of Papua (published in 1935): “baffling” lights that lasted “about four or five seconds.” The book Searching for Ropens says that the “ropen” light of Umboi Island lasts for about “five seconds.” There is also said to be a creature called “Duah” that is said to be another kind of ropen, but according to Searching for Ropens the correct word is actually “duwas,” and it is just another name, in a different language, for the same creature.


Here’s a the History Channel’s documentary:



So do we have dinosaurs among us? You decide. Stay tuned for more CREATURES FROM BEYOND!!!

Scientist Claims Mars Moon Phobos Is Hollow and artificial!

I have been always interested in Space and all it’s oddities. One of them is the moons of Mars. They are just full of mystery and it feels that something is not right. Same thoughts have Dr. Iosif Samuilovich Shklovsky and here they are, enjoy:

Astrophysicist Dr. Iosif Samuilovich Shklovsky calculated the orbital motion of Martian satellite Phobos and came to the jaw-dropping conclusion that the moon is artificial, hollow, and basically a titanic spaceship.

Phobos is spaceship says famous scientist Dr. Iosif Samuilovich Shklovsky

The scientist is world-renown for penning the classic science book, “Intelligent Life in the Universe” with famous Cornell University professor, the late Carl Sagan of PBS and Voyager space probe fame.

Fear and Horror

Mars’ two moons, Phobos and Deimos, translate into “fear” and “horror.” As Mars is named after the god of war, the names seem appropriate. Both satellites were discovered in 1877 by U.S. astronomer Asaph Hall who never guessed they were artificial.

Both moons are extremely odd, especially the tumbling moon of fear: Phobos. Shklovsky puzzled over them.

Deeply troubling facts

Two facts deeply troubled Shklovsky.

First, both moons are too small. No other planet in the solar system has moons as tiny as the Martian moons. They’re unique.

Second, their origin bothered him. Were they captured asteroids as others assumed? No, they could not be! Their orbital plane was all wrong. And they’re too close to Mars. Much too close. Even more amazing–Phobos changes its speed from time to time.

Impossible, yet true!

Russian astronomer Dr. Cherman Struve spent months calculating the Martian moons’ orbits with extreme accuracy early in the 20th Century. Yet, Shklovsky astutely noted, as the years progressed into decades the mystery moon’s orbital velocity and position no longer matched its mathematically predicted position.

After lengthy study of the tidal, gravitic, and magnetic forces, Shklovsky came to the inescapable conclusion that no natural causes could account for the origins of the two odd moons or their bizarre behavior, particularly that exhibited by Phobos.

The orbit of that fantastic moon was so peculiar, so bizarre, that Phobos had to be a gigantic spaceship.

Every other possible cause was carefully considered and resignedly rejected. Either alternate explanations had no supporting proof or the math was wildly off.

So, Phobos had to be accelerating as it lost altitude, yet could the outer fringes of the thin Martian atmosphere be affecting it? Was the atmosphere actually causing a braking action like the deteriorating orbit of a slowing Earth satellite?

Phobos is a hollow, empty tin can

During an interview about the peculiarities surrounding Phobos, Shklovsky said, “In order to make this braking action so significant, and taking into account the extremely rarefied Martian atmosphere at this altitude, Phobos should have very small mass, that is, very low average density, approximately one thousand times smaller than the density of water.”

A density that low, less than an Earth cloud, would have dispersed Phobos eons ago. That could not be the solution.

“But can a continuous solid have such low density, probably smaller than that of air? Of course not! There’s only one way in which the requirements of coherence, constancy of shape of Phobos, and its extremely small average density can be reconciled. We must assume that Phobos is a hollow, empty body, resembling an empty tin can.”

A tin can indeed! Like a spaceship is a tin can in the cosmos. For all intents and purposes, the Apollo Lunar Excursion Module was a tin can exceedingly smaller than Phobos, of course.

“Well, can a natural celestial body be hollow? Never! Therefore, Phobos must have an artificial origin and be an artificial Martian satellite. The peculiar properties of Deimos, though less pronounced than those of Phobos, also point toward an artificial origin.”

Alien spaceships the size of small moons orbiting Mars? That makes the so-called “Face on Mars” look ridiculously feeble by comparison!

Strange monolith on surface of Phobos

Yet, no less than the United States Naval Observatory weighed in on the Russian astrophysicist’s amazing revelation, stating: Dr. Shklovsky quite correctly calculated that if the acceleration of Phobos is true, the Martian moon must be hollow, since it cannot have the weight of a natural body and behave in the prescribed manner.

Thus, even that august American institution conceded that mysterious alien ships might be orbiting Mars…the objects’ strange origins and ultimate purposes completely unknown.

Speculations over what the giant artificial spaceships might be have ranged from massive Martian space observatories, to half-completed generational interstellar spaceships, or even gargantuan planet-killing space bombs left over from an interplanetary war waged millions of years ago.


Shklovsky’s “Hollow Phobos” hypothesis

In the late 1950s and 1960s, the unusual orbital characteristics of Phobos led to speculations that it might be hollow.

Around 1958, Russian astrophysicist Iosif Samuilovich Shklovsky, studying the secular acceleration of Phobos’s orbital motion, suggested a “thin sheet metal” structure for Phobos, a suggestion which led to speculations that Phobos was of artificial origin.[44] Shklovsky based his analysis on estimates of the upper Martian atmosphere’s density, and deduced that for the weak braking effect to be able to account for the secular acceleration, Phobos had to be very light — one calculation yielded a hollow iron sphere 16 kilometers (9.9 mi) across but less than 6 cm thick.[44][45] In a February 1960 letter to the journal Astronautics,[46] Fred Singer, then science advisor to U.S. President Dwight D. Eisenhower, said of Shklovsky’s theory:

If the satellite is indeed spiraling inward as deduced from astronomical observation, then there is little alternative to the hypothesis that it is hollow and therefore Martian made. The big ‘if’ lies in the astronomical observations; they may well be in error. Since they are based on several independent sets of measurements taken decades apart by different observers with different instruments, systematic errors may have influenced them.[46]

Subsequently, the systemic data errors that Singer predicted were found to exist, and the claim was called into doubt,[47] and accurate measurements of the orbit available by 1969 showed that the discrepancy did not exist.[48] Singer’s critique was justified when earlier studies were discovered to have used an overestimated value of 5 cm/yr for the rate of altitude loss, which was later revised to 1.8 cm/yr.[49] The secular acceleration is now attributed to tidal effects,[47] which had not been considered in the earlier studies.

The density of Phobos has now been directly measured by spacecraft to be 1.887 g/cm3.[4] Current observations are consistent with Phobos being a rubble pile.[4] In addition, images obtained by the Viking probes in the 1970s clearly showed a natural object, not an artificial one. Nevertheless, mapping by the Mars Express probe and subsequent volume calculations do suggest the presence of voids within the moon and indicate that it is not a solid chunk of rock but a porous body instead.[50] The porosity of Phobos was calculated to be 30% ± 5%, or a quarter to a third of the moon being hollow. This void space is mostly on small scales (millimeters to ~1-m), between individual grains and boulders.[6]


And because I am also interested in remote viewing of course I had to find something about that too. So here remote viewer Edwrd Riordan remote views Phobos:


And here Richard c Hoagland talks about Phobos on Coast To Coast:


So again it’s up to you make the decision what is the Truth.

What are you doing? Oh just reading your Akashic records…

Have you ever heard that everything what is happened and what will happen in the reality Matrix have been stored in the “usb memory” of the Universe? It means that if you have the ability to view those records, you can see all the past and the future. Pretty interesting idea and there is this guy who says, that he can read those records and see peoples past lives and the current life mission. This post is about a man called Andrew Bartzis, who can read the memory of the Universe as it was yesterday’s newspaper:

Galactic Historian Andrew Bartzis has the rare ability to view the Akashic records, both Universal and individual. Right now, there are a group of people who are called ‘The Dreamers’ and they are working on creating a new age for humanity while other people are finding members of their soul groups and are connecting with one another on multiple levels of consciousness.

Please bookmark this page and find the time to hear all three parts of this interview. More information will be released soon and will be updated here on In5D.

>> Andrew’s website



Here is the description of Akashic records:

Akashic records

From Wikipedia, the free encyclopedia
In theosophy and anthroposophy, the akashic records (from akasha, the Sanskrit word for ‘sky’ ‘space’ or ‘aether‘) are a compendium of mystical knowledge supposedly encoded in a non-physical plane of existence known as the astral plane.


The akashic records – akasha being a Sanskrit word meaning “sky”, “space” or “aether” – are described as containing all knowledge of human experience and all experiences as well as the history of the cosmos encoded or written in the very aether or fabric of all existence. The records or The Book of Life in the Bible (Psalm 69:28, Philippians 4:3, Revelation 3:5, 13:8, 17:8, 20:12, 20:15 and Revelation 21:27) are described as being in a non-physical plane described as a library; other analogies commonly found in discourse on the subject include a “universal supercomputer” and the “Mind of God”. People who describe the records assert that they are constantly updated automatically, and that they can be accessed through astral projection or under deep hypnosis. The concept was popularized in the theosophical, a 19th century occult Victorian orientalism movement founded by Madame H. P. Blavatsky, writer of several books. According to the doctrine, there is no end to all things – merely a convergence or return to a light body of consciousness. Various views are held according to study, because this is not a religion. It is derived from Hindu philosophy of Samkhya as well as ancient Tibetan scrolls and Buddhist writings. It is promulgated in the Samkhya philosophy that the Akashic records are automatically recorded in the elements of akasha – one of the five types of elements visualized as existing in the elemental theory of Ancient India, called Mahabharta which is not a religious book, but rather a collection of colorfully historical stories spanning millions of years, from a period of prehistory and pregenesis (an esoteric biblical dogma) period of a long dead advanced civilization, wiped out by war and other calamity.

In the Mahabharata mention is made of Chitragupta (lit. “hidden picture”). He is the son of Brahma and a minister of Dharma and his duty is to examine a list of the good and evil actions of men (the Agrasamdhani) after their death. “Nothing is lost of either piety or sin that is committed by creatures. On days of the full moon and the new moon, those acts are conveyed to the Sun where they rest. When a mortal goes into the region of the dead, the deity of the Sun bears witness to all his acts. He that is righteous acquires the fruits of his righteousness there.” (Mahabharata, Anusasana Parva, Section 130, Ganguli trans.)

Accounts of purported akashic access

C.W. Leadbeater, who claimed to be clairvoyant, conducted research into the akashic records. He said he inspected them at the Theosophical Society headquarters in Adyar (Tamil Nadu), India in 1910 and recorded the results in his book Man: How, Whence, and Whither? The book reputes to record the history of Atlantis and other civilizations as well as the future society of Earth in the 28th century.[1]

Alice A. Bailey is not part of orthodox Theosophy but branched off in her own Bailey group known as The Lucis Trust formally the Lucifer Trust. She wrote in her book Light of the Soul on The Yoga Sutras of Patanjali – Book 3 – Union achieved and its Results:

“The akashic record is like an immense photographic film, registering all the desires and earth experiences of our planet. Those who perceive it will see pictured thereon: The life experiences of every human being since time began, the reactions to experience of the entire animal kingdom, the aggregation of the thought-forms of a karmic nature (based on desire) of every human unit throughout time. Herein lies the great deception of the records. Only a trained occultist can distinguish between actual experience and those astral pictures created by imagination and keen desire.”

Rudolf Steiner referred to the Akashic Records and reported about Atlantis, Lemuria, the evolution of man and earth, et cetera. [2][3]

In The Law of One, Book I, a book purported to contain conversations with a channeled “social memory complex” known to humans as Ra, when the questioner asks where Edgar Cayce received his information, the answer received is,

“We have explained before that the intelligent infinity is brought into intelligent energy from eighth density or octave. The one sound vibratory complex called Edgar used this gateway to view the present, which is not the continuum you experience but the potential social memory complex of this planetary sphere. The term your peoples have used for this is the “Akashic Record” or the “Hall of Records“.”[4]

I would like to have that ability. It would be awesome to know ALL the answers and of course the Truth.

“Truth is mighty and will prevail. There is nothing the matter with this, except that it ain’t so.”
MARK TWAIN, Mark Twain’s Notebooks

Time travelers part VI, Bruce Gernon

Small update to “Time travelers” series a man named Bruce Gernon. Bruce Gernon is the only person in the world to witness what creates the Bermuda Triangle. Others have seen parts of this phenomenon and some have seen it but vanished. Gernon is the only one to see this from its birth stage through its mature stage and enter the heart of the Timestorm and escape through a Tunnel Vortex and experience a time warp of 30 minutes forward in time and 100 miles forward in space.

Traveler: Bruce Gernon
Traveler type: Unofficial time traveler
Evidence: Disappeared on radar, traveled through 100 miles of space and 30 minutes of time in a little more than three minutes
Status now: Alive and tells the same story

Here is his story:

My dad and I had been flying our own plane in the Bahamas since 1967, and had made at least a dozen flights to and from Andros Island. Everything seemed normal on that fateful day in December, just after 3 p.m., when my dad and I and Chuck Lafeyette, a business associate, lifted off the runway at Andros town Airport in a brand new Beechcraft Bonanza A36.

It was shortly after takeoff when I noticed an elliptical cloud directly in front of us about a mile away, hovering only about 500 feet above the ocean. It was a typical lenticular cloud, but I had never seen one that low.

How the lenticular cloud appeared from
Gernon’s vantage point while flying over Andros
Courtesy of Bruce Gernon.

Unexpectedly, it caught up and engulfed the Bonanza. After 10 minutes of climbing in and out of this cloud, the airplane finally broke free at 11,500 feet and the sky was clear.

Soon we noticed a cloud building directly in front of us, near the Bimini Islands. It looked a great deal like the cloud that we had just left, except that its top was at least 60,000 feet high. When we came with a few miles of it, we saw that it appeared to emanate directly from the surface of the Earth.

Upon entering the cloud we witnessed an uncanny spectacle. It became dark and black, without rain, and visibility was about four or five miles. There were no lightning bolts, only extraordinarily bright white flashes that would illuminate the entire surrounding area. The deeper we penetrated, the more intense the flashes became, so we made a 135-degree turn to the left and headed due south out of the cloud.

We had been flying for 27 minutes.

Contrails form while exiting the tunnel. Courtesy of Bruce Gernon

Thirteen miles later, I noticed a large U-shaped opening on the west side of the doughnut cloud. I had no choice but to turn and try to exit through the opening. As we approached, we watched the top ends of the U-gap join, forming a hole. The break in the cloud now formed a perfect horizontal tunnel, one mile wide and more than 10 miles long. We could see the clear blue sky on the other side.

We also saw that the tunnel was rapidly shrinking. I increased the engine RPM, bringing our speed to the caution area of 230 miles per hour. When we entered the tunnel, its diameter had narrowed to only 200 feet.

I was amazed at what the shaft now looked like. It appeared to be only a mile long instead of ten-plus as I had originally estimated. Light from the afternoon sun shone through the exit hole and made the silky white walls glow. The walls were perfectly round and slowly constricting. All around the edges were small puffs of clouds of a contrasting gray, swirling counterclockwise around the airplane. We were in the tunnel for only 20 seconds before we emerged from the other end.

When I looked back, I gasped to see the tunnel walls collapse and form a slit that slowly rotated clockwise. All of our electronic and magnetic navigational instruments were malfunctioning. Suddenly the fog started breaking apart, in a weird sort of electronic fashion. Long horizontal lines appeared in the fog on either side of us. The lines widened into slits about four or five miles long. We saw blue sky through them. The slits continued expanding and joined together. Within eight seconds, all the slits had joined, and the gray fog had disappeared.

The “electronic fog” dissipates and Miami
Beach comes into view.
Courtesy of Bruce Gernon

Then, I saw the barrier island of Miami Beach directly below. The remarkable thing is that we did not come out of the storm 90 miles away from Miami as we should have.We had traveled through 100 miles of space and 30 minutes of time in a little more than three minutes.


Here is the Ancient Aliens document and they study The Bermuda Triangle. One part of this documentary is Bruce Gernon story:


Clip from a documentary about the Bermuda Triangle (Devil’s Sea). Bruce Gernon tells a pretty bizaar story about his 1970 experience as a pilot flying in the area. It deals with time travel, the fabric of space time, that kind of stuff that theoretical physicists talk about.


“Nobody ever sees truth except in fragments.”
HENRY WARD BEECHER, Proverbs from Plymouth Pulpit

Mystery places: Eternal Silence (sculpture)

This mystery place has a sculpture, which is very haunting and we don’t know what it is about. So here is a Eternal Silence:

According to folklore looking into the eyes of the statue will give the viewer a vision of their own death.
Location: Chicago, Cook County, Illinois, USA
Built: 1909
Built by: Jules Bercham
Architectural style: Art Nouveau
Sculptor: Lorado Taft
Governing body: Graceland Cemetery
Part of: Graceland Cemetery (#00001628)
Added to NRHP: January 18, 2001

Eternal Silence, alternatively known as the Dexter Graves Monument or the Statue of Death,[1] is a monument in Chicago’sGraceland Cemetery. It is a bronze sculpture set on and backdropped by black granite. It was created by American sculptor Lorado Taft in 1909.


Eternal Silence is a monument in Graceland Cemetery to Dexter Graves, who led a group of thirteen families who moved to Chicago from Ohio in 1831.[2] He died in 1844, and the monument was commissioned from sculptor Lorado Taft in 1909 by Graves’ son Henry Graves.[3] In Ada Bartlett Taft’s 1946 Lorado Taft; Sculptor and Citizen, it was listed as one of his most important works.[4] Images of Eternal Silence have been used in other artworks, including works by Claes Oldenburg.[4] One folktale claims that if an unsuspecting viewer were to look into the eyes of Eternal Silence’s hooded figure, the viewer would be shown a vision of his or her own death.[1]


Hooded bronze figure

Eternal Silence has been called “eerie”,[3] “somber”,[3] “grim-looking”,[5] “mysterious”,[6] and “haunting”.[6] The bronze figure, based on traditional depictions of the Grim Reaper, is set against a black granite base and stands ten feet tall upon that base.[3] The black granite provides contrast for the bronze statue, which is heavily oxidized because of its age.[3][7] The hooded figure was influenced by Taft’s own “ideas on death and silence”.[4] Historically speaking, the figure in Eternal Silence is related to the sculpted funeral procession around the tomb of Philip the Bold in Dijon, France and the Adams Memorial by Augustus Saint-Gaudens in Washington, D.C.[4] The statue is considered famous and has been noted as Graceland Cemetery’s most “unforgettable” monument.[1][3][7] The monument was designed by Taft and cast by Jules Bercham.[8][9] On its base, Taft inscribed the north side with his signature; the south side is inscribed with Am. Art Bronze Foundry J. Bercham -Chicago-.[3] The monument falls within Art Nouveau style.[4]


Here is something about the sculptor Lorado Taft:

Lorado Taft.jpg
Born April 29, 1860
Elmwood, Illinois
Died October 30, 1936 (aged 76)
Chicago, Illinois
Nationality American
Field Sculpture

Lorado Zadoc Taft (April 29, 1860 – October 30, 1936) was an American sculptor, writer and educator. Taft was born in Elmwood, Illinois in 1860 and died in his home studio in Chicago in 1936.[1]

Early years and education

After being homeschooled by his parents, Taft earned his bachelor’s degree (1879) and master’s degree (1880) from the University of Illinois where his father was a professor of geology.[2] The same year he left for Paris to study sculpture, he continued to maintain his connections with the university in Urbana and his sculpture of Alma Mater at Urbana has come to symbolize something significant.[citation needed]

In Paris, Taft attended the École nationale supérieure des Beaux-Arts from 1880 to 1883, where he studied with Augustin Dumont, Jean-Marie Bonnassieux and Jules Thomas. His record there was outstanding; he was cited as “top man” in his studio and twice exhibited at the Salon. Upon returning to the United States in 1886 he settled in Chicago. He taught at the Art Institute of Chicago, a post he was to remain at until 1929. In addition to work in clay and plaster, Taft taught his students marble carving, and had them work on group projects. He also lectured at the University of Chicago and the University of Illinois.[3]

In 1892, while the art community of Chicago was preparing for the World’s Columbian Exposition of 1893, chief architect Daniel Burnham expressed concern to Taft that the sculptural adornments to the buildings might not be finished on time. Taft asked if he could employ some of his female students as assistants (it was not socially accepted for women to work as sculptors at that time) for the Horticultural Building, Burnham responded with the classic reply, “Hire anyone, even white rabbits if they’ll do the work.” From that arose a group of talented women sculptors who were to retain the name “the White Rabbits.” These included Enid Yandell, Carol Brooks MacNeil, Bessie Potter Vonnoh, Janet Scudder, and Julia Bracken. Later another former successful student who emigrated to Canada, Frances Loring, noted that Taft used his students’ talents to further his own career, a not uncommon observation by students regarding their teachers. In general, history has given Taft credit for helping to advance the status of women as sculptors.

In 1898, Taft was a founding member of the Eagle’s Nest Art Colony in the small town of Oregon, Illinois. Taft designed the Columbus Fountain at Union Station in Washington, D.C., in collaboration with Daniel Burnham.

Later years

In 1903 Taft published The History of American Sculpture, the first survey of the subject. In some settings, Taft is perhaps better known for his published writings than for his sculpture. The revised 1925 version of this text was to remain the standard reference on this subject until Wayne Craven published “Sculpture in America” in 1968. Taft also wrote Modern Tendencies in Sculpture (1921).

As Taft grew older, his eloquent speaking skills and compelling writing led him, along with Frederick Ruckstull, to the forefront of sculpture’s conservative ranks, where he often served as a spokesperson against the modern and abstract trends which developed in sculpture during his lifetime. Taft’s frequent lecture tours for the Chautauqua also gave him a broad, popular celebrity status in this period.

In 1921, Taft published Modern Tendencies in Sculpture, a compilation of his lectures given at the Art Institute of Chicago. The book continues to be regarded as an excellent survey of American sculpture in the early years of the 20th century; and it offered a distinct perspective on the development of European sculpture at that time.

Taft was a member of the National Academy of Design, the National Institute of Arts and Letters, and the American Academy of Arts and Letters; he headed the National Sculpture Society in the 1920s and served on the Board of Art Advisors of Illinois. He received numerous awards, prizes, and honorary degrees, served on the U.S. Commission of Fine Arts from 1925 to 1929, and was an honorary member of the American Institute of Architects. His papers reside in collections at the Smithsonian Archives of American Art, the University of Illinois, and the Art Institute of Chicago.[4].

Taft was active until the end of his life. The week before he died, he attended the Quincy, Illinois dedication ceremonies for his sculpture celebrating the Lincoln-Douglas debates.[1]

He left unfinished a vast work to be called the “Fountain of Creation” which he planned to place at the opposite end of the Chicago Midway from the “Fountain of Time.”[5] Parts of this work were donated to the University of Illinois at Urbana–Champaign and are now at the library and Foellinger Auditorium. The University named a dormitory and a street in Taft’s honor.[6]

Sculptor’s body of work

Lorado Taft was a member of the National Sculpture Society and exhibited at both their 1923 and 1929 shows. Today Taft is best remembered for his various fountains.

Following more than a dozen years of work, Taft’s Fountain of Time was unveiled at the west end of Chicago’s Midway Plaisance in 1922. Based on poet Austin Dobson‘s lines – “Time goes, you say? Ah no, Alas, time stays, we go.” – the fountain shows a cloaked figure of time observing the stream of humanity flowing past.

Pioneer & Patriot Groups for the Louisiana State Capitol Building

The last major commission that Taft was to complete in his life was two groups for the front entrance to the Louisiana State Capitol Building, dedicated in 1932.

Here’s a YouTube mini document about Taft’s statues:



So here you have a nice little mystery place called “Eternal Silence”. Check it out if you live nearby.